125 research outputs found
Dynamic layout of visual summaries for scalable video
The paper brings a novel method for generating visual summaries of scalable videos. The generated summaries can dynamically adapt to requirements defined by display size, userpsilas needs or channel limitations. It utilises compressed domain features coupled with efficient contour evolution algorithm in order to generate a scale space of temporal video descriptors. The layout of the visual summary is created using an efficient graph clustering technique and a fast discrete optimisation algorithm, enabling dynamic video summarisation in real-time. The experimental results show good scalability of the dynamic layout and highly efficient generation of visual summaries
Video browsing interfaces and applications: a review
We present a comprehensive review of the state of the art in video browsing and retrieval systems, with special emphasis on interfaces and applications. There has been a significant increase in activity (e.g., storage, retrieval, and sharing) employing video data in the past decade, both for personal and professional use. The ever-growing amount of video content available for human consumption and the inherent characteristics of video data—which, if presented in its raw format, is rather unwieldy and costly—have become driving forces for the development of more effective solutions to present video contents and allow rich user interaction. As a result, there are many contemporary research efforts toward developing better video browsing solutions, which we summarize. We review more than 40 different video browsing and retrieval interfaces and classify them into three groups: applications that use video-player-like interaction, video retrieval applications, and browsing solutions based on video surrogates. For each category, we present a summary of existing work, highlight the technical aspects of each solution, and compare them against each other
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User-centred video abstraction
This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University LondonThe rapid growth of digital video content in recent years has imposed the need for the development of technologies with the capability to produce condensed but semantically rich versions of the input video stream in an effective manner. Consequently, the topic of Video Summarisation is becoming increasingly popular in multimedia community and numerous video abstraction approaches have been proposed accordingly. These recommended techniques can be divided into two major categories of automatic and semi-automatic in accordance with the required level of human intervention in summarisation process. The fully-automated methods mainly adopt the low-level visual, aural and textual features alongside the mathematical and statistical algorithms in furtherance to extract the most significant segments of original video. However, the effectiveness of this type of techniques is restricted by a number of factors such as domain-dependency, computational expenses and the inability to understand the semantics of videos from low-level features. The second category of techniques however, attempts to alleviate the quality of summaries by involving humans in the abstraction process to bridge the semantic gap. Nonetheless, a single user’s subjectivity and other external contributing factors such as distraction will potentially deteriorate the performance of this group of approaches. Accordingly, in this thesis we have focused on the development of three user-centred effective video summarisation techniques that could be applied to different video categories and generate satisfactory results. According to our first proposed approach, a novel mechanism for a user-centred video summarisation has been presented for the scenarios in which multiple actors are employed in the video summarisation process in order to minimise the negative effects of sole user adoption. Based on our recommended algorithm, the video frames were initially scored by a group of video annotators ‘on the fly’. This was followed by averaging these assigned scores in order to generate a singular saliency score for each video frame and, finally, the highest scored video frames alongside the corresponding audio and textual contents were extracted to be included into the final summary. The effectiveness of our approach has been assessed by comparing the video summaries generated based on our approach against the results obtained from three existing automatic summarisation tools that adopt different modalities for abstraction purposes. The experimental results indicated that our proposed method is capable of delivering remarkable outcomes in terms of Overall Satisfaction and Precision with an acceptable Recall rate, indicating the usefulness of involving user input in the video summarisation process. In an attempt to provide a better user experience, we have proposed our personalised video summarisation method with an ability to customise the generated summaries in accordance with the viewers’ preferences. Accordingly, the end-user’s priority levels towards different video scenes were captured and utilised for updating the average scores previously assigned by the video annotators. Finally, our earlier proposed summarisation method was adopted to extract the most significant audio-visual content of the video. Experimental results indicated the capability of this approach to deliver superior outcomes compared with our previously proposed method and the three other automatic summarisation tools. Finally, we have attempted to reduce the required level of audience involvement for personalisation purposes by proposing a new method for producing personalised video summaries. Accordingly, SIFT visual features were adopted to identify the video scenes’ semantic categories. Fusing this retrieved data with pre-built users’ profiles, personalised video abstracts can be created. Experimental results showed the effectiveness of this method in delivering superior outcomes comparing to our previously recommended algorithm and the three other automatic summarisation techniques
Highly efficient low-level feature extraction for video representation and retrieval.
PhDWitnessing the omnipresence of digital video media, the research community has
raised the question of its meaningful use and management. Stored in immense
multimedia databases, digital videos need to be retrieved and structured in an
intelligent way, relying on the content and the rich semantics involved. Current
Content Based Video Indexing and Retrieval systems face the problem of the semantic
gap between the simplicity of the available visual features and the richness of user
semantics.
This work focuses on the issues of efficiency and scalability in video indexing and
retrieval to facilitate a video representation model capable of semantic annotation. A
highly efficient algorithm for temporal analysis and key-frame extraction is developed.
It is based on the prediction information extracted directly from the compressed domain
features and the robust scalable analysis in the temporal domain. Furthermore,
a hierarchical quantisation of the colour features in the descriptor space is presented.
Derived from the extracted set of low-level features, a video representation model that
enables semantic annotation and contextual genre classification is designed.
Results demonstrate the efficiency and robustness of the temporal analysis algorithm
that runs in real time maintaining the high precision and recall of the detection task.
Adaptive key-frame extraction and summarisation achieve a good overview of the
visual content, while the colour quantisation algorithm efficiently creates hierarchical
set of descriptors. Finally, the video representation model, supported by the genre
classification algorithm, achieves excellent results in an automatic annotation system by
linking the video clips with a limited lexicon of related keywords
Audio-visual football video analysis, from structure detection to attention analysis
Sport video is an important video genre. Content-based sports video analysis attracts great interest from both industry and academic fields. A sports video is characterised by repetitive temporal structures, relatively plain contents, and strong spatio-temporal variations, such as quick camera switches and swift local motions. It is necessary to develop specific techniques for content-based sports video analysis to utilise these characteristics.
For an efficient and effective sports video analysis system, there are three fundamental questions: (1) what are key stories for sports videos; (2) what incurs viewer’s interest; and (3) how to identify game highlights. This thesis is developed around these questions. We approached these questions from two different perspectives and in turn three research contributions are presented, namely, replay detection, attack temporal structure decomposition, and attention-based highlight identification.
Replay segments convey the most important contents in sports videos. It is an efficient approach to collect game highlights by detecting replay segments. However, replay is an artefact of editing, which improves with advances in video editing tools. The composition of replay is complex, which includes logo transitions, slow motions, viewpoint switches and normal speed video clips. Since logo transition clips are pervasive in game collections of FIFA World Cup 2002, FIFA World Cup 2006 and UEFA Championship 2006, we take logo transition detection as an effective replacement of replay detection. A two-pass system was developed, including a five-layer adaboost classifier and a logo template matching throughout an entire video. The five-layer adaboost utilises shot duration, average game pitch ratio, average motion, sequential colour histogram and shot frequency between two neighbouring logo transitions, to filter out logo transition candidates. Subsequently, a logo template is constructed and employed to find all transition logo sequences. The precision and recall of this system in replay detection is 100% in a five-game evaluation collection.
An attack structure is a team competition for a score. Hence, this structure is a conceptually fundamental unit of a football video as well as other sports videos. We review the literature of content-based temporal structures, such as play-break structure, and develop a three-step system for automatic attack structure decomposition. Four content-based shot classes, namely, play, focus, replay and break were identified by low level visual features. A four-state hidden Markov model was trained to simulate transition processes among these shot classes. Since attack structures are the longest repetitive temporal unit in a sports video, a suffix tree is proposed to find the longest repetitive substring in the label sequence of shot class transitions. These occurrences of this substring are regarded as a kernel of an attack hidden Markov process. Therefore, the decomposition of attack structure becomes a boundary likelihood comparison between two Markov chains.
Highlights are what attract notice. Attention is a psychological measurement of “notice ”. A brief survey of attention psychological background, attention estimation from vision and auditory, and multiple modality attention fusion is presented. We propose two attention models for sports video analysis, namely, the role-based attention model and the multiresolution autoregressive framework. The role-based attention model is based on the perception structure during watching video. This model removes reflection bias among modality salient signals and combines these signals by reflectors. The multiresolution autoregressive framework (MAR) treats salient signals as a group of smooth random processes, which follow a similar trend but are filled with noise. This framework tries to estimate a noise-less signal from these coarse noisy observations by a multiple resolution analysis. Related algorithms are developed, such as event segmentation on a MAR tree and real time event detection. The experiment shows that these attention-based approach can find goal events at a high precision. Moreover, results of MAR-based highlight detection on the final game of FIFA 2002 and 2006 are highly similar to professionally labelled highlights by BBC and FIFA
A scalable approach to video summarization and adaptation
Tesis doctoral inédita. Universidad Autónoma de Madrid, Escuela Politécnica Superior, octubre de 201
Construction de mosaïques de super-résolution à partir de la vidéo de basse résolution. Application au résumé vidéo et la dissimulation d'erreurs de transmission.
La numérisation des vidéos existantes ainsi que le développement explosif des services multimédia par des réseaux comme la diffusion de la télévision numérique ou les communications mobiles ont produit une énorme quantité de vidéos compressées. Ceci nécessite des outils d’indexation et de navigation efficaces, mais une indexation avant l’encodage n’est pas habituelle. L’approche courante est le décodage complet des ces vidéos pour ensuite créer des indexes. Ceci est très coûteux et par conséquent non réalisable en temps réel. De plus, des informations importantes comme le mouvement, perdus lors du décodage, sont reestimées bien que déjà présentes dans le flux comprimé. Notre but dans cette thèse est donc la réutilisation des données déjà présents dans le flux comprimé MPEG pour l’indexation et la navigation rapide. Plus précisément, nous extrayons des coefficients DC et des vecteurs de mouvement. Dans le cadre de cette thèse, nous nous sommes en particulier intéressés à la construction de mosaïques à partir des images DC extraites des images I. Une mosaïque est construite par recalage et fusion de toutes les images d’une séquence vidéo dans un seul système de coordonnées. Ce dernier est en général aligné avec une des images de la séquence : l’image de référence. Il en résulte une seule image qui donne une vue globale de la séquence. Ainsi, nous proposons dans cette thèse un système complet pour la construction des mosaïques à partir du flux MPEG-1/2 qui tient compte de différentes problèmes apparaissant dans des séquences vidéo réeles, comme par exemple des objets en mouvment ou des changements d’éclairage. Une tâche essentielle pour la construction d’une mosaïque est l’estimation de mouvement entre chaque image de la séquence et l’image de référence. Notre méthode se base sur une estimation robuste du mouvement global de la caméra à partir des vecteurs de mouvement des images P. Cependant, le mouvement global de la caméra estimé pour une image P peut être incorrect car il dépend fortement de la précision des vecteurs encodés. Nous détectons les images P concernées en tenant compte des coefficients DC de l’erreur encodée associée et proposons deux méthodes pour corriger ces mouvements. Unemosaïque construite à partir des images DC a une résolution très faible et souffre des effets d’aliasing dus à la nature des images DC. Afin d’augmenter sa résolution et d’améliorer sa qualité visuelle, nous appliquons une méthode de super-résolution basée sur des rétro-projections itératives. Les méthodes de super-résolution sont également basées sur le recalage et la fusion des images d’une séquence vidéo, mais sont accompagnées d’une restauration d’image. Dans ce cadre, nous avons développé une nouvelleméthode d’estimation de flou dû au mouvement de la caméra ainsi qu’une méthode correspondante de restauration spectrale. La restauration spectrale permet de traiter le flou globalement, mais, dans le cas des obvi jets ayant un mouvement indépendant du mouvement de la caméra, des flous locaux apparaissent. C’est pourquoi, nous proposons un nouvel algorithme de super-résolution dérivé de la restauration spatiale itérative de Van Cittert et Jansson permettant de restaurer des flous locaux. En nous basant sur une segmentation d’objets en mouvement, nous restaurons séparément lamosaïque d’arrière-plan et les objets de l’avant-plan. Nous avons adapté notre méthode d’estimation de flou en conséquence. Dans une premier temps, nous avons appliqué notre méthode à la construction de résumé vidéo avec pour l’objectif la navigation rapide par mosaïques dans la vidéo compressée. Puis, nous établissions comment la réutilisation des résultats intermédiaires sert à d’autres tâches d’indexation, notamment à la détection de changement de plan pour les images I et à la caractérisation dumouvement de la caméra. Enfin, nous avons exploré le domaine de la récupération des erreurs de transmission. Notre approche consiste en construire une mosaïque lors du décodage d’un plan ; en cas de perte de données, l’information manquante peut être dissimulée grace à cette mosaïque
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