Comparison for Improvements of Singing Voice Detection System Based on Vocal Separation

Singing voice detection is the task to identify the frames which contain the singer vocal or not. It has been one of the main components in music information retrieval (MIR), which can be applicable to melody extraction, artist recognition, and music discovery in popular music. Although there are several methods which have been proposed, a more robust and more complete system is desired to improve the detection performance. In this paper, our motivation is to provide an extensive comparison in different stages of singing voice detection. Based on the analysis a novel method was proposed to build a more efficiently singing voice detection system. In the proposed system, there are main three parts. The first is a pre-process of singing voice separation to extract the vocal without the music. The improvements of several singing voice separation methods were compared to decide the best one which is integrated to singing voice detection system. And the second is a deep neural network based classifier to identify the given frames. Different deep models for classification were also compared. The last one is a post-process to filter out the anomaly frame on the prediction result of the classifier. The median filter and Hidden Markov Model (HMM) based filter as the post process were compared. Through the step by step module extension, the different methods were compared and analyzed. Finally, classification performance on two public datasets indicates that the proposed approach which based on the Long-term Recurrent Convolutional Networks (LRCN) model is a promising alternative.Comment: 15 page

Parallels in the sequential organization of birdsong and human speech.

Human speech possesses a rich hierarchical structure that allows for meaning to be altered by words spaced far apart in time. Conversely, the sequential structure of nonhuman communication is thought to follow non-hierarchical Markovian dynamics operating over only short distances. Here, we show that human speech and birdsong share a similar sequential structure indicative of both hierarchical and Markovian organization. We analyze the sequential dynamics of song from multiple songbird species and speech from multiple languages by modeling the information content of signals as a function of the sequential distance between vocal elements. Across short sequence-distances, an exponential decay dominates the information in speech and birdsong, consistent with underlying Markovian processes. At longer sequence-distances, the decay in information follows a power law, consistent with underlying hierarchical processes. Thus, the sequential organization of acoustic elements in two learned vocal communication signals (speech and birdsong) shows functionally equivalent dynamics, governed by similar processes

Toward Leveraging Pre-Trained Self-Supervised Frontends for Automatic Singing Voice Understanding Tasks: Three Case Studies

Automatic singing voice understanding tasks, such as singer identification, singing voice transcription, and singing technique classification, benefit from data-driven approaches that utilize deep learning techniques. These approaches work well even under the rich diversity of vocal and noisy samples owing to their representation ability. However, the limited availability of labeled data remains a significant obstacle to achieving satisfactory performance. In recent years, self-supervised learning models (SSL models) have been trained using large amounts of unlabeled data in the field of speech processing and music classification. By fine-tuning these models for the target tasks, comparable performance to conventional supervised learning can be achieved with limited training data. Therefore, in this paper, we investigate the effectiveness of SSL models for various singing voice recognition tasks. We report the results of experiments comparing SSL models for three different tasks (i.e., singer identification, singing voice transcription, and singing technique classification) as initial exploration and aim to discuss these findings. Experimental results show that each SSL model achieves comparable performance and sometimes outperforms compared to state-of-the-art methods on each task. We also conducted a layer-wise analysis to further understand the behavior of the SSL models.Comment: Submitted to APSIPA 202

Proceedings of the 6th International Workshop on Folk Music Analysis, 15-17 June, 2016

The Folk Music Analysis Workshop brings together computational music analysis and ethnomusicology. Both symbolic and audio representations of music are considered, with a broad range of scientific approaches being applied (signal processing, graph theory, deep learning). The workshop features a range of interesting talks from international researchers in areas such as Indian classical music, Iranian singing, Ottoman-Turkish Makam music scores, Flamenco singing, Irish traditional music, Georgian traditional music and Dutch folk songs. Invited guest speakers were Anja Volk, Utrecht University and Peter Browne, Technological University Dublin

An HMM-Based Framework for Supporting Accurate Classification of Music Datasets

open3In this paper, we use Hidden Markov Models (HMM) and Mel-Frequency Cepstral Coecients (MFCC) to build statistical models of classical music composers directly from the music datasets. Several musical pieces are divided by instruments (String, Piano, Chorus, Orchestra), and, for each instrument, statistical models of the composers are computed.We selected 19 dierent composers spanning four centuries by using a total number of 400 musical pieces. Each musical piece is classied as belonging to a composer if the corresponding HMM gives the highest likelihood for that piece. We show that the so-developed models can be used to obtain useful information on the correlation between the composers. Moreover, by using the maximum likelihood approach, we also classied the instrumentation used by the same composer. Besides as an analysis tool, the described approach has been used as a classier. This overall originates an HMM-based framework for supporting accurate classication of music datasets. On a dataset of String Quartet movements, we obtained an average composer classication accuracy of more than 96%. As regards instrumentation classication, we obtained an average classication of slightly less than 100% for Piano, Orchestra and String Quartet. In this paper, the most signicant results coming from our experimental assessment and analysis are reported and discussed in detail.openCuzzocrea, Alfredo; Mumolo, Enzo; Vercelli, GianniCuzzocrea, Alfredo; Mumolo, Enzo; Vercelli, Giann

Flamenco music information retrieval.

El flamenco, un género musical centrado en la improvisación y la espontaneidad, tiene su origen en el sur de España y atrae a una creciente comunidad de aficionados de países de todo el mundo. El aumento constante y la accesibilidad a colecciones digitales de flamenco, en archivos de música y plataformas online, exige el desarrollo de métodos de análisis y descripción computacionales con el fin de indexar y analizar el contenido musical de manera automática. Music Information Retrieval (MIR) es un área de investigación multidisciplinaria dedicada a la extracción automática de información musical desde grabaciones de audio y partituras. Sin embargo, la gran mayoría de las herramientas existentes se dirigen a la música clásica y la música popular occidental y, a menudo, no se generalizan bien a las tradiciones musicales no occidentales, particularmente cuando las suposiciones relacionadas con la teoría musical no son válidas para estos géneros. Por otro lado, las características y los conceptos musicales específicos de una tradición musical pueden implicar nuevos desafíos computacionales, para los cuales no existen métodos adecuados. Esta tesis enfoca estas limitaciones existentes en el área abordando varios desafíos computacionales que surgen en el contexto de la música flamenca. Con este fin, se realizan una serie de contribuciones en forma de algoritmos novedosos, evaluaciones comparativas y estudios basados en datos, dirigidos a varias dimensiones musicales y que abarcan varias subáreas de ingeniería, matemática computacional, estadística, optimización y musicología computacional. Una particularidad del género, que influye enormemente en el trabajo presentado en esta tesis, es la ausencia de partituras para el cante flamenco. En consecuencia, los métodos computacionales deben basarse únicamente en el análisis de grabaciones, o de transcripciones extraídas automáticamente, lo que genera una colección de nuevos problemas computacionales. Un aspecto clave del flamenco es la presencia de patrones melódicos recurrentes, que esán sujetos a variación y ornamentación durante su interpretación. Desde la perspectiva computacional, identificamos tres tareas relacionadas a esta característica que se abordan en esta tesis: la clasificación por melodía, la búsqueda de secuencias melódicas y la extracción de patrones melódicos. Además, nos acercamos a la tarea de la detección no supervisada de frases melódicas repetidas y exploramos el uso de métodos de deep learning para la identificación de cantaores en grabaciones de video y la segmentación estructural de grabaciones de audio. Finalmente, demostramos en un estudio de minería de datos, cómo una exploración de anotaciones extraídas de manera automática de un corpus amplio de grabaciones nos ayuda a descubrir correlaciones interesantes y asimilar conocimientos sobre este género mayormente indocumentado.Flamenco is a rich performance-oriented art music genre from Southern Spain, which attracts a growing community of aficionados around the globe. The constantly increasing number of digitally available flamenco recordings in music archives, video sharing platforms and online music services calls for the development of genre-specific description and analysis methods, capable of automatically indexing and examining these collections in a content-driven manner. Music Information Retrieval is a multi-disciplinary research area dedicated to the automatic extraction of musical information from audio recordings and scores. Most existing approaches were however developed in the context of popular or classical music and do often not generalise well to non-Western music traditions, in particular when the underlying music theoretical assumptions do not hold for these genres. The specific characteristics and concepts of a music tradition can furthermore imply newcomputational challenges, for which no suitable methods exist. This thesis addresses these current shortcomings of Music Information Retrieval by tackling several computational challenge which arise in the context of flamenco music. To this end, a number of contributions to the field are made in form of novel algorithms, comparative evaluations and data-driven studies, directed at various musical dimensions and encompassing several sub-areas of computer science, computational mathematics, statistics, optimisation and computational musicology. A particularity of flamenco, which immensely shapes the work presented in this thesis, is the absence of written scores. Consequently, computational approaches can solely rely on the direct analysis of raw audio recordings or automatically extracted transcriptions, and this restriction generates set of new computational challenges. A key aspect of flamenco is the presence of reoccurring melodic templates, which are subject to heavy variation during performance. From a computational perspective, we identify three tasks related to this characteristic - melody classification, melody retrieval and melodic template extraction - which are addressed in this thesis. We furthermore approach the task of detecting repeated sung phrases in an unsupervised manner and explore the use of deep learning methods for image-based singer identification in flamenco videos and structural segmentation of flamenco recordings. Finally, we demonstrate in a data-driven corpus study, how automatic annotations can be mined to discover interesting correlations and gain insights into a largely undocumented genre