Content-based music classification, summarization and retrieval

Ph.DDOCTOR OF PHILOSOPH

Automatic transcription of polyphonic music exploiting temporal evolution

PhDAutomatic music transcription is the process of converting an audio recording into a symbolic representation using musical notation. It has numerous applications in music information retrieval, computational musicology, and the creation of interactive systems. Even for expert musicians, transcribing polyphonic pieces of music is not a trivial task, and while the problem of automatic pitch estimation for monophonic signals is considered to be solved, the creation of an automated system able to transcribe polyphonic music without setting restrictions on the degree of polyphony and the instrument type still remains open. In this thesis, research on automatic transcription is performed by explicitly incorporating information on the temporal evolution of sounds. First efforts address the problem by focusing on signal processing techniques and by proposing audio features utilising temporal characteristics. Techniques for note onset and offset detection are also utilised for improving transcription performance. Subsequent approaches propose transcription models based on shift-invariant probabilistic latent component analysis (SI-PLCA), modeling the temporal evolution of notes in a multiple-instrument case and supporting frequency modulations in produced notes. Datasets and annotations for transcription research have also been created during this work. Proposed systems have been privately as well as publicly evaluated within the Music Information Retrieval Evaluation eXchange (MIREX) framework. Proposed systems have been shown to outperform several state-of-the-art transcription approaches. Developed techniques have also been employed for other tasks related to music technology, such as for key modulation detection, temperament estimation, and automatic piano tutoring. Finally, proposed music transcription models have also been utilized in a wider context, namely for modeling acoustic scenes

Exploiting the bimodality of speech in the cocktail party problem

The cocktail party problem is one of following a conversation in a crowded room where there are many competing sound sources, such as the voices of other speakers or music. To address this problem using computers, digital signal processing solutions commonly use blind source separation (BSS) which aims to separate all the original sources (voices) from the mixture simultaneously. Traditionally, BSS methods have relied on information derived from the mixture of sources to separate the mixture into its constituent elements. However, the human auditory system is well adapted to handle the cocktail party scenario, using both auditory and visual information to follow (or hold) a conversation in a such an environment. This thesis focuses on using visual information of the speakers in a cocktail party like scenario to aid in improving the performance of BSS. There are several useful applications of such technology, for example: a pre-processing step for a speech recognition system, teleconferencing or security surveillance. The visual information used in this thesis is derived from the speaker's mouth region, as it is the most visible component of speech production. Initial research presented in this thesis considers a joint statistical model of audio and visual features, which is used to assist in control ling the convergence behaviour of a BSS algorithm. The results of using the statistical models are compared to using the raw audio information alone and it is shown that the inclusion of visual information greatly improves its convergence behaviour. Further research focuses on using the speaker's mouth region to identify periods of time when the speaker is silent through the development of a visual voice activity detector (V-VAD) (i.e. voice activity detection using visual information alone). This information can be used in many different ways to simplify the BSS process. To this end, two novel V-VADs were developed and tested within a BSS framework, which result in significantly improved intelligibility of the separated source associated with the V-VAD output. Thus the research presented in this thesis confirms the viability of using visual information to improve solutions to the cocktail party problem.EThOS - Electronic Theses Online ServiceGBUnited Kingdo

Exploiting the bimodality of speech in the cocktail party problem

The cocktail party problem is one of following a conversation in a crowded room where there are many competing sound sources, such as the voices of other speakers or music. To address this problem using computers, digital signal processing solutions commonly use blind source separation (BSS) which aims to separate all the original sources (voices) from the mixture simultaneously. Traditionally, BSS methods have relied on information derived from the mixture of sources to separate the mixture into its constituent elements. However, the human auditory system is well adapted to handle the cocktail party scenario, using both auditory and visual information to follow (or hold) a conversation in a such an environment. This thesis focuses on using visual information of the speakers in a cocktail party like scenario to aid in improving the performance of BSS. There are several useful applications of such technology, for example: a pre-processing step for a speech recognition system, teleconferencing or security surveillance. The visual information used in this thesis is derived from the speaker's mouth region, as it is the most visible component of speech production. Initial research presented in this thesis considers a joint statistical model of audio and visual features, which is used to assist in control ling the convergence behaviour of a BSS algorithm. The results of using the statistical models are compared to using the raw audio information alone and it is shown that the inclusion of visual information greatly improves its convergence behaviour. Further research focuses on using the speaker's mouth region to identify periods of time when the speaker is silent through the development of a visual voice activity detector (V-VAD) (i.e. voice activity detection using visual information alone). This information can be used in many different ways to simplify the BSS process. To this end, two novel V-VADs were developed and tested within a BSS framework, which result in significantly improved intelligibility of the separated source associated with the V-VAD output. Thus the research presented in this thesis confirms the viability of using visual information to improve solutions to the cocktail party problem.EThOS - Electronic Theses Online ServiceGBUnited Kingdo

Exploiting the bimodality of speech in the cocktail party problem

The cocktail party problem is one of following a conversation in a crowded room where there are many competing sound sources, such as the voices of other speakers or music. To address this problem using computers, digital signal processing solutions commonly use blind source separation (BSS) which aims to separate all the original sources (voices) from the mixture simultaneously. Traditionally, BSS methods have relied on information derived from the mixture of sources to separate the mixture into its constituent elements. However, the human auditory system is well adapted to handle the cocktail party scenario, using both auditory and visual information to follow (or hold) a conversation in a such an environment. This thesis focuses on using visual information of the speakers in a cocktail party like scenario to aid in improving the performance of BSS. There are several useful applications of such technology, for example: a pre-processing step for a speech recognition system, teleconferencing or security surveillance. The visual information used in this thesis is derived from the speaker's mouth region, as it is the most visible component of speech production. Initial research presented in this thesis considers a joint statistical model of audio and visual features, which is used to assist in control ling the convergence behaviour of a BSS algorithm. The results of using the statistical models are compared to using the raw audio information alone and it is shown that the inclusion of visual information greatly improves its convergence behaviour. Further research focuses on using the speaker's mouth region to identify periods of time when the speaker is silent through the development of a visual voice activity detector (V-VAD) (i.e. voice activity detection using visual information alone). This information can be used in many different ways to simplify the BSS process. To this end, two novel V-VADs were developed and tested within a BSS framework, which result in significantly improved intelligibility of the separated source associated with the V-VAD output. Thus the research presented in this thesis confirms the viability of using visual information to improve solutions to the cocktail party problem

Audio source separation for music in low-latency and high-latency scenarios

Aquesta tesi proposa mètodes per tractar les limitacions de les tècniques existents de separació de fonts musicals en condicions de baixa i alta latència. En primer lloc, ens centrem en els mètodes amb un baix cost computacional i baixa latència. Proposem l'ús de la regularització de Tikhonov com a mètode de descomposició de l'espectre en el context de baixa latència. El comparem amb les tècniques existents en tasques d'estimació i seguiment dels tons, que són passos crucials en molts mètodes de separació. A continuació utilitzem i avaluem el mètode de descomposició de l'espectre en tasques de separació de veu cantada, baix i percussió. En segon lloc, proposem diversos mètodes d'alta latència que milloren la separació de la veu cantada, gràcies al modelatge de components específics, com la respiració i les consonants. Finalment, explorem l'ús de correlacions temporals i anotacions manuals per millorar la separació dels instruments de percussió i dels senyals musicals polifònics complexes.Esta tesis propone métodos para tratar las limitaciones de las técnicas existentes de separación de fuentes musicales en condiciones de baja y alta latencia. En primer lugar, nos centramos en los métodos con un bajo coste computacional y baja latencia. Proponemos el uso de la regularización de Tikhonov como método de descomposición del espectro en el contexto de baja latencia. Lo comparamos con las técnicas existentes en tareas de estimación y seguimiento de los tonos, que son pasos cruciales en muchos métodos de separación. A continuación utilizamos y evaluamos el método de descomposición del espectro en tareas de separación de voz cantada, bajo y percusión. En segundo lugar, proponemos varios métodos de alta latencia que mejoran la separación de la voz cantada, gracias al modelado de componentes que a menudo no se toman en cuenta, como la respiración y las consonantes. Finalmente, exploramos el uso de correlaciones temporales y anotaciones manuales para mejorar la separación de los instrumentos de percusión y señales musicales polifónicas complejas.This thesis proposes specific methods to address the limitations of current music source separation methods in low-latency and high-latency scenarios. First, we focus on methods with low computational cost and low latency. We propose the use of Tikhonov regularization as a method for spectrum decomposition in the low-latency context. We compare it to existing techniques in pitch estimation and tracking tasks, crucial steps in many separation methods. We then use the proposed spectrum decomposition method in low-latency separation tasks targeting singing voice, bass and drums. Second, we propose several high-latency methods that improve the separation of singing voice by modeling components that are often not accounted for, such as breathiness and consonants. Finally, we explore using temporal correlations and human annotations to enhance the separation of drums and complex polyphonic music signals

Trennung und Schätzung der Anzahl von Audiosignalquellen mit Zeit- und Frequenzüberlappung

Everyday audio recordings involve mixture signals: music contains a mixture of instruments; in a meeting or conference, there is a mixture of human voices. For these mixtures, automatically separating or estimating the number of sources is a challenging task. A common assumption when processing mixtures in the time-frequency domain is that sources are not fully overlapped. However, in this work we consider some cases where the overlap is severe — for instance, when instruments play the same note (unison) or when many people speak concurrently ("cocktail party") — highlighting the need for new representations and more powerful models. To address the problems of source separation and count estimation, we use conventional signal processing techniques as well as deep neural networks (DNN). We first address the source separation problem for unison instrument mixtures, studying the distinct spectro-temporal modulations caused by vibrato. To exploit these modulations, we developed a method based on time warping, informed by an estimate of the fundamental frequency. For cases where such estimates are not available, we present an unsupervised model, inspired by the way humans group time-varying sources (common fate). This contribution comes with a novel representation that improves separation for overlapped and modulated sources on unison mixtures but also improves vocal and accompaniment separation when used as an input for a DNN model. Then, we focus on estimating the number of sources in a mixture, which is important for real-world scenarios. Our work on count estimation was motivated by a study on how humans can address this task, which lead us to conduct listening experiments, confirming that humans are only able to estimate the number of up to four sources correctly. To answer the question of whether machines can perform similarly, we present a DNN architecture, trained to estimate the number of concurrent speakers. Our results show improvements compared to other methods, and the model even outperformed humans on the same task. In both the source separation and source count estimation tasks, the key contribution of this thesis is the concept of “modulation”, which is important to computationally mimic human performance. Our proposed Common Fate Transform is an adequate representation to disentangle overlapping signals for separation, and an inspection of our DNN count estimation model revealed that it proceeds to find modulation-like intermediate features.Im Alltag sind wir von gemischten Signalen umgeben: Musik besteht aus einer Mischung von Instrumenten; in einem Meeting oder auf einer Konferenz sind wir einer Mischung menschlicher Stimmen ausgesetzt. Für diese Mischungen ist die automatische Quellentrennung oder die Bestimmung der Anzahl an Quellen eine anspruchsvolle Aufgabe. Eine häufige Annahme bei der Verarbeitung von gemischten Signalen im Zeit-Frequenzbereich ist, dass die Quellen sich nicht vollständig überlappen. In dieser Arbeit betrachten wir jedoch einige Fälle, in denen die Überlappung immens ist zum Beispiel, wenn Instrumente den gleichen Ton spielen (unisono) oder wenn viele Menschen gleichzeitig sprechen (Cocktailparty) —, so dass neue Signal-Repräsentationen und leistungsfähigere Modelle notwendig sind. Um die zwei genannten Probleme zu bewältigen, verwenden wir sowohl konventionelle Signalverbeitungsmethoden als auch tiefgehende neuronale Netze (DNN). Wir gehen zunächst auf das Problem der Quellentrennung für Unisono-Instrumentenmischungen ein und untersuchen die speziellen, durch Vibrato ausgelösten, zeitlich-spektralen Modulationen. Um diese Modulationen auszunutzen entwickelten wir eine Methode, die auf Zeitverzerrung basiert und eine Schätzung der Grundfrequenz als zusätzliche Information nutzt. Für Fälle, in denen diese Schätzungen nicht verfügbar sind, stellen wir ein unüberwachtes Modell vor, das inspiriert ist von der Art und Weise, wie Menschen zeitveränderliche Quellen gruppieren (Common Fate). Dieser Beitrag enthält eine neuartige Repräsentation, die die Separierbarkeit für überlappte und modulierte Quellen in Unisono-Mischungen erhöht, aber auch die Trennung in Gesang und Begleitung verbessert, wenn sie in einem DNN-Modell verwendet wird. Im Weiteren beschäftigen wir uns mit der Schätzung der Anzahl von Quellen in einer Mischung, was für reale Szenarien wichtig ist. Unsere Arbeit an der Schätzung der Anzahl war motiviert durch eine Studie, die zeigt, wie wir Menschen diese Aufgabe angehen. Dies hat uns dazu veranlasst, eigene Hörexperimente durchzuführen, die bestätigten, dass Menschen nur in der Lage sind, die Anzahl von bis zu vier Quellen korrekt abzuschätzen. Um nun die Frage zu beantworten, ob Maschinen dies ähnlich gut können, stellen wir eine DNN-Architektur vor, die erlernt hat, die Anzahl der gleichzeitig sprechenden Sprecher zu ermitteln. Die Ergebnisse zeigen Verbesserungen im Vergleich zu anderen Methoden, aber vor allem auch im Vergleich zu menschlichen Hörern. Sowohl bei der Quellentrennung als auch bei der Schätzung der Anzahl an Quellen ist ein Kernbeitrag dieser Arbeit das Konzept der “Modulation”, welches wichtig ist, um die Strategien von Menschen mittels Computern nachzuahmen. Unsere vorgeschlagene Common Fate Transformation ist eine adäquate Darstellung, um die Überlappung von Signalen für die Trennung zugänglich zu machen und eine Inspektion unseres DNN-Zählmodells ergab schließlich, dass sich auch hier modulationsähnliche Merkmale finden lassen