Hidden Markov Models for Visual Speech Synthesis in Limited Data

This work presents a new approach for estimating control points (facial locations that control movement) to allow the artificial generation of video with apparent mouth movement (visual speech) time-synced with recorded audio. First, Hidden Markov Models (HMMs) are estimated for each visual speech category (viseme) present in stored video data, where a category is defined as the mouth movement corresponding to a given sound and where the visemes are further categorized as trisemes (a viseme in the context of previous and following visemes). Next, a decision tree is used to cluster and relate states in the HMMs that are similar in a contextual and statistical sense. The tree is also used to estimate HMMs that generate sequences of visual speech control points for trisemes not occurring in the stored data. An experiment is described that evaluates the effect of several algorithm variables, and a statistical analysis is presented that establishes appropriate levels for each variable by minimizing the error between the desired and estimated control points. The analysis indicates that the error is lowest when the process is conducted with three-state left-to right no skip HMMs trained using short-duration dynamic features, a high log-likelihood threshold, and a low outlier threshold. Also, comparisons of mouth shapes generated from the artificial control points and the true control points (estimated from video not used to train the HMMs) indicate that the process provides accurate estimates for most trisemes tested in this work. The research presented here thus establishes a useful method for synthesizing realistic audio-synchronized video facial features

Alternative visual units for an optimized phoneme-based lipreading system

Lipreading is understanding speech from observed lip movements. An observed series of lip motions is an ordered sequence of visual lip gestures. These gestures are commonly known, but as yet are not formally defined, as `visemes’. In this article, we describe a structured approach which allows us to create speaker-dependent visemes with a fixed number of visemes within each set. We create sets of visemes for sizes two to 45. Each set of visemes is based upon clustering phonemes, thus each set has a unique phoneme-to-viseme mapping. We first present an experiment using these maps and the Resource Management Audio-Visual (RMAV) dataset which shows the effect of changing the viseme map size in speaker-dependent machine lipreading and demonstrate that word recognition with phoneme classifiers is possible. Furthermore, we show that there are intermediate units between visemes and phonemes which are better still. Second, we present a novel two-pass training scheme for phoneme classifiers. This approach uses our new intermediary visual units from our first experiment in the first pass as classifiers; before using the phoneme-to-viseme maps, we retrain these into phoneme classifiers. This method significantly improves on previous lipreading results with RMAV speakers

Visual Speech Synthesis using Dynamic Visemes and Deep Learning Architectures

The aim of this work is to improve the naturalness of visual speech synthesis produced automatically from a linguistic input over existing methods. Firstly, the most important contribution is on the investigation of the most suitable speech units for the visual speech synthesis. We propose the use of dynamic visemes instead of phonemes or static visemes and found that dynamic visemes can generate better visual speech than either phone or static viseme units. Moreover, best performance is obtained by a combined phoneme-dynamic viseme system. Secondly, we examine the most appropriate model between hidden Markov model (HMM) and different deep learning models that include feedforward and recurrent structures consisting of one-to-one, many-to-one and many-to-many architectures. Results suggested that that frame-by-frame synthesis from deep learning approach outperforms state-based synthesis from HMM approaches and an encoder-decoder many-to-many architecture is better than the one-to-one and many-to-one architectures. Thirdly, we explore the importance of contextual features that include information at varying linguistic levels, from frame level up to the utterance level. Our findings found that frame level information is the most valuable feature, as it is able to avoid discontinuities in the visual feature sequence and produces a smooth and realistic animation output. Fourthly, we found that the two most common objective measures of correlation and root mean square error are not able to indicate realism and naturalness of human perceived quality. We introduce an alternative objective measure and show that the global variance is a better indicator of human perception of quality. Finally, we propose a novel method to convert a given text input and phoneme transcription into a dynamic viseme transcription in the case when a reference dynamic viseme sequence is not available. Subjective preference tests confirmed that our proposed method is able to produce animation, that are statistically indistinguishable from animation produced using reference data

GMM Mapping Of Visual Features of Cued Speech From Speech Spectral Features

International audienceIn this paper, we present a statistical method based on GMM modeling to map the acoustic speech spectral features to visual features of Cued Speech in the regression criterion of Minimum Mean-Square Error (MMSE) in a low signal level which is innovative and different with the classic text-to-visual approach. Two different training methods for GMM, namely Expectation-Maximization (EM) approach and supervised training method were discussed respectively. In comparison with the GMM based mapping modeling we first present the results with the use of a Multiple-Linear Regression (MLR) model also at the low signal level and study the limitation of the approach. The experimental results demonstrate that the GMM based mapping method can significantly improve the mapping performance compared with the MLR mapping model especially in the sense of the weak linear correlation between the target and the predictor such as the hand positions of Cued Speech and the acoustic speech spectral features

Visual Speech Recognition

Lip reading is used to understand or interpret speech without hearing it, a technique especially mastered by people with hearing difficulties. The ability to lip read enables a person with a hearing impairment to communicate with others and to engage in social activities, which otherwise would be difficult. Recent advances in the fields of computer vision, pattern recognition, and signal processing has led to a growing interest in automating this challenging task of lip reading. Indeed, automating the human ability to lip read, a process referred to as visual speech recognition (VSR) (or sometimes speech reading), could open the door for other novel related applications. VSR has received a great deal of attention in the last decade for its potential use in applications such as human-computer interaction (HCI), audio-visual speech recognition (AVSR), speaker recognition, talking heads, sign language recognition and video surveillance. Its main aim is to recognise spoken word(s) by using only the visual signal that is produced during speech. Hence, VSR deals with the visual domain of speech and involves image processing, artificial intelligence, object detection, pattern recognition, statistical modelling, etc.Comment: Speech and Language Technologies (Book), Prof. Ivo Ipsic (Ed.), ISBN: 978-953-307-322-4, InTech (2011