Concurrent bilateral negotiation for open e-markets: The Conan strategy

We develop a novel strategy that supports software agents to make decisions on how to negotiate for a resource in open and dynamic e-markets. Although existing negotiation strategies offer a number of sophisticated features, including modelling an opponent and negotiating with many opponents simultaneously, they abstract away from the dynamicity of the market and the model that the agent holds for itself in terms of ongoing negotiations, thus ignoring information that increases an agent’s utility. Our proposed strategy COncurrent Negotiating AgeNts (Conan) considers a weighted combination of modelling the market environment and the progress of concurrent negotiations in which the agent partakes. We conduct extensive experiments to evaluate the strategy’s performance in various settings where different opponents from the literature provide a competitive market. Our experiments provide statistically significant results showing how Conan outperforms the state-of-the-art in terms of the utility gained during negotiations

De-Individuation of the Modern Subject in the Age of Artificial Intelligence. The Case of Self-Driving Cars and Algorithms for Decision Making.

L'abstract è presente nell'allegato / the abstract is in the attachmen

The Middle Ages in Modern Culture

This open access book brings together an international team of experts, The Middle Ages in Modern Culture considers the use of medieval models across a variety of contemporary media – ranging from television and film to architecture – and the significance of deploying an authentic medieval world to these representations. Rooted in this question of authenticity, this interdisciplinary study addresses three connected themes. Firstly, how does historical accuracy relate to authenticity, and whose version of authenticity is accepted? Secondly, how are the middle ages presented in modern media and why do inaccuracies emerge and persist in these works? Thirdly, how do creators of modern content attempt to produce authentic medieval environments, and what are the benefits and pitfalls of accurate portrayals? The result is nuanced study of medieval culture which sheds new light on the use (and misuse) of medieval history in modern media

The Middle Ages in Modern Culture

This open access book brings together an international team of experts, The Middle Ages in Modern Culture considers the use of medieval models across a variety of contemporary media – ranging from television and film to architecture – and the significance of deploying an authentic medieval world to these representations. Rooted in this question of authenticity, this interdisciplinary study addresses three connected themes. Firstly, how does historical accuracy relate to authenticity, and whose version of authenticity is accepted? Secondly, how are the middle ages presented in modern media and why do inaccuracies emerge and persist in these works? Thirdly, how do creators of modern content attempt to produce authentic medieval environments, and what are the benefits and pitfalls of accurate portrayals? The result is nuanced study of medieval culture which sheds new light on the use (and misuse) of medieval history in modern media

Beyond the Frame: A Critical Production Case Study of the Advance Party Initiative

This study utilises a variety of research methods in order to investigate aspects often overlooked within Scottish film criticism, and indeed film studies more generally, namely: pre-production, production experiences, marketing and distribution, and reception. To date, Scottish film criticism has exhibited a preoccupation with questions of nation, national identity and national cinema, and overwhelmingly scholars have privileged almost exclusive analysis of the film text. Spurred by Jonathan Murray’s (2007, 2011, 2012) questioning of the continued relevance of the national framework, this thesis goes beyond the frame of the film text in order to consider new ways in which a national framework might be of relevance when analysing Scotland’s cinematic output. Concurrently, the chosen case study is also used as a means of critiquing existing literature on collective identity and national cinema. As the title of this thesis suggests, analysis centres on the Dogma-inspired Advance Party initiative and its resulting films, Red Road (Arnold, 2006) and Donkeys (McKinnon, 2010). Devised by Glasgow-based Sigma Films and Denmark’s Zentropa, the cross border collaborative dimension of the Advance Party framework initially appears to challenge the appropriateness of the national framework. As this thesis demonstrates however, such a simplistic conclusion is reductive and overlooks the complexities of the film industry. Throughout this thesis, questions as to the intended and eventual function of the Advance Party framework arise, and these are revisited by means of the thesis Conclusion

Centrality in the structure of built environment: a study in the structural transformation of society and space

Born out of a long term interest in thought and social values and nearly ten years of involvement in space and design as a student of architecture and urban design, this dissertation aims to make a contribution to both the structural theory of the transformation of society and space and to our knowledge of the principle of centrality in the structure of built environment. It looks at the concept of centrality in the Iranian city of Meshed. However, this is not intended as a study of a unique experience. Rather the spatial and temporal co- ordinates of the text, Islam and Iran, and the historical period of Modernist thought, offer a framework within which theoretical and principal questions of a more general nature concerning the structural character of society and space can be explored.The emphasis throughout is on the concept of the social production of the built environment at the centre of which lies the ideal process, understood in its most general sense as purposeful human activity. The dissertation seeks to show how changes in the relations between the elements and actors of production, the physical and mental means by which the built environment is created, and the relation between moment and totality within which the production process occurs, are central to an understanding of the structural transformation of human society, the form of city and the organization of space