Automatic transcription of polyphonic music exploiting temporal evolution

PhDAutomatic music transcription is the process of converting an audio recording into a symbolic representation using musical notation. It has numerous applications in music information retrieval, computational musicology, and the creation of interactive systems. Even for expert musicians, transcribing polyphonic pieces of music is not a trivial task, and while the problem of automatic pitch estimation for monophonic signals is considered to be solved, the creation of an automated system able to transcribe polyphonic music without setting restrictions on the degree of polyphony and the instrument type still remains open. In this thesis, research on automatic transcription is performed by explicitly incorporating information on the temporal evolution of sounds. First efforts address the problem by focusing on signal processing techniques and by proposing audio features utilising temporal characteristics. Techniques for note onset and offset detection are also utilised for improving transcription performance. Subsequent approaches propose transcription models based on shift-invariant probabilistic latent component analysis (SI-PLCA), modeling the temporal evolution of notes in a multiple-instrument case and supporting frequency modulations in produced notes. Datasets and annotations for transcription research have also been created during this work. Proposed systems have been privately as well as publicly evaluated within the Music Information Retrieval Evaluation eXchange (MIREX) framework. Proposed systems have been shown to outperform several state-of-the-art transcription approaches. Developed techniques have also been employed for other tasks related to music technology, such as for key modulation detection, temperament estimation, and automatic piano tutoring. Finally, proposed music transcription models have also been utilized in a wider context, namely for modeling acoustic scenes

Automatic music transcription: challenges and future directions

Automatic music transcription is considered by many to be a key enabling technology in music signal processing. However, the performance of transcription systems is still significantly below that of a human expert, and accuracies reported in recent years seem to have reached a limit, although the field is still very active. In this paper we analyse limitations of current methods and identify promising directions for future research. Current transcription methods use general purpose models which are unable to capture the rich diversity found in music signals. One way to overcome the limited performance of transcription systems is to tailor algorithms to specific use-cases. Semi-automatic approaches are another way of achieving a more reliable transcription. Also, the wealth of musical scores and corresponding audio data now available are a rich potential source of training data, via forced alignment of audio to scores, but large scale utilisation of such data has yet to be attempted. Other promising approaches include the integration of information from multiple algorithms and different musical aspects

Statistical signal processing with nonnegativity constraints

Nonnegativity constraints arise frequently in statistical learning and pattern recognition. Multiplicative updates provide natural solutions to optimizations involving these constraints. One well known set of multiplicative updates is given by the Expectation-Maximization algorithm for hidden Markov models, as used in automatic speech recognition. Recently, we have derived similar algorithms for nonnegative deconvolution and nonnegative quadratic programming. These algorithms have applications to low-level problems in voice processing, such as fundamental frequency estimation, as well as high-level problems, such as the training of large margin classifiers. In this paper, we describe these algorithms and the ideas that connect them

Reconstruction-based speech enhancement from robust acoustic features

This paper proposes a method of speech enhancement where a clean speech signal is reconstructed from a sinusoidal model of speech production and a set of acoustic speech features. The acoustic features are estimated from noisy speech and comprise, for each frame, a voicing classification (voiced, unvoiced or non-speech), fundamental frequency (for voiced frames) and spectral envelope. Rather than using different algorithms to estimate each parameter, a single statistical model is developed. This comprises a set of acoustic models and has similarity to the acoustic modelling used in speech recognition. This allows noise and speaker adaptation to be applied to acoustic feature estimation to improve robustness. Objective and subjective tests compare reconstruction-based enhancement with other methods of enhancement and show the proposed method to be highly effective at removing noise

Robust Pitch Estimation Using an Optimal Filter on Frequency Estimates

Publication in the conference proceedings of EUSIPCO, Lisbon, Portugal, 201

SPEAKER AND GENDER IDENTIFICATION USING BIOACOUSTIC DATA SETS

Acoustic analysis of animal vocalizations has been widely used to identify the presence of individual species, classify vocalizations, identify individuals, and determine gender. In this work automatic identification of speaker and gender of mice from ultrasonic vocalizations and speaker identification of meerkats from their Close calls is investigated. Feature extraction was implemented using Greenwood Function Cepstral Coefficients (GFCC), designed exclusively for extracting features from animal vocalizations. Mice ultrasonic vocalizations were analyzed using Gaussian Mixture Models (GMM) which yielded an accuracy of 78.3% for speaker identification and 93.2% for gender identification. Meerkat speaker identification with Close calls was implemented using Gaussian Mixture Models (GMM) and Hidden Markov Models (HMM), with an accuracy of 90.8% and 94.4% respectively. The results obtained shows these methods indicate the presence of gender and identity information in vocalizations and support the possibility of robust gender identification and individual identification using bioacoustic data sets

Computational Tonality Estimation: Signal Processing and Hidden Markov Models

PhDThis thesis investigates computational musical tonality estimation from an audio signal. We present a hidden Markov model (HMM) in which relationships between chords and keys are expressed as probabilities of emitting observable chords from a hidden key sequence. The model is tested first using symbolic chord annotations as observations, and gives excellent global key recognition rates on a set of Beatles songs. The initial model is extended for audio input by using an existing chord recognition algorithm, which allows it to be tested on a much larger database. We show that a simple model of the upper partials in the signal improves percentage scores. We also present a variant of the HMM which has a continuous observation probability density, but show that the discrete version gives better performance. Then follows a detailed analysis of the effects on key estimation and computation time of changing the low level signal processing parameters. We find that much of the high frequency information can be omitted without loss of accuracy, and significant computational savings can be made by applying a threshold to the transform kernels. Results show that there is no single ideal set of parameters for all music, but that tuning the parameters can make a difference to accuracy. We discuss methods of evaluating more complex tonal changes than a single global key, and compare a metric that measures similarity to a ground truth to metrics that are rooted in music retrieval. We show that the two measures give different results, and so recommend that the choice of evaluation metric is determined by the intended application. Finally we draw together our conclusions and use them to suggest areas for continuation of this research, in the areas of tonality model development, feature extraction, evaluation methodology, and applications of computational tonality estimation.Engineering and Physical Sciences Research Council (EPSRC)

Exploiting correlogram structure for robust speech recognition with multiple speech sources

This paper addresses the problem of separating and recognising speech in a monaural acoustic mixture with the presence of competing speech sources. The proposed system treats sound source separation and speech recognition as tightly coupled processes. In the first stage sound source separation is performed in the correlogram domain. For periodic sounds, the correlogram exhibits symmetric tree-like structures whose stems are located on the delay that corresponds to multiple pitch periods. These pitch-related structures are exploited in the study to group spectral components at each time frame. Local pitch estimates are then computed for each spectral group and are used to form simultaneous pitch tracks for temporal integration. These processes segregate a spectral representation of the acoustic mixture into several time-frequency regions such that the energy in each region is likely to have originated from a single periodic sound source. The identified time-frequency regions, together with the spectral representation, are employed by a `speech fragment decoder' which employs `missing data' techniques with clean speech models to simultaneously search for the acoustic evidence that best matches model sequences. The paper presents evaluations based on artificially mixed simultaneous speech utterances. A coherence-measuring experiment is first reported which quantifies the consistency of the identified fragments with a single source. The system is then evaluated in a speech recognition task and compared to a conventional fragment generation approach. Results show that the proposed system produces more coherent fragments over different conditions, which results in significantly better recognition accuracy