A modulation property of time-frequency derivatives of filtered phase and its application to aperiodicity and fo estimation

We introduce a simple and linear SNR (strictly speaking, periodic to random power ratio) estimator (0dB to 80dB without additional calibration/linearization) for providing reliable descriptions of aperiodicity in speech corpus. The main idea of this method is to estimate the background random noise level without directly extracting the background noise. The proposed method is applicable to a wide variety of time windowing functions with very low sidelobe levels. The estimate combines the frequency derivative and the time-frequency derivative of the mapping from filter center frequency to the output instantaneous frequency. This procedure can replace the periodicity detection and aperiodicity estimation subsystems of recently introduced open source vocoder, YANG vocoder. Source code of MATLAB implementation of this method will also be open sourced.Comment: 8 pages 9 figures, Submitted and accepted in Interspeech201

Joint Multi-Pitch Detection Using Harmonic Envelope Estimation for Polyphonic Music Transcription

In this paper, a method for automatic transcription of music signals based on joint multiple-F0 estimation is proposed. As a time-frequency representation, the constant-Q resonator time-frequency image is employed, while a novel noise suppression technique based on pink noise assumption is applied in a preprocessing step. In the multiple-F0 estimation stage, the optimal tuning and inharmonicity parameters are computed and a salience function is proposed in order to select pitch candidates. For each pitch candidate combination, an overlapping partial treatment procedure is used, which is based on a novel spectral envelope estimation procedure for the log-frequency domain, in order to compute the harmonic envelope of candidate pitches. In order to select the optimal pitch combination for each time frame, a score function is proposed which combines spectral and temporal characteristics of the candidate pitches and also aims to suppress harmonic errors. For postprocessing, hidden Markov models (HMMs) and conditional random fields (CRFs) trained on MIDI data are employed, in order to boost transcription accuracy. The system was trained on isolated piano sounds from the MAPS database and was tested on classic and jazz recordings from the RWC database, as well as on recordings from a Disklavier piano. A comparison with several state-of-the-art systems is provided using a variety of error metrics, where encouraging results are indicated

Polyphonic music transcription using note onset and offset detection

In this paper, an approach for polyphonic music transcription based on joint multiple-F0 estimation and note onset/offset detection is proposed. For preprocessing, the resonator time-frequency image of the input music signal is extracted and noise suppression is performed. A pitch salience function is extracted for each frame along with tuning and inharmonicity parameters. For onset detection, late fusion is employed by combining a novel spectral flux-based feature which incorporates pitch tuning information and a novel salience function-based descriptor. For each segment defined by two onsets, an overlapping partial treatment procedure is used and a pitch set score function is proposed. A note offset detection procedure is also proposed using HMMs trained on MIDI data. The system was trained on piano chords and tested on classic and jazz recordings from the RWC database. Improved transcription results are reported compared to state-of-the-art approaches

Auditory Spectrum-Based Pitched Instrument Onset Detection

In this paper, a method for onset detection of music signals using auditory spectra is proposed. The auditory spectrogram provides a time-frequency representation that employs a sound processing model resembling the human auditory system. Recent work on onset detection employs DFT-based features describing spectral energy and phase differences, as well as pitch-based features. These features are often combined for maximizing detection performance. Here, the spectral flux and phase slope features are derived in the auditory framework and a novel fundamental frequency estimation algorithm based on auditory spectra is introduced. An onset detection algorithm is proposed, which processes and combines the aforementioned features at the decision level. Experiments are conducted on a dataset covering 11 pitched instrument types, consisting of 1829 onsets in total. Results indicate that auditory representations outperform various state-of-the-art approaches, with the onset detection algorithm reaching an F-measure of 82.6%