Despair, Liberation, and Everyday Life: Two Bundle Views of Personal Identity

This paper, intended for general readership, discusses the real-life effects that personal identity theory either has had or has apparently failed to have upon two philosophers: David Hume and Derek Parfit. Both arrive at similar and quite radical beliefs about personal identity. And both have documented the difficulty of sustaining these beliefs in their day-to-day lives. For those considering embarking upon philosophical study – whether formally or not – this last point may seem discouraging, reinforcing a picture of a discipline that even on the admission of its own practitioners has little impact on everyday life or concerns. I explore these two philosophers’ views on personal identity in some detail, and outline the conflicts which they claim to exist between their philosophical and non-philosophical thinking. I will go on to propose that these conflicts do not in fact reinforce an opposition between everyday life and philosophy

Redefining the performing arts archive

This paper investigates representations of performance and the role of the archive. Notions of record and archive are critically investigated, raising questions about applying traditional archival definitions to the performing arts. Defining the nature of performances is at the root of all difficulties regarding their representation. Performances are live events, so for many people the idea of recording them for posterity is inappropriate. The challenge of creating and curating representations of an ephemeral art form are explored and performance-specific concepts of record and archive are posited. An open model of archives, encouraging multiple representations and allowing for creative reuse and reinterpretation to keep the spirit of the performance alive, is envisaged as the future of the performing arts archive

Holograms: The story of a word and its cultural uses

Holograms reached popular consciousness during the 1960s and have since left audiences alternately fascinated, bemused or inspired. Their impact was conditioned by earlier cultural associations and successive reimaginings by wider publics. Attaining peak public visibility during the 1980s, holograms have been found more in our pockets (as identity documents) and in our minds (as video-gaming fantasies and “faux hologram” performers) than in front of our eyes. The most enduring, popular interpretations of the word “hologram” evoke the traditional allure of magic and galvanize hopeful technological dreams. This article explores the mutating cultural uses of the term “hologram” as marker of magic, modernity and optimism

Beyond Bergson: the ontology of togetherness

Bergson's views on communication can be deduced from his theory of selfhood, in which he identifies the human self as heterogeneous duration a complex process that can only be adequately understood from within, when we intuit our own inner life. Another person, accessing us from outside, inevitably distorts and misunderstands our nature because duration is incommunicable. Does Bergsonism assert the failure of communication in principle? No, if we develop Bergson's theory further and identify the process of communication as heterogeneous duration. As such, it is intuited from within by its participants who engage with each other in the process of dealing with the same object. They intuit the process of which they are part and thus intuit each other's involvement in it as well. To appreciate the importance of this implicit mutual communicative engagement we only need to imagine an empty airport with just one passenger or a deserted pleasure beach. Bergson does not have a theory of communication per se but his views on communication can be extracted from his ontology and epistemology. These views may account for some apparent failures of communication conflicts, loneliness, hostility and Bergson uses them to suggest a way out towards better and more harmonious intersubjective relations. Bergson claims that we misunderstand reality in general and each other in particular. Instead of trying to grasp human nature directly in intuition we analyse its being and create a distorted view of one another. If we were able to conceive the human self as it is, we would see it as duration and might be able to reach the state of an open society where people's love towards one another is ontologically backed up by their openness towards each other's being. However, the Bergsonian theory of duration and intuition, promising to resolve the difficulties of communication, reasserts these difficulties metaphysically. The idea of duration entails the impossibility of accessing it from outside, as the genuine view of it is only possible from within. This paper, instead of trying to salvage a model of communication where people strive to intuit each other's uniqueness, locates intuition in the very act of communication. Bergson himself finds intuition in artistic creation where the artist and spectators communicate by intuiting a common object without learning any personal details about each other. We find that communication is itself duration and that the communicating participants are heterogeneous elements of that duration. As such they are subservient to the act of communication that displays features of autonomous existence. Our model of communication, although accepting the impenetrability of one's person for a complete cognitive penetration from outside, allows for the partial fusion of minds engaged in the same act of communication and negotiating the same subject matter

Interacting Supernovae: Types IIn and Ibn

Supernovae (SNe) that show evidence of strong shock interaction between their ejecta and pre-existing, slower circumstellar material (CSM) constitute an interesting, diverse, and still poorly understood category of explosive transients. The chief reason that they are extremely interesting is because they tell us that in a subset of stellar deaths, the progenitor star may become wildly unstable in the years, decades, or centuries before explosion. This is something that has not been included in standard stellar evolution models, but may significantly change the end product and yield of that evolution, and complicates our attempts to map SNe to their progenitors. Another reason they are interesting is because CSM interaction is an efficient engine for making bright transients, allowing super-luminous transients to arise from normal SN explosion energies, and allowing transients of normal SN luminosities to arise from sub-energetic explosions or low radioactivity yield. CSM interaction shrouds the fast ejecta in bright shock emission, obscuring our normal view of the underlying explosion, and the radiation hydrodynamics of the interaction is challenging to model. The CSM interaction may also be highly non-spherical, perhaps linked to binary interaction in the progenitor system. In some cases, these complications make it difficult to definitively tell the difference between a core-collapse or thermonuclear explosion, or to discern between a non-terminal eruption, failed SN, or weak SN. Efforts to uncover the physical parameters of individual events and connections to possible progenitor stars make this a rapidly evolving topic that continues to challenge paradigms of stellar evolution.Comment: Final draft of a chapter in the "SN Handbook". Accepted. 25 pages, 3 fig

Spreading the virus : emotional tone of viral advertising and its effect on forwarding intentions and attitudes

iral advertising has attracted advertisers in recent years, yet little is known about how exactly it works from an information processing perspective. This study extends knowledge by exploring how the emotional tone (pleasant, unpleasant, coactive) of viral video ads affects attitude toward the ad, attitude toward the brand, and forwarding intentions. Results indicate that pleasant emotional tone elicits the strongest attitude toward the ad, attitude toward the brand, and intention to forward. The effects were weaker for coactive tone and weakest for negative emotional tone. These results challenge the common approach of shocking or scaring online users to motivate them to forward a viral video

The Probable Revolution: Archival Images, (Im)materiality, and the Reactivation of Portuguese Militant Cooperative Cinema

On April 25, 1974, everyday Portuguese citizens transformed a military coup into collective popular resistance, thus initiating a revolutionary process that marked an end to the Estado Novo. Image-makers, aware of the historical event unraveling in plain view, occupied public plazas and roamed city avenues to document a popular uprising that marked a clear end to Portugal’s Fascist project. In this impetus to record radical change, film and its associated technologies promised not only to document, capture, and freeze history in the making but also to make it material, to transform the push and pull of the revolutionary project into something that could be preserved and kept. The article questions the notion that digitization produces a straightforward dematerialization of the analogue print by proposing the concept of digital (im)materiality. This (im)materiality, it argues, not only allows the transformation of revolutionary images into heritage but also makes possible their (re)activation in ways that both speak to the past and reinvent the future. Attending to the (im)materiality of Portuguese militant cinema makes it possible to approach these images not as texts to be interpreted but as social artifacts through which meaning, knowledge, and memories are made. Following Morgan Adamson’s call to consider how “images of resistance endure” and how “enduring images resist,” the article traces the (im)materiality of Portugal’s revolutionary filmic images with the aim of thinking across temporalities. So while, on one hand. the text unpacks how images of the Portuguese Revolution were produced and, subsequently, transformed into heritage, it also reflects on the author’s own engagement with the Revolution’s visual archives and her co-direction of the film essay "A revolução (é) provável" ("The Revolution [Is] Probable," 2022), where splicing, cutting, and juxtaposing digitized images makes it possible to interrogate the material texture of history while also producing other forms or knowledge and knowing

The alchemy of life: magic, anthropology and human nature in a pagan theology

Reclaiming is a contemporary Pagan tradition rooted in the understanding that sacrality infuses the cosmos. Reclaiming teachers critique the 'mechanistic' basis of modern science and its rejection of magical thought, implicating this worldview in oppress

Continuing Bonds with Children and Bereaved Young People: A Narrative Review

Background:- Finding alternative ways to reconnect with the deceased is a common feature of bereavement. However, it is currently unclear how bereaved children/young people establish and develop a ‘continuing bond’ with deceased family members. Aim:- To investigate how bereaved young people continue bonds with deceased family members. Design:- A systematically conducted narrative review was conducted using six electronic databases; CINAHL, Medline, EMBASE, PsycINFO, PubMed and BNI. Limiters were applied to peer-reviewed articles published in English. Studies were assessed for methodological quality using the JBI Critical Appraisal Tools. Results:- Nineteen articles were included in the review. Three overarching themes were generated; unintended connections, intended connections, and internalised connections. Conclusion:- Bereaved young people establish a sense of connection with deceased family members through various means (e.g. unprovoked/spontaneous reminders, physical mementos, internalised memories). Some connections are unintended and occur spontaneously. However, other young people will specifically seek ways to remember the deceased to provide a sense of enduring connection