Lime: Data Lineage in the Malicious Environment

Intentional or unintentional leakage of confidential data is undoubtedly one of the most severe security threats that organizations face in the digital era. The threat now extends to our personal lives: a plethora of personal information is available to social networks and smartphone providers and is indirectly transferred to untrustworthy third party and fourth party applications. In this work, we present a generic data lineage framework LIME for data flow across multiple entities that take two characteristic, principal roles (i.e., owner and consumer). We define the exact security guarantees required by such a data lineage mechanism toward identification of a guilty entity, and identify the simplifying non repudiation and honesty assumptions. We then develop and analyze a novel accountable data transfer protocol between two entities within a malicious environment by building upon oblivious transfer, robust watermarking, and signature primitives. Finally, we perform an experimental evaluation to demonstrate the practicality of our protocol

IPEA: the digital archive use case

Now is the time to migrate tape-based media archives to digital file-based archives for television broadcasters. These archives not only address the issue of tape-deterioration, they also create new possibilities for opening up the archive. However, the switch from tape-based to file-based is something only the very big television broadcasters can manage individually. Outer- broadcasters should work together to accomplish this task. In the Flemish part of Belgium, the two largest broadcasters in Flanders, namely the commercial broadcaster VMMa and the public broadcaster VRT, the television facilities supporting company Videohouse, and different university research groups associated with the Interdisciplinary Institute for Broadband Technology joined forces and started the "Innovative Platform on Electronic Archiving" project. The goal of this project is to develop common standards for the exchange and archiving of audio-visual data. In this paper, we give a detailed overview of this project and its different research topics

A Highly Robust Audio Monitoring System for Radio Broadcasting

Proposing a novel approach for monitoringsongs for the radio broadcasting channels is veryimportant for the interest of singers, writers andmusicians in the musical industry. Singers, writers andmusicians have a claim to intellectual property rightsfor their songs broadcast over all the radio channels.According to this intellectual property rights actsingers, writers and musicians should be paid for theirsongs broadcast over all the radio channels. Therefore wepropose a real time audio monitoring approach to solvethis problem which includes our own audio recognitionalgorithm. It is easy to recognize a song, when you providethe original high quality blueprint of the song as input. Butwe can’t expect such kind of audio input from radiochannels since lots of transformations are possible beforereaching the end user or listener. For example, addingenvironmental effects such as noise, adding commercialson the song as watermarks, playing more than one songas a chain without adding any silence between them,playing a part of the song, playing same song in variousspeeds and so on. These transformations cause change inthe uniqueness of particular song and make the problemeven more difficult. The algorithm we proposing is resistantto noise and distortion as well as it is capable of recognizingshort segment of song when broadcasting over the radiochannels. At the end of the processing our system generatesa descriptive report including title of the song, singer of thesong, writer of the song, composer of the song, number oftimes it was played and when it was played for all songs fora particular period for all radio broadcasting channels. Weevaluate our system against various types of real timescenarios and achieved overall higher level of accuracy(96%) at the end

An Automatic Commercial Search Application for TV Broadcasting Using Audio Fingerprinting

Nowadays, TV advertising is an important part of our daily life. However, it is usually hard for organizations that produce and pay for the advertisements to confirm whether their commercials are broadcasted as required in time and frequency. Consequently, a multimedia file search problem arises and it has drawn more and more attention in the past decade. In this thesis, we propose an automatic commercial search scheme using audio fingerprinting and implement it in a PC-based application. Our commercial search algorithm is composed of two parts: one for audio feature extraction and another for database search. For the first part, although the video stream of TV broadcast contains a great deal of intuitive information, we decide to ignore it because it takes much more storage and computations to process. For the audio stream, we have to extract proper audio features which can represent its characteristics and store them in a database for identification. We choose the Normalized Spectral Subband Centroids (NSSCs) as our audio fingerprints and preprocess the known commercials to build the database. For the second part, we apply a three-step process to search for any matches as the user requests, which comprises candidate search, decision-making and time verification. This process is performed for every N1 (N1=15 in our application) frames if the search result is negative. Once a match is confirmed, we skip the frames left in the commercial and use the frame after it to start a new process. Our experiment results are satisfactory based on the commercial and TV program data in our database. Moreover, it shows that our PC-based application is robust against degradation during real broadcast and recording

Compact and Robust MFCC-based Space-Saving Audio Fingerprint Extraction for Efficient Music Identification on FM Broadcast Monitoring

The Myanmar music industry urgently needs an efficient broadcast monitoring system to solve copyright infringement issues and illegal benefit-sharing between artists and broadcasting stations. In this paper, a broadcast monitoring system is proposed for Myanmar FM radio stations by utilizing space-saving audio fingerprint extraction based on the Mel Frequency Cepstral Coefficient (MFCC). This study focused on reducing the memory requirement for fingerprint storage while preserving the robustness of the audio fingerprints to common distortions such as compression, noise addition, etc. In this system, a three-second audio clip is represented by a 2,712-bit fingerprint block. This significantly reduces the memory requirement when compared to Philips Robust Hashing (PRH), one of the dominant audio fingerprinting methods, where a three-second audio clip is represented by an 8,192-bit fingerprint block. The proposed system is easy to implement and achieves correct and speedy music identification even on noisy and distorted broadcast audio streams. In this research work, we deployed an audio fingerprint database of 7,094 songs and broadcast audio streams of four local FM channels in Myanmar to evaluate the performance of the proposed system. The experimental results showed that the system achieved reliable performance

Gossip Codes for Fingerprinting: Construction, Erasure Analysis and Pirate Tracing

This work presents two new construction techniques for q-ary Gossip codes from tdesigns and Traceability schemes. These Gossip codes achieve the shortest code length specified in terms of code parameters and can withstand erasures in digital fingerprinting applications. This work presents the construction of embedded Gossip codes for extending an existing Gossip code into a bigger code. It discusses the construction of concatenated codes and realisation of erasure model through concatenated codes.Comment: 28 page