Mitigation of H.264 and H.265 Video Compression for Reliable PRNU Estimation

The photo-response non-uniformity (PRNU) is a distinctive image sensor characteristic, and an imaging device inadvertently introduces its sensor's PRNU into all media it captures. Therefore, the PRNU can be regarded as a camera fingerprint and used for source attribution. The imaging pipeline in a camera, however, involves various processing steps that are detrimental to PRNU estimation. In the context of photographic images, these challenges are successfully addressed and the method for estimating a sensor's PRNU pattern is well established. However, various additional challenges related to generation of videos remain largely untackled. With this perspective, this work introduces methods to mitigate disruptive effects of widely deployed H.264 and H.265 video compression standards on PRNU estimation. Our approach involves an intervention in the decoding process to eliminate a filtering procedure applied at the decoder to reduce blockiness. It also utilizes decoding parameters to develop a weighting scheme and adjust the contribution of video frames at the macroblock level to PRNU estimation process. Results obtained on videos captured by 28 cameras show that our approach increases the PRNU matching metric up to more than five times over the conventional estimation method tailored for photos

H4VDM: H.264 Video Device Matching

Methods that can determine if two given video sequences are captured by the same device (e.g., mobile telephone or digital camera) can be used in many forensics tasks. In this paper we refer to this as "video device matching". In open-set video forensics scenarios it is easier to determine if two video sequences were captured with the same device than identifying the specific device. In this paper, we propose a technique for open-set video device matching. Given two H.264 compressed video sequences, our method can determine if they are captured by the same device, even if our method has never encountered the device in training. We denote our proposed technique as H.264 Video Device Matching (H4VDM). H4VDM uses H.264 compression information extracted from video sequences to make decisions. It is more robust against artifacts that alter camera sensor fingerprints, and it can be used to analyze relatively small fragments of the H.264 sequence. We trained and tested our method on a publicly available video forensics dataset consisting of 35 devices, where our proposed method demonstrated good performance

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Image and Video Forensics

Nowadays, images and videos have become the main modalities of information being exchanged in everyday life, and their pervasiveness has led the image forensics community to question their reliability, integrity, confidentiality, and security. Multimedia contents are generated in many different ways through the use of consumer electronics and high-quality digital imaging devices, such as smartphones, digital cameras, tablets, and wearable and IoT devices. The ever-increasing convenience of image acquisition has facilitated instant distribution and sharing of digital images on digital social platforms, determining a great amount of exchange data. Moreover, the pervasiveness of powerful image editing tools has allowed the manipulation of digital images for malicious or criminal ends, up to the creation of synthesized images and videos with the use of deep learning techniques. In response to these threats, the multimedia forensics community has produced major research efforts regarding the identification of the source and the detection of manipulation. In all cases (e.g., forensic investigations, fake news debunking, information warfare, and cyberattacks) where images and videos serve as critical evidence, forensic technologies that help to determine the origin, authenticity, and integrity of multimedia content can become essential tools. This book aims to collect a diverse and complementary set of articles that demonstrate new developments and applications in image and video forensics to tackle new and serious challenges to ensure media authenticity

Media Forensics and DeepFakes: an overview

With the rapid progress of recent years, techniques that generate and manipulate multimedia content can now guarantee a very advanced level of realism. The boundary between real and synthetic media has become very thin. On the one hand, this opens the door to a series of exciting applications in different fields such as creative arts, advertising, film production, video games. On the other hand, it poses enormous security threats. Software packages freely available on the web allow any individual, without special skills, to create very realistic fake images and videos. So-called deepfakes can be used to manipulate public opinion during elections, commit fraud, discredit or blackmail people. Potential abuses are limited only by human imagination. Therefore, there is an urgent need for automated tools capable of detecting false multimedia content and avoiding the spread of dangerous false information. This review paper aims to present an analysis of the methods for visual media integrity verification, that is, the detection of manipulated images and videos. Special emphasis will be placed on the emerging phenomenon of deepfakes and, from the point of view of the forensic analyst, on modern data-driven forensic methods. The analysis will help to highlight the limits of current forensic tools, the most relevant issues, the upcoming challenges, and suggest future directions for research