A survey on passive digital video forgery detection techniques

Digital media devices such as smartphones, cameras, and notebooks are becoming increasingly popular. Through digital platforms such as Facebook, WhatsApp, Twitter, and others, people share digital images, videos, and audio in large quantities. Especially in a crime scene investigation, digital evidence plays a crucial role in a courtroom. Manipulating video content with high-quality software tools is easier, which helps fabricate video content more efficiently. It is therefore necessary to develop an authenticating method for detecting and verifying manipulated videos. The objective of this paper is to provide a comprehensive review of the passive methods for detecting video forgeries. This survey has the primary goal of studying and analyzing the existing passive techniques for detecting video forgeries. First, an overview of the basic information needed to understand video forgery detection is presented. Later, it provides an in-depth understanding of the techniques used in the spatial, temporal, and spatio-temporal domain analysis of videos, datasets used, and their limitations are reviewed. In the following sections, standard benchmark video forgery datasets and the generalized architecture for passive video forgery detection techniques are discussed in more depth. Finally, identifying loopholes in existing surveys so detecting forged videos much more effectively in the future are discussed

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Active and passive approaches for image authentication

Ph.DDOCTOR OF PHILOSOPH

Digital watermarking and novel security devices

EThOS - Electronic Theses Online ServiceGBUnited Kingdo

Introductory Computer Forensics

INTERPOL (International Police) built cybercrime programs to keep up with emerging cyber threats, and aims to coordinate and assist international operations for ?ghting crimes involving computers. Although signi?cant international efforts are being made in dealing with cybercrime and cyber-terrorism, ?nding effective, cooperative, and collaborative ways to deal with complicated cases that span multiple jurisdictions has proven dif?cult in practic

DEEP LEARNING FOR FASHION AND FORENSICS

Deep learning is the new electricity, which has dramatically reshaped people's everyday life. In this thesis, we focus on two emerging applications of deep learning - fashion and forensics. The ubiquity of online fashion shopping demands effective search and recommendation services for customers. To this end, we first propose an automatic spatially-aware concept discovery approach using weakly labeled image-text data from shopping websites. We first fine-tune GoogleNet by jointly modeling clothing images and their corresponding descriptions in a visual-semantic embedding space. Then, for each attribute (word), we generate its spatially-aware representation by combining its semantic word vector representation with its spatial representation derived from the convolutional maps of the fine-tuned network. The resulting spatially-aware representations are further used to cluster attributes into multiple groups to form spatially-aware concepts (e.g., the neckline concept might consist of attributes like v-neck, round-neck}, \textit{etc}). Finally, we decompose the visual-semantic embedding space into multiple concept-specific subspaces, which facilitates structured browsing and attribute-feedback product retrieval by exploiting multimodal linguistic regularities. We conducted extensive experiments on our newly collected Fashion200K dataset, and results on clustering quality evaluation and attribute-feedback product retrieval task demonstrate the effectiveness of our automatically discovered spatially-aware concepts. For fashion recommendation tasks, we study two types of fashion recommendation: (i) suggesting an item that matches existing components in a set to form a stylish outfit (a collection of fashion items), and (ii) generating an outfit with multimodal (images/text) specifications from a user. To this end, we propose to jointly learn a visual-semantic embedding and the compatibility relationships among fashion items in an end-to-end fashion. More specifically, we consider a fashion outfit to be a sequence (usually from top to bottom and then accessories) and each item in the outfit as a time step. Given the fashion items in an outfit, we train a bidirectional LSTM (Bi-LSTM) model to sequentially predict the next item conditioned on previous ones to learn their compatibility relationships. Further, we learn a visual-semantic space by regressing image features to their semantic representations aiming to inject attribute and category information as a regularization for training the LSTM. The trained network can not only perform the aforementioned recommendations effectively but also predict the compatibility of a given outfit. We conduct extensive experiments on our newly collected Polyvore dataset, and the results provide strong qualitative and quantitative evidence that our framework outperforms alternative methods. In addition to searching and recommendation, customers also would like to virtually try-on fashion items. We present an image-based VIirtual Try-On Network (VITON) without using 3D information in any form, which seamlessly transfers a desired clothing item onto the corresponding region of a person using a coarse-to-fine strategy. Conditioned upon a new clothing-agnostic yet descriptive person representation, our framework first generates a coarse synthesized image with the target clothing item overlaid on that same person in the same pose. We further enhance the initial blurry clothing area with a refinement network. The network is trained to learn how much detail to utilize from the target clothing item, and where to apply to the person in order to synthesize a photo-realistic image in which the target item deforms naturally with clear visual patterns. Experiments on our newly collected dataset demonstrate its promise in the image-based virtual try-on task over state-of-the-art generative models. Interestingly, VITON can be modified to swap faces instead of swapping clothing items. Conditioned on the landmarks of a face, generative adversarial networks can synthesize a target identity on to the original face keeping the original facial expression. We achieve this by introducing an identity preserving loss together with a perceptually-aware discriminator. The identity preserving loss tries to keep the synthesized face presents the same identity as the target, while the perceptually-aware discriminator ensures the generated face looks realistic. It is worth noticing that these face-swap techniques can be easily used to manipulated people's faces, and might cause serious social and political consequences. Researchers have developed powerful tools to detect these manipulations. In this dissertation, we utilize convolutional neural networks to boost the detection accuracy of tampered face or person in images. Firstly, a two-stream network is proposed to determine if a face has been tampered with. We train a GoogLeNet to detect tampering artifacts in a face classification stream, and train a patch based triplet network to leverage features capturing local noise residuals and camera characteristics as a second stream. In addition, we use two different online face swapping applications to create a new dataset that consists of 2010 tampered images, each of which contains a tampered face. We evaluate the proposed two-stream network on our newly collected dataset. Experimental results demonstrate the effectiveness of our method. Further, spliced people are also very common in image manipulation. We describe a tampering detection system containing multiple modules, which model different aspects of tampering traces. The system first detects faces in an image. Then, for each detected face, it enlarges the bounding box to include a portrait image of that person. Three models are fused to detect if this person (portrait) is tampered or not: (i) PortraintNet: A binary classifier fine-tuned on ImageNet pre-trained GoogLeNet. (ii) SegNet: A U-Net predicts tampered masks and boundaries, followed by a LeNet to classify if the predicted masks and boundaries indicating the image has been tampered with or not. (iii) EdgeNet: A U-Net predicts the edge mask of each portrait, and the extracted portrait edges are fed into a GoogLeNet for tampering classification. Experiments show that these three models are complementary and can be fused to effectively detect a spliced portrait image

Play Among Books

How does coding change the way we think about architecture? Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books

Scandalous texts : the anxieties of the literary

This thesis explores contemporary literary scandals in order to identify the cultural and literary anxieties revealed by controversial works. Examining how scandals emerge in relation to challenging representations of children, women, religion and authenticity, the thesis argues that literary controversies reveal concerns about the construction of identity, history and reality

The Play in the System

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism—tactics of complicity that effect subversion from within hegemonic structures. Fisher tracks the ways in which artists on the margins—from hacker collectives like Ubermorgen to feminist writers and performers like Chris Kraus—have willfully abandoned the radical scripts of opposition and refusal long identified with anticapitalism and feminism. Space for resistance is found instead in the mutually, if unevenly, exploitative relations between dominant hosts giving only as much as required to appear generous and parasitical actors taking only as much as they can get away with. The irreverent and often troubling works that result raise necessary and difficult questions about the conditions for resistance and critique under neoliberalism today