Exploring the effectiveness of an augmented reality dressing room

In this paper, we describe our experience with the design of an augmented reality dressing room in which 3D models of a dress are overlaid with a color image from a camera to provide the function of a sort of virtual mirror. In such a way, the customer can move around to understand if a dress suits and fits them well. The project is implemented in Unity 4 Pro in combination with the Microsoft Kinect 2 for the tracking process. Design issues and technical implementation as well as the prospects for further development of the techniques are discussed. To assess the validity of our proposal, we have conducted a user study using 47 participants with different levels of experience with video games and devices used to play them. The empirical method used is qualitative. To this end, we used questionnaire-based surveys. The obtained results suggest that our solution represents a viable means to simulate dressing rooms, and participants in the study found the interaction with our 3D models to be natural for understanding if a dress suits and fits them well. Overall, the participants found our application very useful from a practical point of view

MagicFace: Stepping into Character through an Augmented Reality Mirror

Augmented Reality (AR) is coming of age and appearing in various smartphone apps. One emerging AR type uses the front-facing camera and overlays a user's face with digital features that transform the physical appearance, making the user look like someone else, such as a popstar or a historical character. However, little is known about how people react to such stepping into character and how convincing they perceive it to be. We developed an app with two Egyptian looks, MagicFace, which was situated both in an opera house and a museum. In the first setting, people were invited to use the app, while in the second setting they came across it on their own when visiting the exhibition. Our findings show marked differences in how people approach and experience the MagicFace in these different contexts. We discuss how realistic and compelling this kind of AR technology is, as well as its implications for educational and cultural settings

Is virtual reality an effective pain management treatment during wound care of pediatric burn patients?

Objective: The objective of this selective EBM review is to determine whether or not “Is virtual reality an effective pain management treatment during the wound care of pediatric burn patients?” Study Design: Systematic review of three randomized controlled trials (RCTs) published, in English, in peer-reviewed journals between 2008-2014. Data Sources: The three RCTs were found using the PubMed and Ovid databases. Outcomes measured: All three studies measured pain perception and intensity using self-reporting questionnaires, and visual analogue scales. Results: Jeffs et al. and Miller et al. both showed that patients using the virtual reality (VR) or augmented reality (AR) mechanisms reported less pain during wound care than passive distraction or standard distraction groups. Mott et al. found that there was no difference in total pain between the control and virtual reality treatment groups requiring medium dressing times (\u3c30 min). However, for long dressing times, the multi-modal distraction (MMD) device group reported significantly less pain than the control groups. Conclusions: Based on the results of these three studies, it appears that there is a benefit in using virtual or augmented reality devices to supplement pain management in the pediatric population. There may be more benefit in patients that have more extensive injuries that require longer dressing times, but additional investigation is needed. Furthermore, there are multiple types of virtual or augmented reality devices and more studies are needed to show if one particular apparatus is more superior for pain management during wound care in pediatric burn patients

Organizational Communication at the Era of Virtual Reality and Society 5.0

This research aims to identify how the implementation of organizational communication at the era of Society 5.0 through the technology of Virtual Reality as the most relevant instrument especially in the current COVID-19 pandemic. This research conducted with qualitative methods with literature study. The result of this research take form as the conclusion of what and how the implementation of organizational communication which happens in the era of Society 5.0 via Virtual Reality which certainly be different than conventional interpersonal communication. The research concludes that Society 5.0 is the next milestone in the ever-evolving life phase which situate humanity as the center of the process. Through Society 5.0 and Virtual Reality making it possible as a new plane of interaction with tools like Customizable 3D Avatar, Gesture, and 3D Room Chat. Contradictory to the usual online video calling where we only able to see the video frame of the other party

Virtual Reality Research: Design Virtual Education System for Epidemic (COVID-19) Knowledge to Public

open access articleAdvances in information and communication technologies have created a range of new products and services for the well-being of society. Virtual Reality (VR) technology has shown enormous potential in educational, commercial, and medical fields. The recent COVID-19 outbreak highlights a poor global performance in communicating epidemic knowledge to the public. Considering the potential of VR, the research starts from analyzing how to use VR technology to improve public education in COVID-19. The research uses Virtual Storytelling Technology (VST) to promote enthusiasm in user participation. A Plot-based VR education system is proposed in order to provide an immersive, explorative, educational experiences. The system includes three primary modules: the Tutorial Module, the Preparation Module, and the Investigation Module. To remove any potential confusion in the user, the research aims to avoid extremely complicated medical professional content and uses interactive, entertainment methods to improve user participation. In order to evaluate the performance efficiency of the system, we conducted performance evaluations and a user study with 80 participants. Compared with traditional education, the experimental results show that the VR education system can used as an effective educational tool for epidemic (COVID-19) fundamental knowledge. The VR technology can assist government agencies and public organizations to increase public understanding of the spread the epidemic (COVID-19

Real-time human body detection and tracking for augmented reality mobile applications

Hoje em dia, cada vez mais experiências culturais são melhoradas tendo por base aplicações móveis, incluindo aqueles que usam Realidade Aumentada (RA). Estas aplicações têm crescido em número de utilizadores, em muito suportadas no aumento do poder de cálculo dos processadores mais recentes, na popularidade dos dispositivos móveis (com câmaras de alta definição e sistemas de posicionamento global – GPS), e na massificação da disponibilidade de conexões de internet. Tendo este contexto em mente, o projeto Mobile Five Senses Augmented Reality System for Museums (M5SAR) visa desenvolver um sistema de RA para ser um guia em eventos culturais, históricos e em museus, complementando ou substituindo a orientação tradicional dada pelos guias ou mapas. O trabalho descrito na presente tese faz parte do projeto M5SAR. O sistema completo consiste numa aplicação para dispositivos móveis e num dispositivo físico, a acoplar ao dispositivo móvel, que em conjunto visam explorar os 5 sentidos humanos: visão, audição, tato, olfacto e paladar. O projeto M5SAR tem como objetivos principais (a) detectar peças do museu (por exemplo, pinturas e estátuas (Pereira et al., 2017)), (b) detectar paredes / ambientes do museu (Veiga et al., 2017) e (c) detectar formas humanas para sobrepor o conteúdo de Realidade Aumentada (?). Esta tese apresenta uma abordagem relativamente ao último objectivo, combinando informações de articulações do corpo humano com métodos de sobreposição de roupas. Os atuais sistemas relacionados com a sobreposição de roupas, que permitem ao utilizador mover-se livremente, são baseados em sensores tridimensionais (3D), e.g., Sensor Kinect (Erra et al., 2018), sendo estes não portáteis. A contribuição desta tese é apresentar uma solução portátil baseado na câmara (RGB) do telemóvel que permite ao utilizador movimentar-se livremente, fazendo ao mesmo tempo a sobreposição de roupa (para o corpo completo). Nos últimos anos, a capacidade de Redes Neurais Convolucionais (CNN) foi comprovado numa grande variedade de tarefas de visão computacional, tais como classificação e detecção de objetos e no reconhecimento de faces e texto (Amos et al., 2016; Ren et al., 2015a). Uma das áreas de uso das CNN é a estimativa de posição (pose) humana em ambientes reais (Insafutdinov et al., 2017; Pishchulin et al., 2016). Recentemente, duas populares CNN frameworks para detecção e segmentação de formas humanas apresentam destaque, o OpenPose (Cao et al., 2017;Wei et al., 2016) e o Mask R-CNN (He et al., 2017). No entanto, testes experimentais mostraram que as implementações originais não são adequadas para dispositivos móveis. Apesar disso, estas frameworks são a base para as implementações mais recentes, que possibilitam o uso em dispositivos móveis. Uma abordagem que alcança a estimativa e a segmentação de pose de corpo inteiro é o Mask R-CNN2Go (Jindal, 2018), baseado na estrutura original do Mask R-CNN. A principal razão para o tempo de processamento ser reduzido foi a otimização do número de camadas de convolução e a largura de cada camada. Outra abordagem para obter a estimativa de pose humana em dispositivos móveis foi a modificação da arquitetura original do OpenPose para mobile (Kim, 2018; Solano, 2018) e sua combinação com MobileNets (Howard et al., 2017). MobileNets, como o nome sugere, é projetado para aplicativos móveis, fazendo uso de camadas de convoluções separáveis em profundidade. Essa modificação reduz o tempo de processamento, mas também reduz a precisão na estimativa da pose, quando comparado à arquitetura original. É importante ressaltar que apesar de a detecção de pessoas com a sobreposição de roupas ser um tema atual, já existem aplicações disponíveis no mercado, como o Pozus (GENTLEMINDS, 2018). O Pozus é disponibilizado numa versão beta que é executado no sistema operativo iOS, usa a câmera do telemóvel como entrada para a estimação da pose humana aplicando segmentos de texturas sobre o corpo humano. No entanto, Pozus não faz ajuste de texturas (roupas) à forma da pessoa. Na presente tese, o modelo OpenPose foi usado para determinar as articulações do corpo e diferentes abordagens foram usadas para sobreposição de roupas, enquanto uma pessoa se move em ambientes reais. A primeira abordagem utiliza o algoritmo GrabCut (Rother et al., 2004) para segmentação de pessoas, permitindo o ajuste de segmentos de roupas. Uma segunda abordagem usa uma ferramenta bidimensional (2D) de Animação do Esqueleto para permitir deformações em texturas 2D de acordo com as poses estimadas. A terceira abordagem é semelhante à anterior, mas usa modelos 3D, volumes, para obter uma simulação mais realista do processo de sobreposição de roupas. Os resultados e a prova de conceito são mostrados. Os resultados são coerentes com uma prova de conceito. Os testes revelaram que como trabalho futuro as otimizações para melhorar a precisão do modelo de estimação da pose e o tempo de execução ainda são necessárias para dispositivos móveis. O método final utilizado para sobrepor roupas no corpo demonstrou resultados positivos, pois possibilitaram uma simulação mais realística do processo de sobreposição de roupas.When it comes to visitors at museums and heritage places, objects speak for themselves. Nevertheless, it is important to give visitors the best experience possible, this will lead to an increase in the visits number and enhance the perception and value of the organization. With the aim of enhancing a traditional museum visit, a mobile Augmented Reality (AR) framework is being developed as part of the Mobile Five Senses Augmented Reality (M5SAR) project. This thesis presents an initial approach to human shape detection and AR content superimposition in a mobile environment, achieved by combining information of human body joints with clothes overlapping methods. The present existing systems related to clothes overlapping, that allow the user to move freely, are based mainly in three-dimensional (3D) sensors (e.g., Kinect sensor (Erra et al., 2018)), making them far from being portable. The contribution of this thesis is to present a portable system that allows the user to move freely and does full body clothes overlapping. The OpenPose model (Kim, 2018; Solano, 2018) was used to compute the body joints and different approaches were used for clothes overlapping, while a person is moving in real environments. The first approach uses GrabCut algorithm (Rother et al., 2004) for person segmentation, allowing to fit clothes segments. A second approach uses a bi-dimensional (2D) skeletal animation tool to allow deformations on 2D textures according to the estimated poses. The third approach is similar to the previous, but uses 3D clothes models (volumes) to achieve a more realistic simulation of the process of clothes superimposition. Results and proof-of-concept are shown

Video Manipulation Techniques for the Protection of Privacy in Remote Presence Systems

Systems that give control of a mobile robot to a remote user raise privacy concerns about what the remote user can see and do through the robot. We aim to preserve some of that privacy by manipulating the video data that the remote user sees. Through two user studies, we explore the effectiveness of different video manipulation techniques at providing different types of privacy. We simultaneously examine task performance in the presence of privacy protection. In the first study, participants were asked to watch a video captured by a robot exploring an office environment and to complete a series of observational tasks under differing video manipulation conditions. Our results show that using manipulations of the video stream can lead to fewer privacy violations for different privacy types. Through a second user study, it was demonstrated that these privacy-protecting techniques were effective without diminishing the task performance of the remote user.Comment: 14 pages, 8 figure

Evaluating garments in augmented reality when shopping online

Purpose Augmented Reality (AR) integrates computer-generated images to a physical environment in real-time. Online apparel shopping presents some product-related risks, as consumers can neither physically see and touch the products nor try them on. The present study examined whether AR conveys reliable apparel product information in terms of fit, size, and product performance; and how AR affects attitudes toward apparel and purchase intentions when shopping online. Design/methodology/approach This research was designed as a within-subject quasi-experimental study using repeated measures in two conditions: virtual try-on using the AR technology vs. physical try-on. A scenario was developed to help participants imagine themselves shopping online for a specific dress. Findings Results indicated that size and color of dresses were conveyed accurately when utilizing AR as compared to physical try-on. Visual attributes such as style, garment details, and coordination with other items were found to be satisfactorily predicted when AR was employed. Overall, attitudes towards both AR and real dress, and purchase intentions were favorable. Participants with higher telepresence levels were found to have more positive attitudes towards the dress and greater purchase intentions when using AR as compared to the participants with low telepresence levels. Research limitations/implications Our findings implied that AR can provide enough information especially for garment sizes and visual characteristics when making purchase decisions. AR technology can be instrumental in introducing a certain style, building positive attitudes towards products, and driving sales, when the consumers perceive a certain level of “being there”. This study was limited to female students in North America. Also, because a single stimulus was used, the results cannot be generalized to other stimuli. Originality/value Our study findings showed that participants were able to select the right garment size by using AR. The average ratings for visual characteristics such as style and detail were above the neutral level when using AR; indicating that participants can understand visual attributes in AR when shopping online. Moreover, in the AR condition participants with higher telepresence levels had higher attitudes towards the garment and purchase intentions as compared to the participants with low telepresence. AR can be instrumental for online apparel shopping. Retailers need to understand the potentials of these technologies and work with technology developers to enhance consumers\u27 experiences

Pose estimation system based on monocular cameras

Our world is full of wonders. It is filled with mysteries and challenges, which through the ages inspired and called for the human civilization to grow itself, either philosophically or sociologically. In time, humans reached their own physical limitations; nevertheless, we created technology to help us overcome it. Like the ancient uncovered land, we are pulled into the discovery and innovation of our time. All of this is possible due to a very human characteristic - our imagination. The world that surrounds us is mostly already discovered, but with the power of computer vision (CV) and augmented reality (AR), we are able to live in multiple hidden universes alongside our own. With the increasing performance and capabilities of the current mobile devices, AR is what we dream it can be. There are still many obstacles, but this future is already our reality, and with the evolving technologies closing the gap between the real and the virtual world, soon it will be possible for us to surround ourselves into other dimensions, or fuse them with our own. This thesis focuses on the development of a system to predict the camera’s pose estimation in the real-world regarding to the virtual world axis. The work was developed as a sub-module integrated on the M5SAR project: Mobile Five Senses Augmented Reality System for Museums, aiming to a more immerse experience with the total or partial replacement of the environments’ surroundings. It is based mainly on man-made buildings indoors and their typical rectangular cuboid shape. With the possibility of knowing the user’s camera direction, we can then superimpose dynamic AR content, inviting the user to explore the hidden worlds. The M5SAR project introduced a new way to explore the existent historical museums by exploring the human’s five senses: hearing, smell, taste, touch, vision. With this innovative technology, the user is able to enhance their visitation and immerse themselves into a virtual world blended with our reality. A mobile device application was built containing an innovating framework: MIRAR - Mobile Image Recognition based Augmented Reality - containing object recognition, navigation, and additional AR information projection in order to enrich the users’ visit, providing an intuitive and compelling information regarding the available artworks, exploring the hearing and vision senses. A device specially designed was built to explore the additional three senses: smell, taste and touch which, when attached to a mobile device, either smartphone or tablet, would pair with it and automatically react in with the offered narrative related to the artwork, immersing the user with a sensorial experience. As mentioned above, the work presented on this thesis is relative to a sub-module of the MIRAR regarding environment detection and the superimposition of AR content. With the main goal being the full replacement of the walls’ contents, and with the possibility of keeping the artwork visible or not, it presented an additional challenge with the limitation of using only monocular cameras. Without the depth information, any 2D image of an environment, to a computer doesn’t represent the tridimensional layout of the real-world dimensions. Nevertheless, man-based building tends to follow a rectangular approach to divisions’ constructions, which allows for a prediction to where the vanishing point on any environment image may point, allowing the reconstruction of an environment’s layout from a 2D image. Furthermore, combining this information with an initial localization through an improved image recognition to retrieve the camera’s spatial position regarding to the real-world coordinates and the virtual-world, alas, pose estimation, allowed for the possibility of superimposing specific localized AR content over the user’s mobile device frame, in order to immerse, i.e., a museum’s visitor into another era correlated to the present artworks’ historical period. Through the work developed for this thesis, it was also presented a better planar surface in space rectification and retrieval, a hybrid and scalable multiple images matching system, a more stabilized outlier filtration applied to the camera’s axis, and a continuous tracking system that works with uncalibrated cameras and is able to achieve particularly obtuse angles and still maintain the surface superimposition. Furthermore, a novelty method using deep learning models for semantic segmentation was introduced for indoor layout estimation based on monocular images. Contrary to the previous developed methods, there is no need to perform geometric calculations to achieve a near state of the art performance with a fraction of the parameters required by similar methods. Contrary to the previous work presented on this thesis, this method performs well even in unseen and cluttered rooms if they follow the Manhattan assumption. An additional lightweight application to retrieve the camera pose estimation is presented using the proposed method.O nosso mundo está repleto de maravilhas. Está cheio de mistérios e desafios, os quais, ao longo das eras, inspiraram e impulsionaram a civilização humana a evoluir, seja filosófica ou sociologicamente. Eventualmente, os humanos foram confrontados com os seus limites físicos; desta forma, criaram tecnologias que permitiram superá-los. Assim como as terras antigas por descobrir, somos impulsionados à descoberta e inovação da nossa era, e tudo isso é possível graças a uma característica marcadamente humana: a nossa imaginação. O mundo que nos rodeia está praticamente todo descoberto, mas com o poder da visão computacional (VC) e da realidade aumentada (RA), podemos viver em múltiplos universos ocultos dentro do nosso. Com o aumento da performance e das capacidades dos dispositivos móveis da atualidade, a RA pode ser exatamente aquilo que sonhamos. Continuam a existir muitos obstáculos, mas este futuro já é o nosso presente, e com a evolução das tecnologias a fechar o fosso entre o mundo real e o mundo virtual, em breve será possível cercarmo-nos de outras dimensões, ou fundi-las dentro da nossa. Esta tese foca-se no desenvolvimento de um sistema de predição para a estimação da pose da câmara no mundo real em relação ao eixo virtual do mundo. Este trabalho foi desenvolvido como um sub-módulo integrado no projeto M5SAR: Mobile Five Senses Augmented Reality System for Museums, com o objetivo de alcançar uma experiência mais imersiva com a substituição total ou parcial dos limites do ambiente. Dedica-se ao interior de edifícios de arquitetura humana e a sua típica forma de retângulo cuboide. Com a possibilidade de saber a direção da câmara do dispositivo, podemos então sobrepor conteúdo dinâmico de RA, num convite ao utilizador para explorar os mundos ocultos. O projeto M5SAR introduziu uma nova forma de explorar os museus históricos existentes através da exploração dos cinco sentidos humanos: a audição, o cheiro, o paladar, o toque e a visão. Com essa tecnologia inovadora, o utilizador pode engrandecer a sua visita e mergulhar num mundo virtual mesclado com a nossa realidade. Uma aplicação para dispositivo móvel foi criada, contendo uma estrutura inovadora: MIRAR - Mobile Image Recognition based Augmented Reality - a possuir o reconhecimento de objetos, navegação e projeção de informação de RA adicional, de forma a enriquecer a visita do utilizador, a fornecer informação intuitiva e interessante em relação às obras de arte disponíveis, a explorar os sentidos da audição e da visão. Foi também desenhado um dispositivo para exploração em particular dos três outros sentidos adicionais: o cheiro, o toque e o sabor. Este dispositivo, quando afixado a um dispositivo móvel, como um smartphone ou tablet, emparelha e reage com este automaticamente com a narrativa relacionada à obra de arte, a imergir o utilizador numa experiência sensorial. Como já referido, o trabalho apresentado nesta tese é relativo a um sub-módulo do MIRAR, relativamente à deteção do ambiente e a sobreposição de conteúdo de RA. Sendo o objetivo principal a substituição completa dos conteúdos das paredes, e com a possibilidade de manter as obras de arte visíveis ou não, foi apresentado um desafio adicional com a limitação do uso de apenas câmaras monoculares. Sem a informação relativa à profundidade, qualquer imagem bidimensional de um ambiente, para um computador isso não se traduz na dimensão tridimensional das dimensões do mundo real. No entanto, as construções de origem humana tendem a seguir uma abordagem retangular às divisões dos edifícios, o que permite uma predição de onde poderá apontar o ponto de fuga de qualquer ambiente, a permitir a reconstrução da disposição de uma divisão através de uma imagem bidimensional. Adicionalmente, ao combinar esta informação com uma localização inicial através de um reconhecimento por imagem refinado, para obter a posição espacial da câmara em relação às coordenadas do mundo real e do mundo virtual, ou seja, uma estimativa da pose, foi possível alcançar a possibilidade de sobrepor conteúdo de RA especificamente localizado sobre a moldura do dispositivo móvel, de maneira a imergir, ou seja, colocar o visitante do museu dentro de outra era, relativa ao período histórico da obra de arte em questão. Ao longo do trabalho desenvolvido para esta tese, também foi apresentada uma melhor superfície planar na recolha e retificação espacial, um sistema de comparação de múltiplas imagens híbrido e escalável, um filtro de outliers mais estabilizado, aplicado ao eixo da câmara, e um sistema de tracking contínuo que funciona com câmaras não calibradas e que consegue obter ângulos particularmente obtusos, continuando a manter a sobreposição da superfície. Adicionalmente, um algoritmo inovador baseado num modelo de deep learning para a segmentação semântica foi introduzido na estimativa do traçado com base em imagens monoculares. Ao contrário de métodos previamente desenvolvidos, não é necessário realizar cálculos geométricos para obter um desempenho próximo ao state of the art e ao mesmo tempo usar uma fração dos parâmetros requeridos para métodos semelhantes. Inversamente ao trabalho previamente apresentado nesta tese, este método apresenta um bom desempenho mesmo em divisões sem vista ou obstruídas, caso sigam a mesma premissa Manhattan. Uma leve aplicação adicional para obter a posição da câmara é apresentada usando o método proposto