ASTRAL PROJECTION: THEORIES OF METAPHOR, PHILOSOPHIES OF SCIENCE, AND THE ART O F SCIENTIFIC VISUALIZATION

This thesis provides an intellectual context for my work in computational scientific visualization for large-scale public outreach in venues such as digitaldome planetarium shows and high-definition public television documentaries. In my associated practicum, a DVD that provides video excerpts, 1 focus especially on work I have created with my Advanced Visualization Laboratory team at the National Center for Supercomputing Applications (Champaign, Illinois) from 2002-2007. 1 make three main contributions to knowledge within the field of computational scientific visualization. Firstly, I share the unique process 1 have pioneered for collaboratively producing and exhibiting this data-driven art when aimed at popular science education. The message of the art complements its means of production: Renaissance Team collaborations enact a cooperative paradigm of evolutionary sympathetic adaptation and co-creation. Secondly, 1 open up a positive, new space within computational scientific visualization's practice for artistic expression—especially in providing a theory of digi-epistemology that accounts for how this is possible given the limitations imposed by the demands of mapping numerical data and the computational models derived from them onto visual forms. I am concerned not only with liberating artists to enrich audience's aesthetic experiences of scientific visualization, to contribute their own vision, but also with conceiving of audiences as co-creators of the aesthetic significance of the work, to re-envision and re-circulate what they encounter there. Even more commonly than in the age of traditional media, on-line social computing and digital tools have empowered the public to capture and repurpose visual metaphors, circulating them within new contexts and telling new stories with them. Thirdly, I demonstrate the creative power of visaphors (see footnote, p. 1) to provide novel embodied experiences through my practicum as well as my thesis discussion. Specifically, I describe how the visaphors my Renaissance Teams and I create enrich the Environmentalist Story of Science, essentially promoting a counter-narrative to the Enlightenment Story of Science through articulating how humanity participates in an evolving universal consciousness through our embodied interaction and cooperative interdependence within nested, self-producing (autopoetic) systems, from the micro- to the macroscopic. This contemporary account of the natural world, its inter-related systems, and their dynamics may be understood as expressing a creative and generative energy—a kind of consciousness-that transcends the human yet also encompasses it

Beyond the lens : communicating context through sensing, video, and visualization

Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2011.Cataloged from PDF version of thesis.Includes bibliographical references (p. 101-103).Responding to rapid growth in sensor network deployments that outpaces research efforts to understand or relate the new data streams, this thesis presents a collection of interfaces to sensor network data that encourage open-ended browsing while emphasizing saliency of representation. These interfaces interpret, visualize, and communicate context from sensors, through control panels and virtual environments that synthesize multimodal sensor data into interactive visualizations. This work extends previous efforts in cross-reality to incorporate augmented video as well as complex interactive animations, making use of sensor fusion to saliently represent contextual information to users in a variety of application domains, from building information management to real-time risk assessment to personal privacy. Three applications were developed as part of this work and are discussed here: DoppelLab, an immersive, cross-reality browsing environment for sensor network data; Flurry, an installation that composites video from multiple sources throughout a building in real time, to create an interactive and incorporative view of activity; and Tracking Risk with Ubiquitous Smart Sensing (TRUSS), an ongoing research effort aimed at applying real-time sensing, sensor fusion, and interactive visual analytic interfaces to construction site safety and decision support. Another project in active development, called the Disappearing Act, allows users to remove themselves from a set of live video streams using wearable sensor tags. Though these examples may seem disconnected, they share underlying technologies and research developments, as well as a common set of design principles, which are elucidated in this thesis. Building on developments in sensor networks, computer vision, and graphics, this work aims to create interfaces and visualizations that fuse perspectives, broaden contextual understanding, and encourage exploration of real-time sensor network data.by Gershon Dublon.S.M

Mapping Big Data into Knowledge Space with Cognitive Cyber-Infrastructure

Big data research has attracted great attention in science, technology, industry and society. It is developing with the evolving scientific paradigm, the fourth industrial revolution, and the transformational innovation of technologies. However, its nature and fundamental challenge have not been recognized, and its own methodology has not been formed. This paper explores and answers the following questions: What is big data? What are the basic methods for representing, managing and analyzing big data? What is the relationship between big data and knowledge? Can we find a mapping from big data into knowledge space? What kind of infrastructure is required to support not only big data management and analysis but also knowledge discovery, sharing and management? What is the relationship between big data and science paradigm? What is the nature and fundamental challenge of big data computing? A multi-dimensional perspective is presented toward a methodology of big data computing.Comment: 59 page