Recent Progress in Image Deblurring

This paper comprehensively reviews the recent development of image deblurring, including non-blind/blind, spatially invariant/variant deblurring techniques. Indeed, these techniques share the same objective of inferring a latent sharp image from one or several corresponding blurry images, while the blind deblurring techniques are also required to derive an accurate blur kernel. Considering the critical role of image restoration in modern imaging systems to provide high-quality images under complex environments such as motion, undesirable lighting conditions, and imperfect system components, image deblurring has attracted growing attention in recent years. From the viewpoint of how to handle the ill-posedness which is a crucial issue in deblurring tasks, existing methods can be grouped into five categories: Bayesian inference framework, variational methods, sparse representation-based methods, homography-based modeling, and region-based methods. In spite of achieving a certain level of development, image deblurring, especially the blind case, is limited in its success by complex application conditions which make the blur kernel hard to obtain and be spatially variant. We provide a holistic understanding and deep insight into image deblurring in this review. An analysis of the empirical evidence for representative methods, practical issues, as well as a discussion of promising future directions are also presented.Comment: 53 pages, 17 figure

Digital image processing of the Ghent altarpiece : supporting the painting's study and conservation treatment

In this article, we show progress in certain image processing techniques that can support the physical restoration of the painting, its art-historical analysis, or both. We show how analysis of the crack patterns could indicate possible areas of overpaint, which may be of great value for the physical restoration campaign, after further validation. Next, we explore how digital image inpainting can serve as a simulation for the restoration of paint losses. Finally, we explore how the statistical analysis of the relatively simple and frequently recurring objects (such as pearls in this masterpiece) may characterize the consistency of the painter’s style and thereby aid both art-historical interpretation and physical restoration campaign