Multi-Level and Multi-Scale Feature Aggregation Using Pre-trained Convolutional Neural Networks for Music Auto-tagging

Music auto-tagging is often handled in a similar manner to image classification by regarding the 2D audio spectrogram as image data. However, music auto-tagging is distinguished from image classification in that the tags are highly diverse and have different levels of abstractions. Considering this issue, we propose a convolutional neural networks (CNN)-based architecture that embraces multi-level and multi-scaled features. The architecture is trained in three steps. First, we conduct supervised feature learning to capture local audio features using a set of CNNs with different input sizes. Second, we extract audio features from each layer of the pre-trained convolutional networks separately and aggregate them altogether given a long audio clip. Finally, we put them into fully-connected networks and make final predictions of the tags. Our experiments show that using the combination of multi-level and multi-scale features is highly effective in music auto-tagging and the proposed method outperforms previous state-of-the-arts on the MagnaTagATune dataset and the Million Song Dataset. We further show that the proposed architecture is useful in transfer learning.Comment: 5 pages, 5 figures, 2 table

Raw Waveform-based Audio Classification Using Sample-level CNN Architectures

Music, speech, and acoustic scene sound are often handled separately in the audio domain because of their different signal characteristics. However, as the image domain grows rapidly by versatile image classification models, it is necessary to study extensible classification models in the audio domain as well. In this study, we approach this problem using two types of sample-level deep convolutional neural networks that take raw waveforms as input and uses filters with small granularity. One is a basic model that consists of convolution and pooling layers. The other is an improved model that additionally has residual connections, squeeze-and-excitation modules and multi-level concatenation. We show that the sample-level models reach state-of-the-art performance levels for the three different categories of sound. Also, we visualize the filters along layers and compare the characteristics of learned filters.Comment: NIPS, Machine Learning for Audio Signal Processing Workshop (ML4Audio), 201

Music Genre Classification with Paralleling Recurrent Convolutional Neural Network

Deep learning has been demonstrated its effectiveness and efficiency in music genre classification. However, the existing achievements still have several shortcomings which impair the performance of this classification task. In this paper, we propose a hybrid architecture which consists of the paralleling CNN and Bi-RNN blocks. They focus on spatial features and temporal frame orders extraction respectively. Then the two outputs are fused into one powerful representation of musical signals and fed into softmax function for classification. The paralleling network guarantees the extracting features robust enough to represent music. Moreover, the experiments prove our proposed architecture improve the music genre classification performance and the additional Bi-RNN block is a supplement for CNNs

Masked Conditional Neural Networks for Environmental Sound Classification

The ConditionaL Neural Network (CLNN) exploits the nature of the temporal sequencing of the sound signal represented in a spectrogram, and its variant the Masked ConditionaL Neural Network (MCLNN) induces the network to learn in frequency bands by embedding a filterbank-like sparseness over the network's links using a binary mask. Additionally, the masking automates the exploration of different feature combinations concurrently analogous to handcrafting the optimum combination of features for a recognition task. We have evaluated the MCLNN performance using the Urbansound8k dataset of environmental sounds. Additionally, we present a collection of manually recorded sounds for rail and road traffic, YorNoise, to investigate the confusion rates among machine generated sounds possessing low-frequency components. MCLNN has achieved competitive results without augmentation and using 12% of the trainable parameters utilized by an equivalent model based on state-of-the-art Convolutional Neural Networks on the Urbansound8k. We extended the Urbansound8k dataset with YorNoise, where experiments have shown that common tonal properties affect the classification performance.Comment: Conditional Neural Networks, CLNN, Masked Conditional Neural Networks, MCLNN, Restricted Boltzmann Machine, RBM, Conditional Restricted Boltz-mann Machine, CRBM, Deep Belief Nets, Environmental Sound Recognition, ESR, YorNois

From Visual to Acoustic Question Answering

We introduce the new task of Acoustic Question Answering (AQA) to promote research in acoustic reasoning. The AQA task consists of analyzing an acoustic scene composed by a combination of elementary sounds and answering questions that relate the position and properties of these sounds. The kind of relational questions asked, require that the models perform non-trivial reasoning in order to answer correctly. Although similar problems have been extensively studied in the domain of visual reasoning, we are not aware of any previous studies addressing the problem in the acoustic domain. We propose a method for generating the acoustic scenes from elementary sounds and a number of relevant questions for each scene using templates. We also present preliminary results obtained with two models (FiLM and MAC) that have been shown to work for visual reasoning

Automatic Classification of Music Genre using Masked Conditional Neural Networks

Neural network based architectures used for sound recognition are usually adapted from other application domains such as image recognition, which may not harness the time-frequency representation of a signal. The ConditionaL Neural Networks (CLNN) and its extension the Masked ConditionaL Neural Networks (MCLNN) are designed for multidimensional temporal signal recognition. The CLNN is trained over a window of frames to preserve the inter-frame relation, and the MCLNN enforces a systematic sparseness over the network's links that mimics a filterbank-like behavior. The masking operation induces the network to learn in frequency bands, which decreases the network susceptibility to frequency-shifts in time-frequency representations. Additionally, the mask allows an exploration of a range of feature combinations concurrently analogous to the manual handcrafting of the optimum collection of features for a recognition task. MCLNN have achieved competitive performance on the Ballroom music dataset compared to several hand-crafted attempts and outperformed models based on state-of-the-art Convolutional Neural Networks.Comment: Restricted Boltzmann Machine; RBM; Conditional RBM; CRBM; Deep Belief Net; DBN; Conditional Neural Network; CLNN; Masked Conditional Neural Network; MCLNN; Music Information Retrieval; MIR. IEEE International Conference on Data Mining (ICDM), 201

Generating Music Medleys via Playing Music Puzzle Games

Generating music medleys is about finding an optimal permutation of a given set of music clips. Toward this goal, we propose a self-supervised learning task, called the music puzzle game, to train neural network models to learn the sequential patterns in music. In essence, such a game requires machines to correctly sort a few multisecond music fragments. In the training stage, we learn the model by sampling multiple non-overlapping fragment pairs from the same songs and seeking to predict whether a given pair is consecutive and is in the correct chronological order. For testing, we design a number of puzzle games with different difficulty levels, the most difficult one being music medley, which requiring sorting fragments from different songs. On the basis of state-of-the-art Siamese convolutional network, we propose an improved architecture that learns to embed frame-level similarity scores computed from the input fragment pairs to a common space, where fragment pairs in the correct order can be more easily identified. Our result shows that the resulting model, dubbed as the similarity embedding network (SEN), performs better than competing models across different games, including music jigsaw puzzle, music sequencing, and music medley. Example results can be found at our project website, https://remyhuang.github.io/DJnet.Comment: Accepted at AAAI 201

The Receptive Field as a Regularizer in Deep Convolutional Neural Networks for Acoustic Scene Classification

Convolutional Neural Networks (CNNs) have had great success in many machine vision as well as machine audition tasks. Many image recognition network architectures have consequently been adapted for audio processing tasks. However, despite some successes, the performance of many of these did not translate from the image to the audio domain. For example, very deep architectures such as ResNet and DenseNet, which significantly outperform VGG in image recognition, do not perform better in audio processing tasks such as Acoustic Scene Classification (ASC). In this paper, we investigate the reasons why such powerful architectures perform worse in ASC compared to simpler models (e.g., VGG). To this end, we analyse the receptive field (RF) of these CNNs and demonstrate the importance of the RF to the generalization capability of the models. Using our receptive field analysis, we adapt both ResNet and DenseNet, achieving state-of-the-art performance and eventually outperforming the VGG-based models. We introduce systematic ways of adapting the RF in CNNs, and present results on three data sets that show how changing the RF over the time and frequency dimensions affects a model's performance. Our experimental results show that very small or very large RFs can cause performance degradation, but deep models can be made to generalize well by carefully choosing an appropriate RF size within a certain range.Comment: IEEE EUSIPCO 201

Content-Based Music Recommendation using Deep Learning

Music streaming services use recommendation systems to improve the customer experience by generating favorable playlists and by fostering the discovery of new music. State of the art recommendation systems use both collaborative filtering and content-based recommendation methods. Collaborative filtering suffers from the cold start problem; it can only make recommendations for music for which it has enough user data, so content-based methods are preferred. Most current content-based recommendation systems use convolutional neural networks on the spectrograms of track audio. The architectures are commonly borrowed directly from the field of computer vision. It is shown in this study that musically-motivated convolutional neural network architectures outperform architectures that are highly-optimized for image-related tasks. A content-based recommendation model is built using musically-motivated deep learning architectures. The model is shown to be able to map an artist onto an artist embedding space where its nearest neighbors by cosine similarity are related artists and make good recommendations. It is also shown that metadata, such as lyrics, artist origin, and year, significantly improve these mappings when combined with raw audio data

Acoustic Scene Classification Using Bilinear Pooling on Time-liked and Frequency-liked Convolution Neural Network

The current methodology in tackling Acoustic Scene Classification (ASC) task can be described in two steps, preprocessing of the audio waveform into log-mel spectrogram and then using it as the input representation for Convolutional Neural Network (CNN). This paradigm shift occurs after DCASE 2016 where this framework model achieves the state-of-the-art result in ASC tasks on the (ESC-50) dataset and achieved an accuracy of 64.5%, which constitute to 20.5% improvement over the baseline model, and DCASE 2016 dataset with an accuracy of 90.0% (development) and 86.2% (evaluation), which constitute a 6.4% and 9% improvements with respect to the baseline system. In this paper, we explored the use of harmonic and percussive source separation (HPSS) to split the audio into harmonic audio and percussive audio, which has received popularity in the field of music information retrieval (MIR). Although works have been done in using HPSS as input representation for CNN model in ASC task, this paper further investigate the possibility on leveraging the separated harmonic component and percussive component by curating 2 CNNs which tries to understand harmonic audio and percussive audio in their natural form, one specialized in extracting deep features in time biased domain and another specialized in extracting deep features in frequency biased domain, respectively. The deep features extracted from these 2 CNNs will then be combined using bilinear pooling. Hence, presenting a two-stream time and frequency CNN architecture approach in classifying acoustic scene. The model is being evaluated on DCASE 2019 sub task 1a dataset and scored an average of 65% on development dataset, Kaggle Leadership Private and Public board.Comment: inclusion in conference proceedings 2019 IEEE Symposium Series on Computational Intelligence (IEEE SSCI 2019), Xiame