Experimental Evaluation of Psychophysical Distortion Metrics for JPEG-Encoded Images

Two experiments for evaluating psychophysical distortion metrics for JPEG-encoded images are described. The first is a threshold experiment, in which subjects determined the bit rate or level of distortion at which distortion was just noticeable. The second is a suprathreshold experiment in which subjects ranked image blocks according to perceived distortion. The results of these experiments were used to determine the predictive value of a number of computer image distortion metrics. It was found that mean-square-error is not a good predictor of distortion thresholds or suprathreshold perceived distortion. Some simple pointwise measures were in good agreement with psychophysical data; other more computationally intensive metrics involving spatial properties of the human visual system gave mixed results. It was determined that mean intensity, which is not accounted for in the JPEG algorithm, plays a significant role in perceived distortion

Scalable image quality assessment with 2D mel-cepstrum and machine learning approach

Cataloged from PDF version of article.Measurement of image quality is of fundamental importance to numerous image and video processing applications. Objective image quality assessment (IQA) is a two-stage process comprising of the following: (a) extraction of important information and discarding the redundant one, (b) pooling the detected features using appropriate weights. These two stages are not easy to tackle due to the complex nature of the human visual system (HVS). In this paper, we first investigate image features based on two-dimensional (20) mel-cepstrum for the purpose of IQA. It is shown that these features are effective since they can represent the structural information, which is crucial for IQA. Moreover, they are also beneficial in a reduced-reference scenario where only partial reference image information is used for quality assessment. We address the second issue by exploiting machine learning. In our opinion, the well established methodology of machine learning/pattern recognition has not been adequately used for IQA so far; we believe that it will be an effective tool for feature pooling since the required weights/parameters can be determined in a more convincing way via training with the ground truth obtained according to subjective scores. This helps to overcome the limitations of the existing pooling methods, which tend to be over simplistic and lack theoretical justification. Therefore, we propose a new metric by formulating IQA as a pattern recognition problem. Extensive experiments conducted using six publicly available image databases (totally 3211 images with diverse distortions) and one video database (with 78 video sequences) demonstrate the effectiveness and efficiency of the proposed metric, in comparison with seven relevant existing metrics. (C) 2011 Elsevier Ltd. All rights reserved

Image Quality Evaluation in Lossy Compressed Images

This research focuses on the quantification of image quality in lossy compressed images, exploring the impact of digital artefacts and scene characteristics upon image quality evaluation. A subjective paired comparison test was implemented to assess perceived quality of JPEG 2000 against baseline JPEG over a range of different scene types. Interval scales were generated for both algorithms, which indicated a subjective preference for JPEG 2000, particularly at low bit rates, and these were confirmed by an objective distortion measure. The subjective results did not follow this trend for some scenes however, and both algorithms were found to be scene dependent as a result of the artefacts produced at high compression rates. The scene dependencies were explored from the interval scale results, which allowed scenes to be grouped according to their susceptibilities to each of the algorithms. Groupings were correlated with scene measures applied in a linked study. A pilot study was undertaken to explore perceptibility thresholds of JPEG 2000 of the same set of images. This work was developed with a further experiment to investigate the thresholds of perceptibility and acceptability of higher resolution JPEG 2000 compressed images. A set of images was captured using a professional level full-frame Digital Single Lens Reflex camera, using a raw workflow and carefully controlled image-processing pipeline. The scenes were quantified using a set of simple scene metrics to classify them according to whether they were average, higher than, or lower than average, for a number of scene properties known to affect image compression and perceived image quality; these were used to make a final selection of test images. Image fidelity was investigated using the method of constant stimuli to quantify perceptibility thresholds and just noticeable differences (JNDs) of perceptibility. Thresholds and JNDs of acceptability were also quantified to explore suprathreshold quality evaluation. The relationships between the two thresholds were examined and correlated with the results from the scene measures, to identify more or less susceptible scenes. It was found that the level and differences between the two thresholds was an indicator of scene dependency and could be predicted by certain types of scene characteristics. A third study implemented the soft copy quality ruler as an alternative psychophysical method, by matching the quality of compressed images to a set of images varying in a single attribute, separated by known JND increments of quality. The imaging chain and image processing workflow were evaluated using objective measures of tone reproduction and spatial frequency response. An alternative approach to the creation of ruler images was implemented and tested, and the resulting quality rulers were used to evaluate a subset of the images from the previous study. The quality ruler was found to be successful in identifying scene susceptibilities and observer sensitivity. The fourth investigation explored the implementation of four different image quality metrics. These were the Modular Image Difference Metric, the Structural Similarity Metric, The Multi-scale Structural Similarity Metric and the Weighted Structural Similarity Metric. The metrics were tested against the subjective results and all were found to have linear correlation in terms of predictability of image quality

A reduced-reference perceptual image and video quality metric based on edge preservation

In image and video compression and transmission, it is important to rely on an objective image/video quality metric which accurately represents the subjective quality of processed images and video sequences. In some scenarios, it is also important to evaluate the quality of the received video sequence with minimal reference to the transmitted one. For instance, for quality improvement of video transmission through closed-loop optimisation, the video quality measure can be evaluated at the receiver and provided as feedback information to the system controller. The original image/video sequence-prior to compression and transmission-is not usually available at the receiver side, and it is important to rely at the receiver side on an objective video quality metric that does not need reference or needs minimal reference to the original video sequence. The observation that the human eye is very sensitive to edge and contour information of an image underpins the proposal of our reduced reference (RR) quality metric, which compares edge information between the distorted and the original image. Results highlight that the metric correlates well with subjective observations, also in comparison with commonly used full-reference metrics and with a state-of-the-art RR metric. © 2012 Martini et al

Quality Measurements on Quantised Meshes

In computer graphics, triangle mesh has emerged as the ubiquitous shape rep- resentation for 3D modelling and visualisation applications. Triangle meshes, often undergo compression by specialised algorithms for the purposes of storage and trans- mission. During the compression processes, the coordinates of the vertices of the triangle meshes are quantised using fixed-point arithmetic. Potentially, that can alter the visual quality of the 3D model. Indeed, if the number of bits per vertex coordinate is too low, the mesh will be deemed by the user as visually too coarse as quantisation artifacts will become perceptible. Therefore, there is the need for the development of quality metrics that will enable us to predict the visual appearance of a triangle mesh at a given level of vertex coordinate quantisation

Perceptual quality assessment and processing for visual signals.

視覺信號，包括圖像，視頻等，在采集，壓縮，存儲，傳輸，重新生成的過程中都會被各種各樣的噪聲所影響，因此他們的主觀質量也就會降低。所以，主觀視覺質量在現今的視覺信號處理跟通訊系統中起到了很大的作用。這篇畢業論文主要討論質量評價的算法設計，以及這些衡量標準在視覺信號處理上的應用。這篇論文的工作主要包括以下五個方面。第一部分主要集中在具有完全套考原始圖像的圖像質量評價。首先我們研究人類視覺系統的特征。具體說來，視覺在結構化失真上面的水平特性和顯著特征會被建模然后應用到結構相似度(SSIM)這個衡量標準上。實驗顯示我們的方法明顯的提高了衡量標準典主觀評價的相似度。由這個質量衡量標準的啟發，我們設計了一個主觀圖像壓縮的方法。其中我們提出了一個自適應的塊大小的超分辨率算法指導的下采樣的算法。實驗結果證明提出的圖像壓縮算法無論在主觀還是在客觀層面都構建了高質量的圖像。第二個部分的工作主要討論具有完全參考原始視頻的視頻質量評價。考慮到人類視覺系統的特征，比如時空域的對此敏感函數，眼球的移動，紋理的遮掩特性，空間域的一致性，時間域的協調性，不同塊變換的特性，我們設計了一個自適應塊大小的失真閾值的模型。實驗證明，我們提出的失真閾值模型能夠更精確的描迷人類視覺系統的特性。基于這個自適應塊大小的失真閾值模型，我們設計了一個簡單的主觀質量評價標準。在公共的圓像以及視頻的主觀數據庫上的測試結果證明了這個簡單的評價標準的有效性。因此，我們把這個簡單的質量標準應用于視頻編碼系統中。它可以在同樣的碼率下提供更高主觀質量的視頻。第三部分我們討論具有部分參考信息的圖像質量評價。我們通過描迷重組后的離散余弦變換域的系數的統計分布來衡量圖像的主觀質量。提出的評價標準發掘了相鄰的離散余弦系數的相同統計特性，相鄰的重組離散余弦系數的互信息，以及圖像的能量在不同頻率下的分布。實驗結果證明我們提出的質量標準河以超越其他的具有部分參考信息的質量評價標準，甚至還超過了具有完全參考信息的質量評價標準。而且，提取的特征很容易被編碼以及隱藏到圖像中以便于在圖像通訊中進行質量監控。第四部分我們討論具有部分參考信息的視頻質量評價。我們提取的特征可以很好的描迷空間域的信息失，和時間域的相鄰兩幀間的直方圖的統計特性。在視頻主觀質量的數據庫上的實驗結果，也證明了提出的方法河以超越其他代表性的視頻質量評價標準，甚至是具有完全參考信息的質量評價標準， 譬如PSNR以及SSIM 。我們的方法只需要很少的特征來描迷每一幀視頻圖像。對于每一幀圖像，一個特征用于描迷空間域的特點，另外三個特征用于描述時間域的特點。考慮到計算的復雜度以及壓縮特征所需要的碼率，提出的方法河以很簡單的在視頻的傳輸過程中監控視頻的質量。之前的四部分提到的主觀質量評價標準主要集中在傳統的失真上面， 譬如JPEG 圖像壓縮， H.264視頻壓縮。在最后一部分，我們討論在圖像跟視頻的retargeting過程中的失真。現如今，隨著消費者電子的發展，視覺信號需要在不同分辨率的顯示設備上進行通訊交互。因此， retargeting的算法把同一個原始圖像適應于不同的分辨率的顯示設備。這樣的過程就會引入圖像的失真。我們研究了對于retargeting圖像主觀質量的測試者的分數，從三個方面進行討論測試者對于retargeting圖像失真的反應.圖像retargeting的尺度，圖像retargeting的算法，原始圖像的內容特性。通過大量的主觀實驗測試，我們構建了一個關于圖像retargeting的主觀數據庫。基于這個主觀數據庫，我們評價以及分析了幾個具有代表性的質量評價標準。Visual signals, including images, videos, etc., are affected by a wide variety of distortions during acquisition, compression, storage, processing, transmission, and reproduction processes, which result in perceptual quality degradation. As a result, perceptual quality assessment plays a very important role in today's visual signal processing and communication systems. In this thesis, quality assessment algorithms for evaluating the visual signal perceptual quality, as well as the applications on visual signal processing and communications, are investigated. The work consists of five parts as briefly summarized below.The first part focuses on the full-reference (FR) image quality assessment. The properties of the human visual system (HVS) are firstly investigated. Specifically, the visual horizontal effect (HE) and saliency properties over the structural distortions are modelled and incorporated into the structure similarity index (SSIM). Experimental results show significantly improved performance in matching the subjective ratings. Inspired by the developed FR image metric, a perceptual image compression scheme is developed, where the adaptive block-based super-resolution directed down-sampling is proposed. Experimental results demonstrated that the proposed image compression scheme can produce higher quality images in terms of both objective and subjective qualities, compared with the existing methods.The second part concerns the FR video quality assessment. The adaptive block-size transform (ABT) based just-noticeable difference (JND) for visual signals is investigated by considering the HVS characteristics, e.g., spatio-temporal contrast sensitivity function (CSF), eye movement, texture masking, spatial coherence, temporal consistency, properties of different block-size transforms, etc. It is verified that the developed ABT based JND can more accurately depict the HVS property, compared with the state-of-the-art JND models. The ABT based JND is thereby utilized to develop a simple perceptual quality metric for visual signals. Validations on the image and video subjective quality databases proved its effectiveness. As a result, the developed perceptual quality metric is employed for perceptual video coding, which can deliver video sequences of higher perceptual quality at the same bit-rates.The third part discusses the reduced-reference (RR) image quality assessment, which is developed by statistically modelling the coe cient distribution in the reorganized discrete cosine transform (RDCT) domain. The proposed RR metric exploits the identical statistical nature of the adjacent DCT coefficients, the mutual information (MI) relationship between adjacent RDCT coefficients, and the image energy distribution among different frequency components. Experimental results demonstrate that the proposed metric outperforms the representative RR image quality metrics, and even the FR quality metric, i.e., peak signal to noise ratio (PSNR). Furthermore, the extracted RR features can be easily encoded and embedded into the distorted images for quality monitoring during image communications.The fourth part investigates the RR video quality assessment. The RR features are extracted to exploit the spatial information loss and the temporal statistical characteristics of the inter-frame histogram. Evaluations on the video subjective quality databases demonstrate that the proposed method outperforms the representative RR video quality metrics, and even the FR metrics, such as PSNR, SSIM in matching the subjective ratings. Furthermore, only a small number of RR features is required to represent the original video sequence (each frame requires only 1 and 3 parameters to depict the spatial and temporal characteristics, respectively). By considering the computational complexity and the bit-rates for extracting and representing the RR features, the proposed RR quality metric can be utilized for quality monitoring during video transmissions, where the RR features for perceptual quality analysis can be easily embedded into the videos or transmitted through an ancillary data channel.The aforementioned perceptual quality metrics focus on the traditional distortions, such as JPEG image compression noise, H.264 video compression noise, and so on. In the last part, we investigate the distortions introduced during the image and video retargeting process. Nowadays, with the development of the consumer electronics, more and more visual signals have to communicate between different display devices of different resolutions. The retargeting algorithm is employed to adapt a source image of one resolution to be displayed in a device of a different resolution, which may introduce distortions during the retargeting process. We investigate the subjective responses on the perceptual qualities of the retargeted images, and discuss the subjective results from three perspectives, i.e., retargeting scales, retargeting methods, and source image content attributes. An image retargeting subjective quality database is built by performing a large-scale subjective study of image retargeting quality on a collection of retargeted images. Based on the built database, several representative quality metrics for retargeted images are evaluated and discussed.Detailed summary in vernacular field only.Detailed summary in vernacular field only.Detailed summary in vernacular field only.Detailed summary in vernacular field only.Detailed summary in vernacular field only.Detailed summary in vernacular field only.Ma, Lin."December 2012."Thesis (Ph.D.)--Chinese University of Hong Kong, 2013.Includes bibliographical references (leaves 185-197).Abstract also in Chinese.Dedication --- p.iiAcknowledgments --- p.iiiAbstract --- p.viiiPublications --- p.xiNomenclature --- p.xviiContents --- p.xxivList of Figures --- p.xxviiiList of Tables --- p.xxxChapter 1 --- Introduction --- p.1Chapter 1.1 --- Motivation and Objectives --- p.1Chapter 1.2 --- Subjective Perceptual Quality Assessment --- p.5Chapter 1.3 --- Objective Perceptual Quality Assessment --- p.10Chapter 1.3.1 --- Visual Modelling Approach --- p.10Chapter 1.3.2 --- Engineering Modelling Approach --- p.15Chapter 1.3.3 --- Perceptual Subjective Quality Databases --- p.19Chapter 1.3.4 --- Performance Evaluation --- p.21Chapter 1.4 --- Thesis Contributions --- p.22Chapter 1.5 --- Organization of the Thesis --- p.24Chapter I --- Full Reference Quality Assessment --- p.26Chapter 2 --- Full Reference Image Quality Assessment --- p.27Chapter 2.1 --- Visual Horizontal Effect for Image Quality Assessment --- p.27Chapter 2.1.1 --- Introduction --- p.27Chapter 2.1.2 --- Proposed Image Quality Assessment Framework --- p.28Chapter 2.1.3 --- Experimental Results --- p.34Chapter 2.1.4 --- Conclusion --- p.36Chapter 2.2 --- Image Compression via Adaptive Block-Based Super-Resolution Directed Down-Sampling --- p.37Chapter 2.2.1 --- Introduction --- p.37Chapter 2.2.2 --- The Proposed Image Compression Framework --- p.38Chapter 2.2.3 --- Experimental Results --- p.42Chapter 2.2.4 --- Conclusion --- p.45Chapter 3 --- Full Reference Video Quality Assessment --- p.46Chapter 3.1 --- Adaptive Block-size Transform based Just-Noticeable Dfference Model for Visual Signals --- p.46Chapter 3.1.1 --- Introduction --- p.46Chapter 3.1.2 --- JND Model based on Transforms of Different Block Sizes --- p.48Chapter 3.1.3 --- Selection Strategy Between Transforms of Different Block Sizes --- p.53Chapter 3.1.4 --- JND Model Evaluation --- p.56Chapter 3.1.5 --- Conclusion --- p.60Chapter 3.2 --- Perceptual Quality Assessment --- p.60Chapter 3.2.1 --- Experimental Results --- p.62Chapter 3.2.2 --- Conclusion --- p.64Chapter 3.3 --- Motion Trajectory Based Visual Saliency for Video Quality Assessment --- p.65Chapter 3.3.1 --- Motion Trajectory based Visual Saliency for VQA --- p.66Chapter 3.3.2 --- New Quaternion Representation (QR) for Each frame --- p.66Chapter 3.3.3 --- Saliency Map Construction by QR --- p.67Chapter 3.3.4 --- Incorporating Visual Saliency with VQAs --- p.68Chapter 3.3.5 --- Experimental Results --- p.69Chapter 3.3.6 --- Conclusion --- p.72Chapter 3.4 --- Perceptual Video Coding --- p.72Chapter 3.4.1 --- Experimental Results --- p.75Chapter 3.4.2 --- Conclusion --- p.76Chapter II --- Reduced Reference Quality Assessment --- p.77Chapter 4 --- Reduced Reference Image Quality Assessment --- p.78Chapter 4.1 --- Introduction --- p.78Chapter 4.2 --- Reorganization Strategy of DCT Coefficients --- p.81Chapter 4.3 --- Relationship Analysis of Intra and Inter RDCT subbands --- p.83Chapter 4.4 --- Reduced Reference Feature Extraction in Sender Side --- p.88Chapter 4.4.1 --- Intra RDCT Subband Modeling --- p.89Chapter 4.4.2 --- Inter RDCT Subband Modeling --- p.91Chapter 4.4.3 --- Image Frequency Feature --- p.92Chapter 4.5 --- Perceptual Quality Analysis in the Receiver Side --- p.95Chapter 4.5.1 --- Intra RDCT Feature Difference Analysis --- p.95Chapter 4.5.2 --- Inter RDCT Feature Difference Analysis --- p.96Chapter 4.5.3 --- Image Frequency Feature Difference Analysis --- p.96Chapter 4.6 --- Experimental Results --- p.98Chapter 4.6.1 --- Efficiency of the DCT Reorganization Strategy --- p.98Chapter 4.6.2 --- Performance of the Proposed RR IQA --- p.99Chapter 4.6.3 --- Performance of the Proposed RR IQA over Each Individual Distortion Type --- p.105Chapter 4.6.4 --- Statistical Significance --- p.107Chapter 4.6.5 --- Performance Analysis of Each Component --- p.109Chapter 4.7 --- Conclusion --- p.111Chapter 5 --- Reduced Reference Video Quality Assessment --- p.113Chapter 5.1 --- Introduction --- p.113Chapter 5.2 --- Proposed Reduced Reference Video Quality Metric --- p.114Chapter 5.2.1 --- Reduced Reference Feature Extraction from Spatial Perspective --- p.116Chapter 5.2.2 --- Reduced Reference Feature Extraction from Temporal Perspective --- p.118Chapter 5.2.3 --- Visual Quality Analysis in Receiver Side --- p.121Chapter 5.3 --- Experimental Results --- p.123Chapter 5.3.1 --- Consistency Test of the Proposed RR VQA over Compressed Video Sequences --- p.124Chapter 5.3.2 --- Consistency Test of the Proposed RR VQA over Video Sequences with Simulated Distortions --- p.126Chapter 5.3.3 --- Performance Evaluation of the Proposed RR VQA on Compressed Video Sequences --- p.129Chapter 5.3.4 --- Performance Evaluation of the Proposed RR VQA on Video Sequences Containing Transmission Distortions --- p.133Chapter 5.3.5 --- Performance Analysis of Each Component --- p.135Chapter 5.4 --- Conclusion --- p.137Chapter III --- Retargeted Visual Signal Quality Assessment --- p.138Chapter 6 --- Image Retargeting Perceptual Quality Assessment --- p.139Chapter 6.1 --- Introduction --- p.139Chapter 6.2 --- Preparation of Database Building --- p.142Chapter 6.2.1 --- Source Image --- p.142Chapter 6.2.2 --- Retargeting Methods --- p.143Chapter 6.2.3 --- Subjective Testing --- p.146Chapter 6.3 --- Data Processing and Analysis for the Database --- p.150Chapter 6.3.1 --- Processing of Subjective Ratings --- p.150Chapter 6.3.2 --- Analysis and Discussion of the Subjective Ratings --- p.153Chapter 6.4 --- Objective Quality Metric for Retargeted Images --- p.162Chapter 6.4.1 --- Quality Metric Performances on the Constructed Image Retargeting Database --- p.162Chapter 6.4.2 --- Subjective Analysis of the Shape Distortion and Content Information Loss --- p.165Chapter 6.4.3 --- Discussion --- p.167Chapter 6.5 --- Conclusion --- p.169Chapter 7 --- Conclusions --- p.170Chapter 7.1 --- Conclusion --- p.170Chapter 7.2 --- Future Work --- p.173Chapter A --- Attributes of the Source Image --- p.176Chapter B --- Retargeted Image Name and the Corresponding Number --- p.179Chapter C --- Source Image Name and the Corresponding Number --- p.183Bibliography --- p.18

Metrics for Stereoscopic Image Compression

Metrics for automatically predicting the compression settings for stereoscopic images, to minimize file size, while still maintaining an acceptable level of image quality are investigated. This research evaluates whether symmetric or asymmetric compression produces a better quality of stereoscopic image. Initially, how Peak Signal to Noise Ratio (PSNR) measures the quality of varyingly compressed stereoscopic image pairs was investigated. Two trials with human subjects, following the ITU-R BT.500-11 Double Stimulus Continuous Quality Scale (DSCQS) were undertaken to measure the quality of symmetric and asymmetric stereoscopic image compression. Computational models of the Human Visual System (HVS) were then investigated and a new stereoscopic image quality metric designed and implemented. The metric point matches regions of high spatial frequency between the left and right views of the stereo pair and accounts for HVS sensitivity to contrast and luminance changes in these regions. The PSNR results show that symmetric, as opposed to asymmetric stereo image compression, produces significantly better results. The human factors trial suggested that in general, symmetric compression of stereoscopic images should be used. The new metric, Stereo Band Limited Contrast, has been demonstrated as a better predictor of human image quality preference than PSNR and can be used to predict a perceptual threshold level for stereoscopic image compression. The threshold is the maximum compression that can be applied without the perceived image quality being altered. Overall, it is concluded that, symmetric, as opposed to asymmetric stereo image encoding, should be used for stereoscopic image compression. As PSNR measures of image quality are correctly criticized for correlating poorly with perceived visual quality, the new HVS based metric was developed. This metric produces a useful threshold to provide a practical starting point to decide the level of compression to use

A new algorithm for calculating perceived colour difference of images

Faithful colour reproduction of digital images requires a reliable measure to compare such images in order to evaluate the reproduction performance. The conventional methods attempt to apply the CIE Colorimetry based colour difference equations, such as CIELAB, CMC, CIE94 and CIEDE2000, to complex images on a pixel-by-pixel basis, and calculates the overall colour difference as the averaged difference of each pixel in the image. This method is simple and straightforward but often does not represent the colour difference perceived by human visual system. This paper proposes a new algorithm for calculating the overall colour difference between a reproduced image and its original. The results obtained show that this new metric provides a quantitative measure that more closely corresponds to the colour difference perceived by human visual system

Perceptually lossless coding of medical images - from abstraction to reality

This work explores a novel vision model based coding approach to encode medical images at a perceptually lossless quality, within the framework of the JPEG 2000 coding engine. Perceptually lossless encoding offers the best of both worlds, delivering images free of visual distortions and at the same time providing significantly greater compression ratio gains over its information lossless counterparts. This is achieved through a visual pruning function, embedded with an advanced model of the human visual system to accurately identify and to efficiently remove visually irrelevant/insignificant information. In addition, it maintains bit-stream compliance with the JPEG 2000 coding framework and subsequently is compliant with the Digital Communications in Medicine standard (DICOM). Equally, the pruning function is applicable to other Discrete Wavelet Transform based image coders, e.g., The Set Partitioning in Hierarchical Trees. Further significant coding gains are exploited through an artificial edge segmentatio n algorithm and a novel arithmetic pruning algorithm. The coding effectiveness and qualitative consistency of the algorithm is evaluated through a double-blind subjective assessment with 31 medical experts, performed using a novel 2-staged forced choice assessment that was devised for medical experts, offering the benefits of greater robustness and accuracy in measuring subjective responses. The assessment showed that no differences of statistical significance were perceivable between the original images and the images encoded by the proposed coder