A proposed legislative framework to protect digital copyright from end user infringement on the internet in Thailand: a comparative approach

This thesis argues that Thailand does not have adequate specific legal remedies to protect copyright work on the internet, for example, the use of copyright content on public websites or file-sharing platforms. The aim of the study is to construct a legal framework to provide effective copyright protection remedies. In particular, more effective remedies are needed for copyright infringement by end-users using client-server and Peer-to-Peer (P2P) file sharing technology. In terms of methodology, this thesis is documentary research. The thesis employs a comparative system legal approach. It compares Thailand’s Copyright Act (No.2) B.E.2558 (CA 2015) with digital copyright enforcement systems in two foreign jurisdictions: (1) the Notice and Takedown (N&T) system of the United States; and (2) the Graduated Response (GR) of France. It examines and compares functional aspects between the CA 2015 and N&T as applied to the client/server technology. The same comparative system method is also employed with respect to digital copyright infringement under the CA 2015 compared with the GR system as it applies to P2P technology. The thesis constructs a proposal for a more effective legislative framework to protect copyright on the internet for Thailand. The thesis finds that the practical enforcement problems relating to both client/server and P2P end user infringers in the online environment is threefold. First, it involves fast widespread distribution of content. Second, there is a large number of potentially infringing internet end users. Third, there are significant difficulties in identifying an actual infringer. The author argues that Thailand's CA 2015 court procedure is not suitable because it is slow, costly and does little to solve any of the aforementioned problems. The thesis finds that generalised characteristics of a suitable enforcement remedy should include several elements, namely, end user educative and awareness-raising functions and gradually increasing legal sanctions such as warning, fines as well as internet access restriction. It is recommended that the N&T and GR remedies in use in the US and EU respectively be adopted in Thailand with certain adjustments to suit the Thai context and replace existing unwieldy criminal and civil litigation. To this end, it is recommended that in order to overcome the difficulty of infringer identification, a new internet subscriber's duty should be introduced in Thailand

Canadian Television Today

What's on TV? Canadian Television Today explores the current challenges and issues facing the English-language television industry in Canada. Television in Canada has long been one of the principal conduits of national identity. But has it kept pace with the rapidly changing landscape of Canadian culture? After presenting an overview of the main issues and debates surrounding the Canadian small screen, Beaty and Sullivan offer their suggestions for the future of the medium. They argue that in today's globalized world, Canadian television should be a more fitting reflection of Canada's multicultural society, embracing a broader range of languages, cultures, and viewing strategies. Visualizing the potential reach of a revitalized industry, Beaty and Sullivan illustrate the promise and possibility of Canadian television that serves the cultural needs of all its citizens

Distinguishing the \u27Vanguard\u27 from the \u27Insipid\u27: Exploring the Valorization of Mainstream Popular Music in Online Indie Music Criticism

This thesis explores recent transformations in the way mainstream popular music is valorized in online indie music publication Pitchfork. Indie music culture has traditionally defined itself in opposition to mainstream popular taste, through social and aesthetic differentiation mechanisms grounded in connoisseurship and DIY ethics. This thesis argues that the increased popularity and commodification of indie music has altered the culture’s exclusionary taste boundaries, selectively welcoming mainstream performers. To explore these changes, I analyze Pitchfork reviews of albums that appear in the top 20 of the Billboard 200 Year-End Chart, 2006-2011. My findings show that Pitchfork critics tend to privilege modernist conceptions of rock authenticity in their evaluation of albums produced by mainstream performers; reviewers\u27 willingness to perceive positively-valued musical innovation and artistic ambition counterbalances the potentially negative effects performers\u27 commercial and economic success might otherwise have had on their evaluation by this resolutely indie publication

Millennial Libertarians: The Rebirth of a Movement and the Transformation of U.S. Political Culture

This dissertation examines the contemporary resurgence of libertarianism in the U.S., exploring a rapidly expanding, transnational network of hundreds of thousands liberty movement participants connected through student groups, community organizations, and established institutions, as well as through social media and a vast array of online forums. Grounded in 32 months of ethnographic fieldwork and over 200 interviews, it documents the rise of a profound disenchantment, particularly among millennials, with state-based solutions to pressing contemporary problems and, more broadly, with the nation-state project itself. Drawing on first-hand accounts ranging from elite boardrooms and think tank conference rooms, to political demonstrations and direct actions, to student reading groups and gatherings of cryptoanarchist communities, the dissertation situates the ethnographic study within the broader framework of a reconfiguration of U.S. populism in the era of the security state. The project examines how established libertarian organizations, a key component of the longstanding U.S. conservative coalition, have helped infuse libertarianism with renewed relevance for a substantial part of an entire generation deeply disheartened by a world embroiled in economic crisis and heavily militarized systems of governance. Through the consolidation of a libertarian wing of the Republican Party, parts of the liberty movement are presently shaking up the very conservative coalition that helped usher forth the movement\u27s revival. But libertarianism\u27s resurgence is also powerfully reshaping U.S. political culture beyond formal political processes, giving rise to a proliferation of libertarian spaces that expressly reject effecting change through electoral politics and policy in favor of changing hearts and minds by promoting libertarian principles and social organization. Simultaneously, growing numbers of millennials influenced by the liberty movement increasingly challenge its dominant trends, focusing on the experiences of vulnerable and marginalized groups -- from urging the integration of libertarianism with a broader socioeconomic critique as well as antiracism, feminism, mutual aid, and labor solidarity, to revisiting the ideas of 19th century U.S. individualist anarchists. Thus, while the libertarian political establishment is likely to continue to expand over the coming years and secure a firmer place in the Republican Party, the movement simultaneously serves as a siphon -- growing numbers of millennial libertarians are presently breaking from the political right and moving closer to various forms of left libertarianism, market anarchism, mutualism, and even social anarchism. The project thus illustrates the centrality of cultural formations beyond policy and electoral politics to the largest popular movement motivated by distinctly libertarian ideas in the postwar period, as well as to reconfigurations of U.S. liberalism. The dissertation contributes to a burgeoning literature on the resurgence of antistatist theory and organizing in the new millennium. Scholars and activists alike continue to document especially the revitalization of social anarchist traditions permeating numerous contemporary struggles, tracing how the resuscitation of social anarchist thought and activism informs important parts of extant insurgency across the globe. The U.S. liberty movement presents another key but understudied aspect of the present antistate moment. The dissertation also builds on longstanding anthropological approaches to understanding the complex processes through which political ideologies are shaped and constituted. Through an ethnographic lens, it interrogates how deeply ingrained U.S. ideologies of freedom, individualism, and even liberalism itself are interpreted, contested, and reappropriated to both challenge and reinscribe relations of power. The libertarian resurgence represents a crucial struggle over the very meaning and direction of U.S. liberalism in our historical moment

Music and Digital Media

Anthropology has neglected the study of music. Music and Digital Media shows how and why this should be redressed. It does so by enabling music to expand the horizons of digital anthropology, demonstrating how the field can build interdisciplinary links to music and sound studies, digital/media studies, and science and technology studies. Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the digital assume clamouring audibility. The book contains ten chapters, eight of which present comprehensive original ethnographies; they are bookended by an authoritative introduction and a comparative postlude. Five chapters address popular, folk, art and crossover musics in the global South and North, including Kenya, Argentina, India, Canada and the UK. Three chapters bring the digital experimentally to the fore, presenting pioneering ethnographies of anextra-legal peer-to-peer site and the streaming platform Spotify, a series of prominent internet-mediated music genres, and the first ethnography of a global software package, the interactive music platform Max. The book is unique in bringing ethnographic research on popular, folk, art and crossover musics from the global North and South into a comparative framework on a large scale, and creates an innovative new paradigm for comparative anthropology. It shows how music enlarges anthropology while demanding to be understood with reference to classic themes of anthropological theory. Praise for Music and Digital Media ‘Music and Digital Media is a groundbreaking update to our understandings of sound, media, digitization, and music. Truly transdisciplinary and transnational in scope, it innovates methodologically through new models for collaboration, multi-sited ethnography, and comparative work. It also offers an important defense of—and advancement of—theories of mediation.’ Jonathan Sterne, Communication Studies and Art History, McGill University 'Music and Digital Media is a nuanced exploration of the burgeoning digital music scene across both the global North and the global South. Ethnographically rich and theoretically sophisticated, this collection will become the new standard for this field.' Anna Tsing, Anthropology, University of California at Santa Cruz 'The global drama of music's digitisation elicits extreme responses – from catastrophe to piratical opportunism – but between them lie more nuanced perspectives. This timely, absolutely necessary collection applies anthropological understanding to a deliriously immersive field, bringing welcome clarity to complex processes whose impact is felt far beyond what we call music.' David Toop, London College of Communication, musician and writer ‘Spanning continents and academic disciplines, the rich ethnographies contained in Music and Digital Media makes it obligatory reading for anyone wishing to understand the complex, contradictory, and momentous effects that digitization is having on musical cultures.’ Eric Drott, Music, University of Texas, Austin ‘This superb collection, with an authoritative overview as its introduction, represents the state of the art in studies of the digitalisation of music. It is also a testament to what anthropology at its reflexive best can offer the rest of the social sciences and humanities.’ David Hesmondhalgh, Media and Communication, University of Leeds ‘This exciting volume forges new ground in the study of local conditions, institutions, and sounds of digital music in the Global South and North. The book’s planetary scope and its commitment to the “messiness” of ethnographic sites and concepts amplifies emergent configurations and meanings of music, the digital, and the aesthetic.’ Marina Peterson, Anthropology, University of Texas, Austi

Music and Digital Media: A planetary anthropology

Anthropology has neglected the study of music. Music and Digital Media shows how and why this should be redressed. It does so by enabling music to expand the horizons of digital anthropology, demonstrating how the field can build interdisciplinary links to music and sound studies, digital/media studies, and science and technology studies. Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the digital assume clamouring audibility. The book contains ten chapters, eight of which present comprehensive original ethnographies; they are bookended by an authoritative introduction and a comparative postlude. Five chapters address popular, folk, art and crossover musics in the global South and North, including Kenya, Argentina, India, Canada and the UK. Three chapters bring the digital experimentally to the fore, presenting pioneering ethnographies of an extra-legal peer-to-peer site and the streaming platform Spotify, a series of prominent internet-mediated music genres, and the first ethnography of a global software package, the interactive music platform Max. The book is unique in bringing ethnographic research on popular, folk, art and crossover musics from the global North and South into a comparative framework on a large scale, and creates an innovative new paradigm for comparative anthropology. It shows how music enlarges anthropology while demanding to be understood with reference to classic themes of anthropological theory

Re-thinking crisis in the digital economy: a contemporary case study of the phonographic industries in Ireland.

Many commentators and reports popularly place the record industry in an increasing state of crisis since the advent of digital copying and distribution. This thesis addresses how the interplay of technological, economic, legal and policy factors, particularly the copyright strand of intellectual property law, shape the form and extent of the Internet’s disruptive potential in the music industry. It points to significant continuities regarding the music industry in an environment where it is often regarded as experiencing turbulence and change, and in doing so the thesis challenges the form and extent of the crisis the music industry currently claims to be battling. The thesis questions the impact the internet is having on the power or role of major music companies, their revenue streams, their relationships with other actors in the music industry chain and their final consumers. The thesis further questions the extent to which the internet has evolved to realise its disruptive potential on the organisation and structure of the record industry by democratising the channels of distribution. It also serves to illuminate the impact of the internet on the role of more traditional intermediaries, particularly radio, in the circulation and promotion of music in the contemporary era. For its primary research material, the thesis draws on a series of thirty-nine interviews conducted with record industry management and personnel as well as key informants from the fields of music publishing, artist management, music retailing, radio, the music press, related industry bodies and policy fields, and other key commentators

Music and Digital Media

Anthropology has neglected the study of music. Music and Digital Media shows how and why this should be redressed. It does so by enabling music to expand the horizons of digital anthropology, demonstrating how the field can build interdisciplinary links to music and sound studies, digital/media studies, and science and technology studies. Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the digital assume clamouring audibility. The book contains ten chapters, eight of which present comprehensive original ethnographies; they are bookended by an authoritative introduction and a comparative postlude. Five chapters address popular, folk, art and crossover musics in the global South and North, including Kenya, Argentina, India, Canada and the UK. Three chapters bring the digital experimentally to the fore, presenting pioneering ethnographies of anextra-legal peer-to-peer site and the streaming platform Spotify, a series of prominent internet-mediated music genres, and the first ethnography of a global software package, the interactive music platform Max. The book is unique in bringing ethnographic research on popular, folk, art and crossover musics from the global North and South into a comparative framework on a large scale, and creates an innovative new paradigm for comparative anthropology. It shows how music enlarges anthropology while demanding to be understood with reference to classic themes of anthropological theory. Praise for Music and Digital Media ‘Music and Digital Media is a groundbreaking update to our understandings of sound, media, digitization, and music. Truly transdisciplinary and transnational in scope, it innovates methodologically through new models for collaboration, multi-sited ethnography, and comparative work. It also offers an important defense of—and advancement of—theories of mediation.’ Jonathan Sterne, Communication Studies and Art History, McGill University 'Music and Digital Media is a nuanced exploration of the burgeoning digital music scene across both the global North and the global South. Ethnographically rich and theoretically sophisticated, this collection will become the new standard for this field.' Anna Tsing, Anthropology, University of California at Santa Cruz 'The global drama of music's digitisation elicits extreme responses – from catastrophe to piratical opportunism – but between them lie more nuanced perspectives. This timely, absolutely necessary collection applies anthropological understanding to a deliriously immersive field, bringing welcome clarity to complex processes whose impact is felt far beyond what we call music.' David Toop, London College of Communication, musician and writer ‘Spanning continents and academic disciplines, the rich ethnographies contained in Music and Digital Media makes it obligatory reading for anyone wishing to understand the complex, contradictory, and momentous effects that digitization is having on musical cultures.’ Eric Drott, Music, University of Texas, Austin ‘This superb collection, with an authoritative overview as its introduction, represents the state of the art in studies of the digitalisation of music. It is also a testament to what anthropology at its reflexive best can offer the rest of the social sciences and humanities.’ David Hesmondhalgh, Media and Communication, University of Leeds ‘This exciting volume forges new ground in the study of local conditions, institutions, and sounds of digital music in the Global South and North. The book’s planetary scope and its commitment to the “messiness” of ethnographic sites and concepts amplifies emergent configurations and meanings of music, the digital, and the aesthetic.’ Marina Peterson, Anthropology, University of Texas, Austi

The Age of Sustainability

With transitions to more sustainable ways of living already underway, this book examines how we understand the underlying dynamics of the transitions that are unfolding. Without this understanding, we enter the future in a state of informed bewilderment. Every day we are bombarded by reports about ecosystem breakdown, social conflict, economic stagnation and a crisis of identity. There is mounting evidence that deeper transitions are underway that suggest we may be entering another period of great transformation equal in significance to the agricultural revolution some 13,000 years ago or the Industrial Revolution 250 years ago. This book helps readers make sense of our global crisis and the dynamics of transition that could result in a shift from the industrial epoch that we live in now to a more sustainable and equitable age. The global renewable energy transition that is already underway holds the key to the wider just transition. However, the evolutionary potential of the present also manifests in the mushrooming of ecocultures, new urban visions, sustainability-oriented developmental states and new ways of learning and researching. Shedding light on the highly complex challenge of a sustainable and just transition, this book is essential reading for anyone concerned with establishing a more sustainable and equitable world. Ultimately, this is a book about hope but without easy answers