8 research outputs found

    Evidence for obliqueness of angles as a cue to planar surface slant found in extremely simple symmetrical shapes

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    The Necker cube is a striking example for perceptual dominance of 3D over 2D. Object symmetry and obliqueness of angles are co-varying cues that may underlie the perceived slant of Necker cubes. To investigate the power of the oblique-angle cue, slants were judged of extremely simple symmetrical shapes. Slant computations based on an assumption of orthogonality were made for two abutting lines as a function of vertex angle and the slant of the screen. Computed slants were compared with slants judged by six subjects under binocular viewing conditions. Judged slant was highly correlated with slant specified by the oblique angles under an assumption of orthogonality. The contributions of screen cues, including binocular disparity, were negligible. The consistency of the judgments across subjects indicates the assumption of orthogonality as one of the principles underlying slant perception. Necker cubes illustrate that the visual system can disengage unambiguous cues in favor of ambiguous object-symmetry and oblique-angle cues, if the latter indicate very different slants. Selective disengagement of cues may be the mechanism that underlies the success of 2D images in ancient, as well as modern civilizations

    Evidence for obliqueness of angles as a cue to planar surface slant found in extremely simple symmetrical shapes

    No full text
    The Necker cube is a striking example for perceptual dominance of 3D over 2D. Object symmetry and obliqueness of angles are co-varying cues that may underlie the perceived slant of Necker cubes. To investigate the power of the oblique-angle cue, slants were judged of extremely simple symmetrical shapes. Slant computations based on an assumption of orthogonality were made for two abutting lines as a function of vertex angle and the slant of the screen. Computed slants were compared with slants judged by six subjects under binocular viewing conditions. Judged slant was highly correlated with slant specified by the oblique angles under an assumption of orthogonality. The contributions of screen cues, including binocular disparity, were negligible. The consistency of the judgments across subjects indicates the assumption of orthogonality as one of the principles underlying slant perception. Necker cubes illustrate that the visual system can disengage unambiguous cues in favor of ambiguous object-symmetry and oblique-angle cues, if the latter indicate very different slants. Selective disengagement of cues may be the mechanism that underlies the success of 2D images in ancient, as well as modern civilizations

    Chi-Thinking: Chiasmus and Cognition

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    The treatise proposes chiasmus is a dominant instrument that conducts processes and products of human thought. The proposition grows out of work in cognitive semantics and cognitive rhetoric. These disciplines establish that conceptualization traces to embodied image schematic knowledge. The Introduction sets out how this knowledge gathers from perceptions, experiences, and memories of the body's commonplace engagements in space. With these ideas as suppositional foundation, the treatise contends that chiastic instrumentation is a function of a corporeal mind steeped in elementary, nonverbal spatial forms or gestalts. It shows that chiasmus is a space shape that lends itself to cognition via its simple, but unique architecture and critically that architecture's particular meaning affordances. We profile some chiastic meanings over others based on local conditions. Chiastic iconicity ('lending') devolves from LINE CROSSING in 2-D and PATH CROSSING in 3-D space and from other image schemas (e.g., BALANCE, PART-TO-WHOLE) that naturally syndicate with CROSSING. Profiling and iconicity are cognitive activities. The spatio-physical and the visual aspects of cross diagonalization are discussed under the Chapter Two heading 'X-ness.' Prior to this technical discussion, Chapter One surveys the exceptional versatility and universality of chiasmus across verbal spectra, from radio and television advertisements to the literary arts. The purposes of this opening section are to establish that chiasticity merits more that its customary status as mere rhetorical figure or dispensable stylistic device and to give a foretaste of the complexity, yet automaticity of chi-thinking. The treatise's first half describes the complexity, diversity, and structural inheritance of chiasmus. The second half treats individual chiasma, everything from the most mundane instantiations to the sublime and virtuosic. Chapter Three details the cognitive dimensions of the macro chiasm, which are appreciable in the micro. It builds on the argument that chiasmus secures two cognitive essentials: association and dissociation. Chapter Four, advantaged by Kenneth Burke's "psychology of form," elects chiasmus an instrument of inordinate form and then explores the issue of Betweenity, i.e., how chiasma, like crisscrosses, direct notice to an intermediate region. The study ends on the premise that chiasmus executes form-meaning pairings with which humans are highly fluent

    Contributions for a new body representation paradigm in pattern design. Generation of basic patterns after the mobile body

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    Tese apresentada à Faculdade de Arquitectura de Lisboa da Universidade Técnica de Lisboa, para obtenção do grau de Doutor em Design

    Abstracts on Radio Direction Finding (1899 - 1995)

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    The files on this record represent the various databases that originally composed the CD-ROM issue of "Abstracts on Radio Direction Finding" database, which is now part of the Dudley Knox Library's Abstracts and Selected Full Text Documents on Radio Direction Finding (1899 - 1995) Collection. (See Calhoun record https://calhoun.nps.edu/handle/10945/57364 for further information on this collection and the bibliography). Due to issues of technological obsolescence preventing current and future audiences from accessing the bibliography, DKL exported and converted into the three files on this record the various databases contained in the CD-ROM. The contents of these files are: 1) RDFA_CompleteBibliography_xls.zip [RDFA_CompleteBibliography.xls: Metadata for the complete bibliography, in Excel 97-2003 Workbook format; RDFA_Glossary.xls: Glossary of terms, in Excel 97-2003 Workbookformat; RDFA_Biographies.xls: Biographies of leading figures, in Excel 97-2003 Workbook format]; 2) RDFA_CompleteBibliography_csv.zip [RDFA_CompleteBibliography.TXT: Metadata for the complete bibliography, in CSV format; RDFA_Glossary.TXT: Glossary of terms, in CSV format; RDFA_Biographies.TXT: Biographies of leading figures, in CSV format]; 3) RDFA_CompleteBibliography.pdf: A human readable display of the bibliographic data, as a means of double-checking any possible deviations due to conversion

    Aeronautical Engineering: A continuing bibliography with indexes (supplement 188)

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    This bibliography lists 477 reports, articles and other documents introduced into the NASA scientific and technical information system in May 1985. The coverage includes documents on the engineering and theoretical aspects of design, construction, evaluation, testing, operation, and performance of aircraft (including aircraft engines) and associated components, equipment and systems
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