6 research outputs found
05. 2009 IMSAloquium Student Investigation Showcase
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2009 IMSAloquium, Student Investigation Showcase
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Recollecting Turbulence: Catastrophe and Sacrifice in the History of My Life by Henry Darger
This study of The History of My Life the 5,086 page autobiographical text by the outsider artist/author Henry Darger, uses non-linear modes of analysis, such as chaos and complexity theory, to explore the meaning of Darger\u27s epic narrative. Beginning with the idea that turbulence, seemingly chaotic, actually comes about as a compensatory restructuring of inadequate or unstable system dynamics, this study goes on to show that, as both influence and effect, turbulence is found at every level of Darger\u27s life and art, both in theme and structure. My Life is a prime example: an extended narrative describing a cataclysmic tornado, in which the text itself manifests turbulent properties of the storm it describes. Darger\u27s particular narrative madness is, in fact, an attempt to put turbulence into service as an alternative system of meaning, in contrast to failed social and religious systems of which he was the product. Henry Darger\u27s work provides us with the challenge of exploring new ways of finding meaning in narrative. This study uses traditional literary criticism coupled with a pattern analysis of redundancy to explore some of Darger\u27s primary themes
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The Cultural Contradictions of Cryptography
This dissertation examines the origins of political and scientific commitments that currently frame cryptography, the study of secret codes, arguing that these commitments took shape over the course of the twentieth century. Looking back to the nineteenth century, cryptography was rarely practiced systematically, let alone scientifically, nor was it the contentious political subject it has become in the digital age. Beginning with the rise of computational cryptography in the first half of the twentieth century, this history identifies a quarter-century gap beginning in the late 1940s, when cryptography research was classified and tightly controlled in the US. Observing the reemergence of open research in cryptography in the early 1970s, a course of events that was directly opposed by many members of the US intelligence community, a wave of political scandals unrelated to cryptography during the Nixon years also made the secrecy surrounding cryptography appear untenable, weakening the official capacity to enforce this classification. Today, the subject of cryptography remains highly political and adversarial, with many proponents gripped by the conviction that widespread access to strong cryptography is necessary for a free society in the digital age, while opponents contend that strong cryptography in fact presents a danger to society and the rule of law. I argue that cryptography would not have become invested with these deep political commitments if it had not been suppressed in research and the media during the postwar years. The greater the force exerted to dissuade writers and scientists from studying cryptography, the more the subject became wrapped in an aura of civil disobedience and public need. These positive political investments in cryptography have since become widely accepted among many civil libertarians, transparency activists, journalists, and computer scientists who treat cryptography as an essential instrument for maintaining a free and open society in the digital age. Likewise, even as opponents of widespread access to strong cryptography have conceded considerable ground in recent decades, their opposition is grounded in many of the same principles that defined their stance during cryptography’s public reemergence in the 1970s. Studying this critical historical moment reveals not only the origins of cryptography’s current politics, but also the political origins of modern cryptography
Analytic Idealism: A consciousness-only ontology
This thesis articulates an analytic version of the ontology of idealism, according to which universal phenomenal consciousness is all there ultimately is, everything else in nature being reducible to patterns of excitation of this consciousness. The thesis’ key challenge is to explain how the seemingly distinct conscious inner lives of different subjects—such as you and me—can arise within this fundamentally unitary phenomenal field. Along the way, a variety of other challenges are addressed, such as: how we can reconcile idealism with the fact that we all inhabit a common external world; why this world unfolds independently of our personal volition or imagination; why there are such tight correlations between measured patterns of brain activity and reports of experience; etc.
The core idea of this thesis can be summarized thus: we, as well as all other living organisms, are dissociated alters of universal phenomenal consciousness, analogously to how a person with Dissociative Identity Disorder (DID) manifests multiple disjoint centers of subjectivity also called ‘alters.’ We, and all other living organisms, are surrounded by the transpersonal phenomenal activity of universal consciousness, which unfolds beyond the dissociative boundary of our respective alter. The inanimate world we perceive around us is the extrinsic appearance—i.e. the phenomenal image imprinted from across our dissociative boundary—of this activity. The living organisms we share the world with are the extrinsic appearances of other alters
Marie Corelli: Science, Society and the Best Seller
Issues which faced Britain in the late nineteenth and early twentieth centuries include the effects of new scientific theories on traditional religious belief, the impact of technological innovation, the implications of mass literacy and the changing role of women. This thesis records how such issues are reflected in contemporary literature, focusing on the emergence of popular culture and the best seller, a term which conflates author and novel. The first English best seller was Marie Corelli and, by way of introduction, Part I offers a summary of her life and her novels and a critical overview of her work. Part II of the thesis examines how the theory of evolution undermined traditional religious belief and prompted the search for a new creed able to defy materialism and reconcile science and religion. Contemporary literature mirrors the consequent interest in spiritualism during the 1890s and the period immediately following the Great War, and critical readings of Corelli�s A Romance of Two Worlds and The Life Everlasting demonstrate that these novels - which form the nucleus of her personal theology, the Electric Creed - are based on selections from the New Testament, occultism and, in particular, science and spiritualism. Part III of the thesis looks at the emergence of �the woman question�, the corresponding backlash by conservatives and the ways in which these conflicting views are explored in the popular literature of the time. A critical examination of the novella, My Wonderful Wife, reveals how Corelli uses social Darwinism in an ambivalent critique of the New Woman. Several of Corelli�s essays are discussed, showing that her views about the role of women were complex. A critical analysis of The Secret Power engages with Corelli�s peculiar kind of feminism, which would deny women the vote but envisages female scientists inventing and operating airships in order to secure the future of the human race. Interest in Marie Corelli has re-emerged recently, particularly in occult and feminist circles. Corelli�s immense popularity also makes her an important figure in cultural studies. This thesis adds to the body of knowledge about Corelli in that it consciously endeavours to avoid spiritualist or feminist ideological frameworks, instead using contemporary science as a context for examining her work