The landscape of multimedia ontologies in the last decade

Many efforts have been made in the area of multimedia to bridge the socalled “semantic-gap” with the implementation of ontologies from 2001 to the present. In this paper, we provide a comparative study of the most well-known ontologies related to multimedia aspects. This comparative study has been done based on a framework proposed in this paper and called FRAMECOMMON. This framework takes into account process-oriented dimension, such as the methodological one, and outcome-oriented dimensions, like multimedia aspects, understandability, and evaluation criteria. Finally, we derive some conclusions concerning this one decade state-of-art in multimedia ontologies

Unified access to media metadata on the web: Towards interoperability using a core vocabulary.

The goal of the W3C's Media Annotation Working Group (MAWG) is to promote interoperability between multimedia metadata formats on the Web. As experienced by everybody, audiovisual data is omnipresent on today's Web. However, different interaction interfaces and especially diverse metadata formats prevent unified search, access, and navigation. MAWG has addressed this issue by developing an interlingua ontology and an associated API. This article discusses the rationale and core concepts of the ontology and API for media resources. The specifications developed by MAWG enable interoperable contextualized and semantic annotation and search, independent of the source metadata format, and connecting multimedia data to the Linked Data cloud. Some demonstrators of such applications are also presented in this article

Semiotic Annotation of Narrative Video Commercials: Bridging the Gap between Artifacts and Ontologies

Drawing on semiotic theories, the paper proposes a new concept of annotation \u2013 called semiotic annotation \u2013 whose goal is to describe the multilayered articulation of meaning inscribed within narrative video commercials by their designers. The approach exploits the use of a meta-model of the narrative video genre providing the conceptualizations and the vocabulary for analysis and annotation. By explicating design knowledge embodied in the video, semiotic annotation plays the role of intermediate level knowledge between the meta-model (an informal ontology) and practice (the concrete video artifact). In order to assess the feasibility of the approach, a test bed is presented and results are reported. A final discussion about the potential contribution of semiotic annotation in the fields of Research Through Design, Technological Mediation, and Interface Criticism concludes the study

Architecture and Protocol of a Semantic System Designed for Video Tagging with Sensor Data in Mobile Devices

Current mobile phones come with several sensors and powerful video cameras. These video cameras can be used to capture good quality scenes, which can be complemented with the information gathered by the sensors also embedded in the phones. For example, the surroundings of a beach recorded by the camera of the mobile phone, jointly with the temperature of the site can let users know via the Internet if the weather is nice enough to swim. In this paper, we present a system that tags the video frames of the video recorded from mobile phones with the data collected by the embedded sensors. The tagged video is uploaded to a video server, which is placed on the Internet and is accessible by any user. The proposed system uses a semantic approach with the stored information in order to make easy and efficient video searches. Our experimental results show that it is possible to tag video frames in real time and send the tagged video to the server with very low packet delay variations. As far as we know there is not any other application developed as the one presented in this paper

Multimedia ontology matching by using visual and textual modalities

International audienceOntologies have been intensively applied for improving multimedia search and retrieval by providing explicit meaning to visual content. Several multimedia ontologies have been recently proposed as knowledge models suitable for narrowing the well known semantic gap and for enabling the semantic interpretation of images. Since these ontologies have been created in different application contexts, establishing links between them, a task known as ontology matching, promises to fully unlock their potential in support of multimedia search and retrieval. This paper proposes and compares empirically two extensional ontology matching techniques applied to an important semantic image retrieval issue: automatically associating common-sense knowledge to multimedia concepts. First, we extend a previously introduced textual concept matching approach to use both textual and visual representation of images. In addition, a novel matching technique based on a multi-modal graph is proposed. We argue that the textual and visual modalities have to be seen as complementary rather than as exclusive sources of extensional information in order to improve the efficiency of the application of an ontology matching approach in the multimedia domain. An experimental evaluation is included in the paper

Implementing a Video Framework based on IIIF: A Customized Approach from Long-Term Preservation Video Formats to Conversion on Demand

This paper addresses the issue of elaborating a structure for digital video assets based on the International Image Interoperability Framework (IIIF) concepts for the use in archival environments. With a view to tailoring a solution to fit the end user's needs, the dissemination copies of video material could be automatically converted on demand from their master files. Such a reduced data structure simplifies access to digital video sources but leads as well to simplified preservation due to reduced data volume and data complexity. Dissemination copies do not require specific dispositions for digital archiving anymore. Memory institutions would greatly benefit from a technology that can be integrated into a Web-based infrastructure. In such a way video content can for example be embedded into flexible Virtual Research Environments which allow scholars to work and cite more accurately video resources using IIIF

Combining Content with User Preferences for Non-Fiction Multimedia Recommendation: A Study on TED Lectures

This paper introduces a new dataset and compares several methods for the recommendation of non-fiction audio visual material, namely lectures from the TED website. The TED dataset contains 1,149 talks and 69,023 profiles of users, who have made more than 100,000 ratings and 200,000 comments. The corresponding metadata, which we make available, can be used for training and testing generic or personalized recommender systems. We define content-based, collaborative, and methods (LSI, LDA, RP, and ESA). We compare these methods on a personalized recommendation task in two settings, a cold-start and a non-cold-start one. In the cold-start setting, semantic vector spaces perform better than keywords. In the non-cold-start setting, where collaborative information can be exploited, content-based methods are outperformed by collaborative filtering ones, but the proposed combined method shows acceptable performances, and can be used in both settings. For the generic recommendation task, LSI and RP again outperform TF-IDF

A Multi-Modal Incompleteness Ontology model (MMIO) to enhance 4 information fusion for image retrieval

This research has been supported in part by National Science and Technology Development (NSTDA), Thailand. Project No: SCH-NR2011-851