Robust speech recognition with spectrogram factorisation

Communication by speech is intrinsic for humans. Since the breakthrough of mobile devices and wireless communication, digital transmission of speech has become ubiquitous. Similarly distribution and storage of audio and video data has increased rapidly. However, despite being technically capable to record and process audio signals, only a fraction of digital systems and services are actually able to work with spoken input, that is, to operate on the lexical content of speech. One persistent obstacle for practical deployment of automatic speech recognition systems is inadequate robustness against noise and other interferences, which regularly corrupt signals recorded in real-world environments. Speech and diverse noises are both complex signals, which are not trivially separable. Despite decades of research and a multitude of different approaches, the problem has not been solved to a sufficient extent. Especially the mathematically ill-posed problem of separating multiple sources from a single-channel input requires advanced models and algorithms to be solvable. One promising path is using a composite model of long-context atoms to represent a mixture of non-stationary sources based on their spectro-temporal behaviour. Algorithms derived from the family of non-negative matrix factorisations have been applied to such problems to separate and recognise individual sources like speech. This thesis describes a set of tools developed for non-negative modelling of audio spectrograms, especially involving speech and real-world noise sources. An overview is provided to the complete framework starting from model and feature definitions, advancing to factorisation algorithms, and finally describing different routes for separation, enhancement, and recognition tasks. Current issues and their potential solutions are discussed both theoretically and from a practical point of view. The included publications describe factorisation-based recognition systems, which have been evaluated on publicly available speech corpora in order to determine the efficiency of various separation and recognition algorithms. Several variants and system combinations that have been proposed in literature are also discussed. The work covers a broad span of factorisation-based system components, which together aim at providing a practically viable solution to robust processing and recognition of speech in everyday situations

Deep learning-based music source separation

Diese Dissertation befasst sich mit dem Problem der Trennung von Musikquellen durch den Einsatz von deep learning Methoden. Die auf deep learning basierende Trennung von Musikquellen wird unter drei Gesichtspunkten untersucht. Diese Perspektiven sind: die Signalverarbeitung, die neuronale Architektur und die Signaldarstellung. Aus der ersten Perspektive, soll verstanden werden, welche deep learning Modelle, die auf DNNs basieren, für die Aufgabe der Musikquellentrennung lernen, und ob es einen analogen Signalverarbeitungsoperator gibt, der die Funktionalität dieser Modelle charakterisiert. Zu diesem Zweck wird ein neuartiger Algorithmus vorgestellt. Der Algorithmus wird als NCA bezeichnet und destilliert ein optimiertes Trennungsmodell, das aus nicht-linearen Operatoren besteht, in einen einzigen linearen Operator, der leicht zu interpretieren ist. Aus der zweiten Perspektive, soll eine neuronale Netzarchitektur vorgeschlagen werden, die das zuvor erwähnte Konzept der Filterberechnung und -optimierung beinhaltet. Zu diesem Zweck wird die als Masker and Denoiser (MaD) bezeichnete neuronale Netzarchitektur vorgestellt. Die vorgeschlagene Architektur realisiert die Filteroperation unter Verwendung skip-filtering connections Verbindungen. Zusätzlich werden einige Inferenzstrategien und Optimierungsziele vorgeschlagen und diskutiert. Die Leistungsfähigkeit von MaD bei der Musikquellentrennung wird durch eine Reihe von Experimenten bewertet, die sowohl objektive als auch subjektive Bewertungsverfahren umfassen. Abschließend, der Schwerpunkt der dritten Perspektive liegt auf dem Einsatz von DNNs zum Erlernen von solchen Signaldarstellungen, für die Trennung von Musikquellen hilfreich sind. Zu diesem Zweck wird eine neue Methode vorgeschlagen. Die vorgeschlagene Methode verwendet ein neuartiges Umparametrisierungsschema und eine Kombination von Optimierungszielen. Die Umparametrisierung basiert sich auf sinusförmigen Funktionen, die interpretierbare DNN-Darstellungen fördern. Der durchgeführten Experimente deuten an, dass die vorgeschlagene Methode beim Erlernen interpretierbarer Darstellungen effizient eingesetzt werden kann, wobei der Filterprozess noch auf separate Musikquellen angewendet werden kann. Die Ergebnisse der durchgeführten Experimente deuten an, dass die vorgeschlagene Methode beim Erlernen interpretierbarer Darstellungen effizient eingesetzt werden kann, wobei der Filterprozess noch auf separate Musikquellen angewendet werden kann. Darüber hinaus der Einsatz von optimal transport (OT) Entfernungen als Optimierungsziele sind für die Berechnung additiver und klar strukturierter Signaldarstellungen.This thesis addresses the problem of music source separation using deep learning methods. The deep learning-based separation of music sources is examined from three angles. These angles are: the signal processing, the neural architecture, and the signal representation. From the first angle, it is aimed to understand what deep learning models, using deep neural networks (DNNs), learn for the task of music source separation, and if there is an analogous signal processing operator that characterizes the functionality of these models. To do so, a novel algorithm is presented. The algorithm, referred to as the neural couplings algorithm (NCA), distills an optimized separation model consisting of non-linear operators into a single linear operator that is easy to interpret. Using the NCA, it is shown that DNNs learn data-driven filters for singing voice separation, that can be assessed using signal processing. Moreover, by enabling DNNs to learn how to predict filters for source separation, DNNs capture the structure of the target source and learn robust filters. From the second angle, it is aimed to propose a neural network architecture that incorporates the aforementioned concept of filter prediction and optimization. For this purpose, the neural network architecture referred to as the Masker-and-Denoiser (MaD) is presented. The proposed architecture realizes the filtering operation using skip-filtering connections. Additionally, a few inference strategies and optimization objectives are proposed and discussed. The performance of MaD in music source separation is assessed by conducting a series of experiments that include both objective and subjective evaluation processes. Experimental results suggest that the MaD architecture, with some of the studied strategies, is applicable to realistic music recordings, and the MaD architecture has been considered one of the state-of-the-art approaches in the Signal Separation and Evaluation Campaign (SiSEC) 2018. Finally, the focus of the third angle is to employ DNNs for learning signal representations that are helpful for separating music sources. To that end, a new method is proposed using a novel re-parameterization scheme and a combination of optimization objectives. The re-parameterization is based on sinusoidal functions that promote interpretable DNN representations. Results from the conducted experimental procedure suggest that the proposed method can be efficiently employed in learning interpretable representations, where the filtering process can still be applied to separate music sources. Furthermore, the usage of optimal transport (OT) distances as optimization objectives is useful for computing additive and distinctly structured signal representations for various types of music sources

Proceedings of the 8th Workshop on Detection and Classification of Acoustic Scenes and Events (DCASE 2023)

This volume gathers the papers presented at the Detection and Classification of Acoustic Scenes and Events 2023 Workshop (DCASE2023), Tampere, Finland, during 21–22 September 2023

In search of the optimal acoustic features for statistical parametric speech synthesis

In the Statistical Parametric Speech Synthesis (SPSS) paradigm, speech is generally represented as acoustic features and the waveform is generated by a vocoder. A comprehensive summary of state-of-the-art vocoding techniques is presented, highlighting their characteristics, advantages, and drawbacks, primarily when used in SPSS. We conclude that state-of-the-art vocoding methods are suboptimal and are a cause of significant loss of quality, even though numerous vocoders have been proposed in the last decade. In fact, it seems that the most complicated methods perform worse than simpler ones based on more robust analysis/synthesis algorithms. Typical methods, based on the source-filter or sinusoidal models, rely on excessive simplifying assumptions. They perform what we call an "extreme decomposition" of speech (e.g., source+filter or sinusoids+ noise), which we believe to be a major drawback. Problems include: difficulties in the estimation of components; modelling of complex non-linear mechanisms; a lack of ground truth. In addition, the statistical dependence that exists between stochastic and deterministic components of speech is not modelled. We start by improving just the waveform generation stage of SPSS, using standard acoustic features. We propose a new method of waveform generation tailored for SPSS, based on neither source-filter separation nor sinusoidal modelling. The proposed waveform generator avoids unnecessary assumptions and decompositions as far as possible, and uses only the fundamental frequency and spectral envelope as acoustic features. A very small speech database is used as a source of base speech signals which are subsequently \reshaped" to match the specifications output by the acoustic model in the SPSS framework. All of this is done without any decomposition, such as source+filter or harmonics+noise. A comprehensive description of the waveform generation process is presented, along with implementation issues. Two SPSS voices, a female and a male, were built to test the proposed method by using a standard TTS toolkit, Merlin. In a subjective evaluation, listeners preferred the proposed waveform generator over a state-of-the-art vocoder, STRAIGHT. Even though the proposed \waveform reshaping" generator generates higher speech quality than STRAIGHT, the improvement is not large enough. Consequently, we propose a new acoustic representation, whose implementation involves feature extraction and waveform generation, i.e., a complete vocoder. The new representation encodes the complex spectrum derived from the Fourier Transform in a way explicitly designed for SPSS, rather than for speech coding or copy-synthesis. The feature set comprises four feature streams describing magnitude spectrum, phase spectrum, and fundamental frequency; all of these are represented by real numbers. It avoids heuristics or unstable methods for phase unwrapping. The new feature extraction does not attempt to decompose the speech structure and thus the "phasiness" and "buzziness" found in a typical vocoder, such as STRAIGHT, is dramatically reduced. Our method works at a lower frame rate than a typical vocoder. To demonstrate the proposed method, two DNN-based voices, a male and a female, were built using the Merlin toolkit. Subjective comparisons were performed with a state-of-the-art baseline. The proposed vocoder substantially outperformed the baseline for both voices and under all configurations tested. Furthermore, several enhancements were made over the original design, which are beneficial for either sound quality or compatibility with other tools. In addition to its use in SPSS, the proposed vocoder is also demonstrated being used for join smoothing in unit selection-based systems, and can be used for voice conversion or automatic speech recognition

MEG, PSYCHOPHYSICAL AND COMPUTATIONAL STUDIES OF LOUDNESS, TIMBRE, AND AUDIOVISUAL INTEGRATION

Natural scenes and ecological signals are inherently complex and understanding of their perception and processing is incomplete. For example, a speech signal contains not only information at various frequencies, but is also not static; the signal is concurrently modulated temporally. In addition, an auditory signal may be paired with additional sensory information, as in the case of audiovisual speech. In order to make sense of the signal, a human observer must process the information provided by low-level sensory systems and integrate it across sensory modalities and with cognitive information (e.g., object identification information, phonetic information). The observer must then create functional relationships between the signals encountered to form a coherent percept. The neuronal and cognitive mechanisms underlying this integration can be quantified in several ways: by taking physiological measurements, assessing behavioral output for a given task and modeling signal relationships. While ecological tokens are complex in a way that exceeds our current understanding, progress can be made by utilizing synthetic signals that encompass specific essential features of ecological signals. The experiments presented here cover five aspects of complex signal processing using approximations of ecological signals : (i) auditory integration of complex tones comprised of different frequencies and component power levels; (ii) audiovisual integration approximating that of human speech; (iii) behavioral measurement of signal discrimination; (iv) signal classification via simple computational analyses and (v) neuronal processing of synthesized auditory signals approximating speech tokens. To investigate neuronal processing, magnetoencephalography (MEG) is employed to assess cortical processing non-invasively. Behavioral measures are employed to evaluate observer acuity in signal discrimination and to test the limits of perceptual resolution. Computational methods are used to examine the relationships in perceptual space and physiological processing between synthetic auditory signals, using features of the signals themselves as well as biologically-motivated models of auditory representation. Together, the various methodologies and experimental paradigms advance the understanding of ecological signal analytics concerning the complex interactions in ecological signal structure