New results on path-decompositions and their down-links

In a recent paper the concept of \emph{down-link} from a $(K_v,\Gamma)$-design \cB to a $(K_n,\Gamma')$-design \cB' has been introduced. In the present paper the spectrum problems for $\Gamma'=P_4$ are studied. General results on the existence of path-decompositions and embeddings between path-decompositions playing a fundamental role for the construction of down-links are also presented

SPARC 2018 Internationalisation and collaboration : Salford postgraduate annual research conference book of abstracts

Welcome to the Book of Abstracts for the 2018 SPARC conference. This year we not only celebrate the work of our PGRs but also the launch of our Doctoral School, which makes this year’s conference extra special. Once again we have received a tremendous contribution from our postgraduate research community; with over 100 presenters, the conference truly showcases a vibrant PGR community at Salford. These abstracts provide a taster of the research strengths of their works, and provide delegates with a reference point for networking and initiating critical debate. With such wide-ranging topics being showcased, we encourage you to take up this great opportunity to engage with researchers working in different subject areas from your own. To meet global challenges, high impact research inevitably requires interdisciplinary collaboration. This is recognised by all major research funders. Therefore engaging with the work of others and forging collaborations across subject areas is an essential skill for the next generation of researchers

Sacred Civics

Sacred Civics argues that societal transformation requires that spirituality and sacred values are essential to reimagining patterns of how we live, organize and govern ourselves, determine and distribute wealth, inhabit and design cities, and construct relationships with others and with nature. The book brings together transdisciplinary and global academics, professionals, and activists from a range of backgrounds to question assumptions that are fused deep into the code of how societies operate, and to draw on extraordinary wisdom from ancient Indigenous traditions; to social and political movements like Black Lives Matter, the commons, and wellbeing economies; to technologies for participatory futures where people collaborate to reimagine and change culture. Looking at cities and human settlements as the sites of transformation, the book focuses on values, commons, and wisdom to demonstrate that how we choose to live together, to recognize interdependencies, to build, grow, create, and love—matters. Using multiple methodologies to integrate varied knowledge forms and practices, this truly ground-breaking volume includes contributions from renowned and rising voices. Sacred Civics is a must-read for anyone interested in intersectional discussions on social justice, inclusivity, participatory design, healthy communities, and future cities

Identity, tradition and fashion-able challenges

Tese de Doutoramento em Design, com a especialização em Design apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Doutora.Situada no cruzamento disciplinar do design, sustentabilidade, história, antropologia, estudos de cultura material, da moda e do vestir, esta tese confirma que a capulana é mais que um mero pano rectangular estampado industrialmente. É a indumentária nacional através da qual as Moçambicanas preservam e, ao mesmo tempo, atualizam as suas tradições e o seu sentido de pertença, a sua Moçambicanidade. O presente estudo parte duma pesquisa teórica aplicada sobre este pano, e é dividido em três fases cronológicas distintas. O passado, revelando a história da capulana para compreender a sua evolução no contexto das rotas comerciais do Índico. O presente, coolhunting, incluindo trabalho de campo e pesquisa de mercado em Maputo, situa a análise sobre a produção e o consumo da capulana. E o futuro, onde a capulana fashion-able é retratada na sua expressividade cultural e como instrumento passível de práticas de Design para a Sustentabilidade (D4S); esta última parte foi essencialmente realizada na grande Lisboa. Esta análise conclui que em Maputo, o status quo do pano tradicional é reiterado diariamente pela combinação de novas formas de vestir e pensar a capulana num diálogo constante com a roupa “estrangeira”, produzindo estilos e modas outros. Uma prática de vestir que aqui se defende como fashion-ability ou a habilidade de fazer moda. Sempre permeável, versátil e adaptável, a capulana é objeto do que se intitula nesta tese uma “tradição dinâmica”. Uma tradição sólida, porém, não estática. Ao longo dos tempos a capulana tem-se ajustado às influências quotidianas e ocasionais, dinâmica e permanentemente. Até à data, seja no seu contexto original seja no da diáspora, o pano é utilizado tanto na sua forma cortada como por inteiro. Contudo, hoje em dia, a “amarração” do pano é vista pelas novas gerações como antiquada, enquanto a sua forma cortada oferece maior e melhor resposta às exigências de se “ser moderno”. Esta pesquisa D4S, contemplou vários problemas socioculturais observados tanto em Maputo como em Lisboa. Sejam: as frágeis cadeias de design e produção; o papel dos alfaiates, as suas condições de educação (informal) e empregabilidade; como a tendência das jovens designers de moda para uma capulana cortada que abandona a tradicional forma de vestir o pano drapeado, enrolado e amarrado em torno do corpo. Neste contexto, o presente estudo tem como principal objetivo encontrar metodologias D4S para capturar - tanto funcional quanto simbolicamente - a dinâmica da tradição da capulana e desenvolver ações que, a partir do conceito fashion-able e através do (re) uso criativo da capulana, fortaleçam a identidade e sustentabilidade cultural da Diáspora em Lisboa. Ao identificarem-se os alfaiates Africanos e as jovens designers de moda Africanas como principais mediadores que transformam, traduzem, distorcem e modificam a significância do pano, pergunta-se: (1) como pode a moda quotidiana baseada na tradição de capulana contribuir para reforçar processos de identidade e a sustentabilidade cultural na diáspora? (2) como pode ser reforçado o papel do alfaiate Africano tanto em Maputo, como em Lisboa? (3) como pode o ofício de alfaiate ser reapropriado por um sistema de educação formal que atualiza os conhecimentos e habilidades dos alfaiates Africanos em Lisboa? E, finalmente (4) como pode o modo tradicional de vestir a capulana – como um rectângulo de tecido – ser atualizado de forma a reintroduzi-lo no sartório contemporâneo Africano? Com base numa metodologia teórico-prática combina-se uma análise histórica com uma pesquisa-ação-participativa para melhor contextualizar e mapear diferentes práticas atuais de vestir capulana e para desenvolver, posteriormente, em Lisboa dois laboratórios criativos: EPAT e Capulanar. Aqui, reconhecem-se os conceitos Co-design, Slow-fashion e Afetividade como conceitos culturais da capulana, para assim confirmar que as novas expressões criativas situadas em torno da fashion-ability do tecido tradicional podem ser a chave para a sustentabilidade do próprio pano. Contribuindo para um espaço de reflexão sobre as metodologias D4S, identidade, tradição e práticas fashion-able, esta tese conclui que o Conhecimento Cultural é uma das dimensões que consolidam estes quatro conceitos. Em paralelo permite repensar a ability do pano cujos resultados espelham a identidade africana e contribuem para uma mais eficaz sustentabilidade cultural das próprias comunidades envolvidas. Este trabalho procurou, em suma, alcançar o impacto positivo onde a moda, o design, a criatividade, a inovação e a sustentabilidade podem coexistir.ABSTRACT: The present study focuses on the role Design for Sustainability (D4S) methodologies play in defining fashion-able practices based on capulana’s “moving tradition” to reinforce identity processes and cultural sustainability in Lisbon’s diaspora context. Situated at the disciplinary intersections of design, sustainability, anthropology, material cultural studies, history, fashion and dress studies, this D4S approach takes on two creative and pedagogical practical applications, which simultaneously uses creative collaboration as a methodological strategy and Cultural knowledge as a tool to Co-design products that embody Affectivity and, for that matter, are driven towards Slow-fashion. Both theoretical and practical, this approach combines historical analysis with participatory action research to further contextualize and map out the complexities of capulana’s dress practices performed by African tailors and emergent African women fashion designers in Maputo and Lisbon. With the underlying questions: (1) How can tailoring be re-appropriated by a ‘formal’ education system upgrading the knowledge and skills of African tailors in Lisbon? (2) How can the traditional way of wearing capulana – as a rectangle of fabric – be updated in order to reintroduce it in contemporary African sartorial? Contributing to a space for inquiry on identity, tradition and fashion-ability, this thesis finally concludes that if we use Cultural Knowledge from the main agents in capulana’s innovation, we may be able to re-think the potential sustainability behind these practices and also propose results that can mirror the affirmation of African identity. Capulana‘s Slow-fashion, Co-design and Affectivity, as core cultural concepts, are therefore essential guidelines to develop sustainable solutions around both the re-usage of the cloth – in its, more or less, traditional (un)cut forms – and the fragile chains of design, production and consumption, especially by younger generations of consumers. Hence, this work looks forward to achieve the kind of positive impact where fashion, design, creativity, innovation and sustainability can co-exist.N/

Rethinking the architecture of incarceration : a proposed pre-release centre for female offenders in Durban.

Master of Architecture. University of KwaZulu-Natal, Durban 2015.It is beyond the scope of the present brief to appraise the degree of failure regarding the idea of imprisonment or to uncover a universal prototype for all incarcerative facilities. Therefore the focus of this dissertation will pertain directly to the rehabilitation and reintegration of women in prison through the built form, with specific emphasis in dealing with the psychological repercussions that the correctional environment incurs. The research study identifies rehabilitation and reintegration as key strategies for lowering the recidivism rate of offenders and attempts to understand the complex incarcerative subculture that exists in order to facilitate change. Criminological theories linked to the key strategies include: Panopticism, the theory of rehabilitation and the institutional theory. Here the interest leans toward current and dated methods of reform. The search for characteristics which constitute an effective facility that will seek to ready the offender for release will drive the design process and create a resource for forward-thinking, small scale, correctional and pre-release facilities for women. The dissertation includes issues which have come to dominate discussions surrounding incarceration and a response to the commonly asked question: should incarcerative facilities be moving toward rehabilitation rather than punishment? Corresponding qualitative research involving both local and global institutions is conducted in order to provide a multifaceted understanding of the existing state of South African correctional facilities and contemporary interpretations aligned with positive change worldwide. Findings through observational analysis and interviews with correctional personnel will be used to inform the outcome of the research which confirms that there is a definite need for an emphasis to be placed on the re-entry process of offenders. It also indicates that while South African penal policies are largely progressive, facilities in which offenders are imprisoned remain outdated, ultimately revealing an environment that is unfavourable towards rehabilitation

Sacred Civics

Sacred Civics argues that societal transformation requires that spirituality and sacred values are essential to reimagining patterns of how we live, organize and govern ourselves, determine and distribute wealth, inhabit and design cities, and construct relationships with others and with nature. The book brings together transdisciplinary and global academics, professionals, and activists from a range of backgrounds to question assumptions that are fused deep into the code of how societies operate, and to draw on extraordinary wisdom from ancient Indigenous traditions; to social and political movements like Black Lives Matter, the commons, and wellbeing economies; to technologies for participatory futures where people collaborate to reimagine and change culture. Looking at cities and human settlements as the sites of transformation, the book focuses on values, commons, and wisdom to demonstrate that how we choose to live together, to recognize interdependencies, to build, grow, create, and love—matters. Using multiple methodologies to integrate varied knowledge forms and practices, this truly ground-breaking volume includes contributions from renowned and rising voices. Sacred Civics is a must-read for anyone interested in intersectional discussions on social justice, inclusivity, participatory design, healthy communities, and future cities