Blind source separation using statistical nonnegative matrix factorization

PhD ThesisBlind Source Separation (BSS) attempts to automatically extract and track a signal of interest in real world scenarios with other signals present. BSS addresses the problem of recovering the original signals from an observed mixture without relying on training knowledge. This research studied three novel approaches for solving the BSS problem based on the extensions of non-negative matrix factorization model and the sparsity regularization methods. 1) A framework of amalgamating pruning and Bayesian regularized cluster nonnegative tensor factorization with Itakura-Saito divergence for separating sources mixed in a stereo channel format: The sparse regularization term was adaptively tuned using a hierarchical Bayesian approach to yield the desired sparse decomposition. The modified Gaussian prior was formulated to express the correlation between different basis vectors. This algorithm automatically detected the optimal number of latent components of the individual source. 2) Factorization for single-channel BSS which decomposes an information-bearing matrix into complex of factor matrices that represent the spectral dictionary and temporal codes: A variational Bayesian approach was developed for computing the sparsity parameters for optimizing the matrix factorization. This approach combined the advantages of both complex matrix factorization (CMF) and variational -sparse analysis. BLIND SOURCE SEPARATION USING STATISTICAL NONNEGATIVE MATRIX FACTORIZATION ii 3) An imitated-stereo mixture model developed by weighting and time-shifting the original single-channel mixture where source signals can be modelled by the AR processes. The proposed mixing mixture is analogous to a stereo signal created by two microphones with one being real and another virtual. The imitated-stereo mixture employed the nonnegative tensor factorization for separating the observed mixture. The separability analysis of the imitated-stereo mixture was derived using Wiener masking. All algorithms were tested with real audio signals. Performance of source separation was assessed by measuring the distortion between original source and the estimated one according to the signal-to-distortion (SDR) ratio. The experimental results demonstrate that the proposed uninformed audio separation algorithms have surpassed among the conventional BSS methods; i.e. IS-cNTF, SNMF and CMF methods, with average SDR improvement in the ranges from 2.6dB to 6.4dB per source.Payap Universit

Semi-supervised multichannel speech enhancement with variational autoencoders and non-negative matrix factorization

In this paper we address speaker-independent multichannel speech enhancement in unknown noisy environments. Our work is based on a well-established multichannel local Gaussian modeling framework. We propose to use a neural network for modeling the speech spectro-temporal content. The parameters of this supervised model are learned using the framework of variational autoencoders. The noisy recording environment is supposed to be unknown, so the noise spectro-temporal modeling remains unsupervised and is based on non-negative matrix factorization (NMF). We develop a Monte Carlo expectation-maximization algorithm and we experimentally show that the proposed approach outperforms its NMF-based counterpart, where speech is modeled using supervised NMF.Comment: 5 pages, 2 figures, audio examples and code available online at https://team.inria.fr/perception/icassp-2019-mvae

Underdetermined convolutive source separation using two dimensional non-negative factorization techniques

PhD ThesisIn this thesis the underdetermined audio source separation has been considered, that is, estimating the original audio sources from the observed mixture when the number of audio sources is greater than the number of channels. The separation has been carried out using two approaches; the blind audio source separation and the informed audio source separation. The blind audio source separation approach depends on the mixture signal only and it assumes that the separation has been accomplished without any prior information (or as little as possible) about the sources. The informed audio source separation uses the exemplar in addition to the mixture signal to emulate the targeted speech signal to be separated. Both approaches are based on the two dimensional factorization techniques that decompose the signal into two tensors that are convolved in both the temporal and spectral directions. Both approaches are applied on the convolutive mixture and the high-reverberant convolutive mixture which are more realistic than the instantaneous mixture. In this work a novel algorithm based on the nonnegative matrix factor two dimensional deconvolution (NMF2D) with adaptive sparsity has been proposed to separate the audio sources that have been mixed in an underdetermined convolutive mixture. Additionally, a novel Gamma Exponential Process has been proposed for estimating the convolutive parameters and number of components of the NMF2D/ NTF2D, and to initialize the NMF2D parameters. In addition, the effects of different window length have been investigated to determine the best fit model that suit the characteristics of the audio signal. Furthermore, a novel algorithm, namely the fusion K models of full-rank weighted nonnegative tensor factor two dimensional deconvolution (K-wNTF2D) has been proposed. The K-wNTF2D is developed for its ability in modelling both the spectral and temporal changes, and the spatial covariance matrix that addresses the high reverberation problem. Variable sparsity that derived from the Gibbs distribution is optimized under the Itakura-Saito divergence and adapted into the K-wNTF2D model. The tensors of this algorithm have been initialized by a novel initialization method, namely the SVD two-dimensional deconvolution (SVD2D). Finally, two novel informed source separation algorithms, namely, the semi-exemplar based algorithm and the exemplar-based algorithm, have been proposed. These algorithms based on the NMF2D model and the proposed two dimensional nonnegative matrix partial co-factorization (2DNMPCF) model. The idea of incorporating the exemplar is to inform the proposed separation algorithms about the targeted signal to be separated by initializing its parameters and guide the proposed separation algorithms. The adaptive sparsity is derived for both ii of the proposed algorithms. Also, a multistage of the proposed exemplar based algorithm has been proposed in order to further enhance the separation performance. Results have shown that the proposed separation algorithms are very promising, more flexible, and offer an alternative model to the conventional methods

Statistical single channel source separation

PhD ThesisSingle channel source separation (SCSS) principally is one of the challenging fields in signal processing and has various significant applications. Unlike conventional SCSS methods which were based on linear instantaneous model, this research sets out to investigate the separation of single channel in two types of mixture which is nonlinear instantaneous mixture and linear convolutive mixture. For the nonlinear SCSS in instantaneous mixture, this research proposes a novel solution based on a two-stage process that consists of a Gaussianization transform which efficiently compensates for the nonlinear distortion follow by a maximum likelihood estimator to perform source separation. For linear SCSS in convolutive mixture, this research proposes new methods based on nonnegative matrix factorization which decomposes a mixture into two-dimensional convolution factor matrices that represent the spectral basis and temporal code. The proposed factorization considers the convolutive mixing in the decomposition by introducing frequency constrained parameters in the model. The method aims to separate the mixture into its constituent spectral-temporal source components while alleviating the effect of convolutive mixing. In addition, family of Itakura-Saito divergence has been developed as a cost function which brings the beneficial property of scale-invariant. Two new statistical techniques are proposed, namely, Expectation-Maximisation (EM) based algorithm framework which maximizes the log-likelihood of a mixed signals, and the maximum a posteriori approach which maximises the joint probability of a mixed signal using multiplicative update rules. To further improve this research work, a novel method that incorporates adaptive sparseness into the solution has been proposed to resolve the ambiguity and hence, improve the algorithm performance. The theoretical foundation of the proposed solutions has been rigorously developed and discussed in details. Results have concretely shown the effectiveness of all the proposed algorithms presented in this thesis in separating the mixed signals in single channel and have outperformed others available methods.Universiti Teknikal Malaysia Melaka(UTeM), Ministry of Higher Education of Malaysi

Audio source separation for music in low-latency and high-latency scenarios

Aquesta tesi proposa mètodes per tractar les limitacions de les tècniques existents de separació de fonts musicals en condicions de baixa i alta latència. En primer lloc, ens centrem en els mètodes amb un baix cost computacional i baixa latència. Proposem l'ús de la regularització de Tikhonov com a mètode de descomposició de l'espectre en el context de baixa latència. El comparem amb les tècniques existents en tasques d'estimació i seguiment dels tons, que són passos crucials en molts mètodes de separació. A continuació utilitzem i avaluem el mètode de descomposició de l'espectre en tasques de separació de veu cantada, baix i percussió. En segon lloc, proposem diversos mètodes d'alta latència que milloren la separació de la veu cantada, gràcies al modelatge de components específics, com la respiració i les consonants. Finalment, explorem l'ús de correlacions temporals i anotacions manuals per millorar la separació dels instruments de percussió i dels senyals musicals polifònics complexes.Esta tesis propone métodos para tratar las limitaciones de las técnicas existentes de separación de fuentes musicales en condiciones de baja y alta latencia. En primer lugar, nos centramos en los métodos con un bajo coste computacional y baja latencia. Proponemos el uso de la regularización de Tikhonov como método de descomposición del espectro en el contexto de baja latencia. Lo comparamos con las técnicas existentes en tareas de estimación y seguimiento de los tonos, que son pasos cruciales en muchos métodos de separación. A continuación utilizamos y evaluamos el método de descomposición del espectro en tareas de separación de voz cantada, bajo y percusión. En segundo lugar, proponemos varios métodos de alta latencia que mejoran la separación de la voz cantada, gracias al modelado de componentes que a menudo no se toman en cuenta, como la respiración y las consonantes. Finalmente, exploramos el uso de correlaciones temporales y anotaciones manuales para mejorar la separación de los instrumentos de percusión y señales musicales polifónicas complejas.This thesis proposes specific methods to address the limitations of current music source separation methods in low-latency and high-latency scenarios. First, we focus on methods with low computational cost and low latency. We propose the use of Tikhonov regularization as a method for spectrum decomposition in the low-latency context. We compare it to existing techniques in pitch estimation and tracking tasks, crucial steps in many separation methods. We then use the proposed spectrum decomposition method in low-latency separation tasks targeting singing voice, bass and drums. Second, we propose several high-latency methods that improve the separation of singing voice by modeling components that are often not accounted for, such as breathiness and consonants. Finally, we explore using temporal correlations and human annotations to enhance the separation of drums and complex polyphonic music signals

Common Fate Model for Unison source Separation

International audienceIn this paper we present a novel source separation method aiming to overcome the difficulty of modelling non-stationary signals. The method can be applied to mixtures of musical instruments with frequency and/or amplitude modulation, e.g. typically caused by vi-brato. It is based on a signal representation that divides the complex spectrogram into a grid of patches of arbitrary size. These complex patches are then processed by a two-dimensional discrete Fourier transform, forming a tensor representation which reveals spectral and temporal modulation textures. Our representation can be seen as an alternative to modulation transforms computed on magnitude spectrograms. An adapted factorization model allows to decompose different time-varying harmonic sources based on their particular common modulation profile: hence the name Common Fate Model. The method is evaluated on musical instrument mixtures playing the same fundamental frequency (unison), showing improvement over other state-of-the-art methods

Projection-based demixing of spatial audio

International audienceWe propose a method to unmix multichannel audio signals into their different constitutive spatial objects. To achievethis, we characterize an audio object through both a spatial and a spectro-temporal modelling. The particularity of the spatialmodel we pick is that it neither assumes an object has only one underlying source point, nor does it attempt to model the complexroom acoustics. Instead, it focuses on a listener perspective, and takes each object as the superposition of many contributionswith different incoming directions and inter-channel delays. Our spectro-temporal probabilistic model is based on the recentlyproposed α-harmonisable processes, which are adequate for signals with large dynamics, such as audio. Then, the mainoriginality of this work is to provide a new way to estimate and exploit inter-channel dependences of an object for the purposeof demixing. In the Gaussian α = 2 case, previous research focused on covariance structures. This approach is no longervalid for α < 2 where covariances are not defined. Instead, we show how simple linear combinations of the mixture channelscan be used to learn the model parameters, and the method we propose consists in pooling the estimates based on manyprojections to correctly account for the original multichannel audio. Intuitively, each such downmix of the mixture provides anew perspective where some objects are cancelled or enhanced. Finally, we also explain how to recover the different spatial audioobjects when all parameters have been computed. Performance of the method is illustrated on the separation of stereophonic musicsignals. Index Terms—source separation, probabilistic models, non-negative matrix factorization, musical source separatio