Formation of Morphable 3D­model of Large Scale Natural Sites by Using Image Based Modeling and Rendering Techniques

No global 3D model of the environment needs to be assembled, a process which can be extremely cumbersome and error prone for large scale scenes e.g. the global registration of multiple local models can accumulate a great amount of error, while it also presumes a very accurate extraction of the underlying geometry. On the contrary, neither any such accurate geometric reconstruction of the individual local 3D models nor a very precise registration between them is required by our framework in order that it can produce satisfactory results. This paper presents an application of LP based MRF optimization techniques and also we have turned our attention to a different re­ search topic: the proposal of novel image based modeling and rendering methods, which are capable of automatically reproducing faithful (i.e. photorealistic) digital copies of complex 3D virtual environments, while also allowing the virtual exploration of these environments at interactive frame rates

Image Based View Synthesis

This dissertation deals with the image-based approach to synthesize a virtual scene using sparse images or a video sequence without the use of 3D models. In our scenario, a real dynamic or static scene is captured by a set of un-calibrated images from different viewpoints. After automatically recovering the geometric transformations between these images, a series of photo-realistic virtual views can be rendered and a virtual environment covered by these several static cameras can be synthesized. This image-based approach has applications in object recognition, object transfer, video synthesis and video compression. In this dissertation, I have contributed to several sub-problems related to image based view synthesis. Before image-based view synthesis can be performed, images need to be segmented into individual objects. Assuming that a scene can approximately be described by multiple planar regions, I have developed a robust and novel approach to automatically extract a set of affine or projective transformations induced by these regions, correctly detect the occlusion pixels over multiple consecutive frames, and accurately segment the scene into several motion layers. First, a number of seed regions using correspondences in two frames are determined, and the seed regions are expanded and outliers are rejected employing the graph cuts method integrated with level set representation. Next, these initial regions are merged into several initial layers according to the motion similarity. Third, the occlusion order constraints on multiple frames are explored, which guarantee that the occlusion area increases with the temporal order in a short period and effectively maintains segmentation consistency over multiple consecutive frames. Then the correct layer segmentation is obtained by using a graph cuts algorithm, and the occlusions between the overlapping layers are explicitly determined. Several experimental results are demonstrated to show that our approach is effective and robust. Recovering the geometrical transformations among images of a scene is a prerequisite step for image-based view synthesis. I have developed a wide baseline matching algorithm to identify the correspondences between two un-calibrated images, and to further determine the geometric relationship between images, such as epipolar geometry or projective transformation. In our approach, a set of salient features, edge-corners, are detected to provide robust and consistent matching primitives. Then, based on the Singular Value Decomposition (SVD) of an affine matrix, we effectively quantize the search space into two independent subspaces for rotation angle and scaling factor, and then we use a two-stage affine matching algorithm to obtain robust matches between these two frames. The experimental results on a number of wide baseline images strongly demonstrate that our matching method outperforms the state-of-art algorithms even under the significant camera motion, illumination variation, occlusion, and self-similarity. Given the wide baseline matches among images I have developed a novel method for Dynamic view morphing. Dynamic view morphing deals with the scenes containing moving objects in presence of camera motion. The objects can be rigid or non-rigid, each of them can move in any orientation or direction. The proposed method can generate a series of continuous and physically accurate intermediate views from only two reference images without any knowledge about 3D. The procedure consists of three steps: segmentation, morphing and post-warping. Given a boundary connection constraint, the source and target scenes are segmented into several layers for morphing. Based on the decomposition of affine transformation between corresponding points, we uniquely determine a physically correct path for post-warping by the least distortion method. I have successfully generalized the dynamic scene synthesis problem from the simple scene with only rotation to the dynamic scene containing non-rigid objects. My method can handle dynamic rigid or non-rigid objects, including complicated objects such as humans. Finally, I have also developed a novel algorithm for tri-view morphing. This is an efficient image-based method to navigate a scene based on only three wide-baseline un-calibrated images without the explicit use of a 3D model. After automatically recovering corresponding points between each pair of images using our wide baseline matching method, an accurate trifocal plane is extracted from the trifocal tensor implied in these three images. Next, employing a trinocular-stereo algorithm and barycentric blending technique, we generate an arbitrary novel view to navigate the scene in a 2D space. Furthermore, after self-calibration of the cameras, a 3D model can also be correctly augmented into this virtual environment synthesized by the tri-view morphing algorithm. We have applied our view morphing framework to several interesting applications: 4D video synthesis, automatic target recognition, multi-view morphing

A multi-camera approach to image-based rendering and 3-D/Multiview display of ancient chinese artifacts

published_or_final_versio

Data augmentation for NeRF: a geometric consistent solution based on view morphing

NeRF aims to learn a continuous neural scene representation by using a finite set of input images taken from different viewpoints. The fewer the number of viewpoints, the higher the likelihood of overfitting on them. This paper mitigates such limitation by presenting a novel data augmentation approach to generate geometrically consistent image transitions between viewpoints using view morphing. View morphing is a highly versatile technique that does not requires any prior knowledge about the 3D scene because it is based on general principles of projective geometry. A key novelty of our method is to use the very same depths predicted by NeRF to generate the image transitions that are then added to NeRF training. We experimentally show that this procedure enables NeRF to improve the quality of its synthesised novel views in the case of datasets with few training viewpoints. We improve PSNR up to 1.8dB and 10.5dB when eight and four views are used for training, respectively. To the best of our knowledge, this is the first data augmentation strategy for NeRF that explicitly synthesises additional new input images to improve the model generalisation

Image based human body rendering via regression & MRF energy minimization

This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University.A machine learning method for synthesising human images is explored to create new images without relying on 3D modelling. Machine learning allows the creation of new images through prediction from existing data based on the use of training images. In the present study, image synthesis is performed at two levels: contour and pixel. A class of learning-based methods is formulated to create object contours from the training image for the synthetic image that allow pixel synthesis within the contours in the second level. The methods rely on applying robust object descriptions, dynamic learning models after appropriate motion segmentation, and machine learning-based frameworks. Image-based human image synthesis using machine learning is a research focus that has recently gained considerable attention in the field of computer graphics. It makes use of techniques from image/motion analysis in computer vision. The problem lies in the estimation of methods for image-based object configuration (i.e. segmentation, contour outline). Using the results of these analysis methods as bases, the research adopts the machine learning approach, in which human images are synthesised by executing the synthesis of contour and pixels through the learning from training image. Firstly, thesis shows how an accurate silhouette is distilled using developed background subtraction for accuracy and efficiency. The traditional vector machine approach is used to avoid ambiguities within the regression process. Images can be represented as a class of accurate and efficient vectors for single images as well as sequences. Secondly, the framework is explored using a unique view of machine learning methods, i.e., support vector regression (SVR), to obtain the convergence result of vectors for contour allocation. The changing relationship between the synthetic image and the training image is expressed as a vector and represented in functions. Finally, a pixel synthesis is performed based on belief propagation. This thesis proposes a novel image-based rendering method for colour image synthesis using SVR and belief propagation for generalisation to enable the prediction of contour and colour information from input colour images. The methods rely on using appropriately defined and robust input colour images, optimising the input contour images within a sparse SVR framework. Firstly, the thesis shows how contour can effectively and efficiently be predicted from small numbers of input contour images. In addition, the thesis exploits the sparse properties of SVR efficiency, and makes use of SVR to estimate regression function. The image-based rendering method employed in this study enables contour synthesis for the prediction of small numbers of input source images. This procedure avoids the use of complex models and geometry information. Secondly, the method used for human body contour colouring is extended to define eight differently connected pixels, and construct a link distance field via the belief propagation method. The link distance, which acts as the message in propagation, is transformed by improving the low-envelope method in fast distance transform. Finally, the methodology is tested by considering human facial and human body clothing information. The accuracy of the test results for the human body model confirms the efficiency of the proposed method

Survey of image-based representations and compression techniques

In this paper, we survey the techniques for image-based rendering (IBR) and for compressing image-based representations. Unlike traditional three-dimensional (3-D) computer graphics, in which 3-D geometry of the scene is known, IBR techniques render novel views directly from input images. IBR techniques can be classified into three categories according to how much geometric information is used: rendering without geometry, rendering with implicit geometry (i.e., correspondence), and rendering with explicit geometry (either with approximate or accurate geometry). We discuss the characteristics of these categories and their representative techniques. IBR techniques demonstrate a surprising diverse range in their extent of use of images and geometry in representing 3-D scenes. We explore the issues in trading off the use of images and geometry by revisiting plenoptic-sampling analysis and the notions of view dependency and geometric proxies. Finally, we highlight compression techniques specifically designed for image-based representations. Such compression techniques are important in making IBR techniques practical.published_or_final_versio