An Overview on Image Forensics

The aim of this survey is to provide a comprehensive overview of the state of the art in the area of image forensics. These techniques have been designed to identify the source of a digital image or to determine whether the content is authentic or modified, without the knowledge of any prior information about the image under analysis (and thus are defined as passive). All these tools work by detecting the presence, the absence, or the incongruence of some traces intrinsically tied to the digital image by the acquisition device and by any other operation after its creation. The paper has been organized by classifying the tools according to the position in the history of the digital image in which the relative footprint is left: acquisition-based methods, coding-based methods, and editing-based schemes

Media Forensics and DeepFakes: an overview

With the rapid progress of recent years, techniques that generate and manipulate multimedia content can now guarantee a very advanced level of realism. The boundary between real and synthetic media has become very thin. On the one hand, this opens the door to a series of exciting applications in different fields such as creative arts, advertising, film production, video games. On the other hand, it poses enormous security threats. Software packages freely available on the web allow any individual, without special skills, to create very realistic fake images and videos. So-called deepfakes can be used to manipulate public opinion during elections, commit fraud, discredit or blackmail people. Potential abuses are limited only by human imagination. Therefore, there is an urgent need for automated tools capable of detecting false multimedia content and avoiding the spread of dangerous false information. This review paper aims to present an analysis of the methods for visual media integrity verification, that is, the detection of manipulated images and videos. Special emphasis will be placed on the emerging phenomenon of deepfakes and, from the point of view of the forensic analyst, on modern data-driven forensic methods. The analysis will help to highlight the limits of current forensic tools, the most relevant issues, the upcoming challenges, and suggest future directions for research

Image and Video Forensics

Nowadays, images and videos have become the main modalities of information being exchanged in everyday life, and their pervasiveness has led the image forensics community to question their reliability, integrity, confidentiality, and security. Multimedia contents are generated in many different ways through the use of consumer electronics and high-quality digital imaging devices, such as smartphones, digital cameras, tablets, and wearable and IoT devices. The ever-increasing convenience of image acquisition has facilitated instant distribution and sharing of digital images on digital social platforms, determining a great amount of exchange data. Moreover, the pervasiveness of powerful image editing tools has allowed the manipulation of digital images for malicious or criminal ends, up to the creation of synthesized images and videos with the use of deep learning techniques. In response to these threats, the multimedia forensics community has produced major research efforts regarding the identification of the source and the detection of manipulation. In all cases (e.g., forensic investigations, fake news debunking, information warfare, and cyberattacks) where images and videos serve as critical evidence, forensic technologies that help to determine the origin, authenticity, and integrity of multimedia content can become essential tools. This book aims to collect a diverse and complementary set of articles that demonstrate new developments and applications in image and video forensics to tackle new and serious challenges to ensure media authenticity

Temporal Image Forensics for Picture Dating based on Machine Learning

Temporal image forensics involves the investigation of multi-media digital forensic material related to crime with the goal of obtaining accurate evidence concerning activity and timing to be presented in a court of law. Because of the ever-increasing complexity of crime in the digital age, forensic investigations are increasingly dependent on timing information. The simplest way to extract such forensic information would be the use of the EXIF header of picture files as it contains most of the information. However, these header data can be easily removed or manipulated and hence cannot be evidential, and so estimating the acquisition time of digital photographs has become more challenging. This PhD research proposes to use image contents instead of file headers to solve this problem. In this thesis, a number of contributions are presented in the area of temporal image forensics to predict picture dating. Firstly, the present research introduces the unique Northumbria Temporal Image Forensics (NTIF) database of pictures for the purpose of temporal image forensic purposes. As digital sensors age, the changes in Photo Response Non-Uniformity (PRNU) over time have been highlighted using the NTIF database, and it is concluded that PRNU cannot be useful feature for picture dating application. Apart from the PRNU, defective pixels also constitute another sensor imperfection of forensic relevance. Secondly, this thesis highlights the fact that the filter-based PRNU technique is useful for source camera identification application as compared to deep convolutional neural networks when limited amounts of images under investigation are available to the forensic analyst. The results concluded that due to sensor pattern noise feature which is location-sensitive, the performance of CNN-based approach declines because sensor pattern noise image blocks are fed at different locations into CNN for the same category. Thirdly, the deep learning technique is applied for picture dating, which has shown promising results with performance levels up to 80% to 88% depending on the digital camera used. The key findings indicate that a deep learning approach can successfully learn the temporal changes in image contents, rather than the sensor pattern noise. Finally, this thesis proposes a technique to estimate the acquisition time slots of digital pictures using a set of candidate defective pixel locations in non-overlapping image blocks. The temporal behaviour of camera sensor defects in digital pictures are analyzed using a machine learning technique in which potential candidate defective pixels are determined according to the related pixel neighbourhood and two proposed features called local variation features. The idea of virtual timescales using halves of real time slots and a combination of prediction scores for image blocks has been proposed to enhance performance. When assessed using the NTIF image dataset, the proposed system has been shown to achieve very promising results with an estimated accuracy of the acquisition times of digital pictures between 88% and 93%, exhibiting clear superiority over relevant state-of-the-art systems

Modular Convolutional Neural Network for Discriminating between Computer-Generated Images and Photographic Images

International audienceDiscriminating between computer-generated images (CGIs) and photographic images (PIs) is not a new problem in digital image forensics. However, with advances in rendering techniques supported by strong hardware and in genera-tive adversarial networks, CGIs are becoming indistinguishable from PIs in both human and computer perception. This means that malicious actors can use CGIs for spoofing facial authentication systems, impersonating other people, and creating fake news to be spread on social networks. The methods developed for discriminating between CGIs and PIs quickly become outdated and must be regularly enhanced to be able to reduce these attack surfaces. Leveraging recent advances in deep convolutional networks, we have built a modular CGI-PI discriminator with a customized VGG-19 network as the feature extractor, statistical convolutional neural networks as the feature transformers, and a discriminator. We also devised a probabilistic patch aggregation strategy to deal with high-resolution images. This proposed method outper-formed a state-of-the-art method and achieved accuracy up to 100%

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Passive Techniques for Detecting and Locating Manipulations in Digital Images

Tesis inédita de la Universidad Complutense de Madrid, Facultad de Informática, leída el 19-11-2020El numero de camaras digitales integradas en dispositivos moviles as como su uso en la vida cotidiana esta en continuo crecimiento. Diariamente gran cantidad de imagenes digitales, generadas o no por este tipo de dispositivos, circulan en Internet o son utilizadas como evidencias o pruebas en procesos judiciales. Como consecuencia, el analisis forense de imagenes digitales cobra importancia en multitud de situaciones de la vida real. El analisis forense de imagenes digitales se divide en dos grandes ramas: autenticidad de imagenes digitales e identificacion de la fuente de adquisicion de una imagen. La primera trata de discernir si una imagen ha sufrido algun procesamiento posterior al de su creacion, es decir, que no haya sido manipulada. La segunda pretende identificar el dispositivo que genero la imagen digital. La verificacion de la autenticidad de imagenes digitales se puedellevar a cabo mediante tecnicas activas y tecnicas pasivas de analisis forense. Las tecnicas activas se fundamentan en que las imagenes digitales cuentan con \marcas" presentes desde su creacion, de forma que cualquier tipo de alteracion que se realice con posterioridad a su generacion, modificara las mismas, y, por tanto, permitiran detectar si ha existido un posible post-proceso o manipulacion...The number of digital cameras integrated into mobile devices as well as their use in everyday life is continuously growing. Every day a large number of digital images, whether generated by this type of device or not, circulate on the Internet or are used as evidence in legal proceedings. Consequently, the forensic analysis of digital images becomes important in many real-life situations. Forensic analysis of digital images is divided into two main branches: authenticity of digital images and identi cation of the source of acquisition of an image. The first attempts to discern whether an image has undergone any processing subsequent to its creation, i.e. that it has not been manipulated. The second aims to identify the device that generated the digital image. Verification of the authenticity of digital images can be carried out using both active and passive forensic analysis techniques. The active techniques are based on the fact that the digital images have "marks"present since their creation so that any type of alteration made after their generation will modify them, and therefore will allow detection if there has been any possible post-processing or manipulation. On the other hand, passive techniques perform the analysis of authenticity by extracting characteristics from the image...Fac. de InformáticaTRUEunpu