Extending the DSE: LOD support and TEI/IIIF integration in EVT

Current digital scholarly editions (DSEs) have the opportunity of evolving to dynamic objects interacting with other Internet-based resources thanks to open frameworks such as IIIF and LOD. This paper showcases and discusses two new functionalities of EVT (Edition Visualization Technology), version 2: one improving the management of named entities (f.i. personal names) through the use of LOD resources such as FOAF and DBpedia; the other, providing integration of the published text with digital images of the textual primary sources accessed from online repositories (e.g. e-codices or digital libraries such as the Vaticana or the Ambrosiana) via the IIIF protocol

Putting the Text back into Context: A Codicological Approach to Manuscript Transcription

Textual scholars have tended to produce editions which present the text without its manuscript context. Even though digital editions now often present single-witness editions with facsimiles of the manuscripts, nevertheless the text itself is still transcribed and represented as a linguistic object rather than a physical one. Indeed, this is explicitly stated as the theoretical basis for the de facto standard of markup for digital texts: the Guidelines of the Text Encoding Initiative (TEI). These explicitly treat texts as semantic units such as paragraphs, sentences, verses and so on, rather than physical elements such as pages, openings, or surfaces, and some scholars have argued that this is the only viable model for representing texts. In contrast, this chapter presents arguments for considering the document as a physical object in the markup of texts. The theoretical arguments of what constitutes a text are first reviewed, with emphasis on those used by the TEI and other theoreticians of digital markup. A series of cases is then given in which a document-centric approach may be desirable, with both modern and medieval examples. Finally a step forward in this direction is raised, namely the results of the Genetic Edition Working Group in the Manuscript Special Interest Group of the TEI: this includes a proposed standard for documentary markup, whereby aspects of codicology and mise en page can be included in digital editions, putting the text back into its manuscript context

Finding What You Need, and Knowing What You Can Find: Digital Tools for Palaeographers in Musicology and Beyond

This chapter examines three projects that provide musicologists with a range of resources for managing and exploring their materials: DIAMM (Digital Image Archive of Medieval Music), CMME (Computerized Mensural Music Editing) and the software Gamera. Since 1998, DIAMM has been enhancing research of scholars worldwide by providing them with the best possible quality of digital images. In some cases these images are now the only access that scholars are permitted, since the original documents are lost or considered too fragile for further handling. For many sources, however, simply creating a very high-resolution image is not enough: sources are often damaged by age, misuse (usually Medieval ‘vandalism’), or poor conservation. To deal with damaged materials the project has developed methods of digital restoration using mainstream commercial software, which has revealed lost data in a wide variety of sources. The project also uses light sources ranging from ultraviolet to infrared in order to obtain better readings of erasures or material lost by heat or water damage. The ethics of digital restoration are discussed, as well as the concerns of the document holders. CMME and a database of musical sources and editions, provides scholars with a tool for making fluid editions and diplomatic transcriptions: without the need for a single fixed visual form on a printed page, a computerized edition system can utilize one editor’s transcription to create any number of visual forms and variant versions. Gamera, a toolkit for building document image recognition systems created by Ichiro Fujinaga is a broad recognition engine that grew out of music recognition, which can be adapted and developed to perform a number of tasks on both music and non-musical materials. Its application to several projects is discussed

Approaches to digital editing

This paper discusses approaches to digital editing, focusing on two projects, ReScript and Early English Laws (http://www.earlyenglishlaws.ac.uk). It also touches on some of the other tools available to editors, for example those offered as part of TextGrid. ReScript, a project of the Institute of Historical Research, aims to develop a prototype editing facility, which will support collaboration within established editorial teams as well as a crowdsourced approach to producing editions. It is currently being trialled with texts at a range of stages of production, from ‘completed’ 19th-century editions which will benefit from correction and annotation to completely new works. Early English Laws aims to publish online new editions and translations of all English legal codes, edicts and treatises produced up to and including Magna Carta in 1215. A bespoke editing facility has been developed by the Department of Digital Humanities at King’s College London which, like ReScript, will support collaborative editing, as well as export to print where appropriate. The latter project is particularly complex as it has to accommodate a variety of languages and editorial approaches (scholars working on early English texts, for example, have very different requirements from those working with Latin documents). The tools developed by both of these projects will be made available in due course for use and adaptation by and for other projects. The paper was given at the 'Envisioning REED in the digital age' workshop organised by the Records of Early English Drama project, University of Toronto, 4-5 April 2011

Realising (re)vision, manipulating manoeuvres: editing the English Middle Ages

This article discusses the importance and relevance of textual editing for students and scholars of historical literatures, especially Middle English texts. By surveying the different types of editions necessary for studying Middle English literature, the author argues that in the "digital age," an understanding of The Edition is necessary, not only for the preservation of cultural texts, but also for the contribution and understanding of interpretations fundamental to literary disciplines

Representation and Encoding of Heterogeneous Data in a Web Based Research Environment for Manuscript and Textual Studies

This paper describes the general architecture of a digital research environment for manuscript and textual studies (particularly those pertaining to ancient Greek and Byzantine texts), and it discusses some questions of data representation and encoding in the framework of such an online research platform. The platform is being developed by the project Teuchos. Zentrum für Handschriften- und Textforschung, established in 2007 by the Institut für Griechische und Lateinische Philologie (Universität Hamburg) in cooperation with the Aristoteles-Archiv (Freie Universität Berlin). Teuchos is a long-term infrastructural project of the Universität Hamburg. It is currently in its three-year initial phase which is being co-funded by the German Research Foundation (DFG) through the "Thematic Information Networks" scheme within the "Scientific Library Services and Information Systems" programme. We introduce the main object types to be handled by our system and describe the overall functionality of the online platform. The paper focuses on the representations of two main object types: manuscripts as textual witnesses and watermarks, with an emphasis on the former. Since the adequate encoding of different layers of structure of a transmitted text is particularly relevant to optimising users' choices of navigating both digital images of the containing manuscripts and trancriptions of the text contained, this topic is discussed in some detail. We introduce the formal data model and the corresponding encoding for the object types discussed. The project encodes textual data in XML, aiming for TEI conformance where possible. Since no accepted XML model exists for the encoding of metadata within a watermark collection, we briefly explain how we chose to model the objects to accomodate the collections the project is making accessible

To Teach, Delight, and Inspire. Experiences with Kim Sowol’s Jindallaekkot (Azaleas) as a Printed Facsimile, Printed Scholarly Edition, Web-based Reading Text, and Virtual Reality Experience

Here we document how college students responded to a canonical book of Korean poems, Kim Sowol’s 1925 Jindallaekkot (Azaleas), presented in a variety of formats: as part of a 2014 printed facsimile, a 2007 printed scholarly edition, a reading text articulated as a web page on a tablet, and a radical refiguration as a virtual reality forest. We asked students to describe if they enjoyed and felt inspired by their encounters with Kim Sowol’s poetry in these different formats. We also asked if they felt their experiences were educational and if they engendered a desire to share Kim Sowol’s poetry with international peers. Student responses suggest that encounters with novel forms of canonical texts are enjoyable, inspiring, and create a desire to share them with international peers, especially if novel presentations are complemented by more familiar textual idioms, which students found the most educational