A Survey on Piracy Protection Techniques in Digital Cinema Watermarking Schemes

Watermarking is used in several areas such as CDNs (Content Delivery Networks), as part of the rights management system for counterfeit prevention. Watermarking schemes need some additional features in order to be used in digital cinema. In fact, extra watermarks are added to movies by cinema projectors in projection time, which help identify the cinema hall in which the illegal copy has been recorded. But distortions caused by hand vibrations and the point of view angle make it difficult to recover the watermark. This makes it necessary to be distortion-resistant for the watermarking schemes used in digital cinema. On the other hand, theatre owners would like to locate the camcorder that has recorded the pirate copy. This requires watermarking schemes to be able to estimate the distance and angle using the distributed pirate copy. In this chapter, we present a review on watermarking techniques specifically designed to attack the aforementioned problems

Recent Trends in Communication Networks

In recent years there has been many developments in communication technology. This has greatly enhanced the computing power of small handheld resource-constrained mobile devices. Different generations of communication technology have evolved. This had led to new research for communication of large volumes of data in different transmission media and the design of different communication protocols. Another direction of research concerns the secure and error-free communication between the sender and receiver despite the risk of the presence of an eavesdropper. For the communication requirement of a huge amount of multimedia streaming data, a lot of research has been carried out in the design of proper overlay networks. The book addresses new research techniques that have evolved to handle these challenges

Local Geometric Distortions Resilient Watermarking Scheme Based on Symmetry

As an efficient watermark attack method, geometric distortions destroy the synchronization between watermark encoder and decoder. And the local geometric distortion is a famous challenge in the watermark field. Although a lot of geometric distortions resilient watermarking schemes have been proposed, few of them perform well against local geometric distortion like random bending attack (RBA). To address this problem, this paper proposes a novel watermark synchronization process and the corresponding watermarking scheme. In our scheme, the watermark bits are represented by random patterns. The message is encoded to get a watermark unit, and the watermark unit is flipped to generate a symmetrical watermark. Then the symmetrical watermark is embedded into the spatial domain of the host image in an additive way. In watermark extraction, we first get the theoretically mean-square error minimized estimation of the watermark. Then the auto-convolution function is applied to this estimation to detect the symmetry and get a watermark units map. According to this map, the watermark can be accurately synchronized, and then the extraction can be done. Experimental results demonstrate the excellent robustness of the proposed watermarking scheme to local geometric distortions, global geometric distortions, common image processing operations, and some kinds of combined attacks

Buyer-seller watermarking protocol in digital cinema

Master'sMASTER OF SCIENC

Strategies for Unbridled Data Dissemination: An Emergency Operations Manual

This project is a study of free data dissemination and impediments to it. Drawing upon post-structuralism, Actor Network Theory, Participatory Action Research, and theories of the political stakes of the posthuman by way of Stirnerian egoism and illegalism, the project uses a number of theoretical, technical and legal texts to develop a hacker methodology that emphasizes close analysis and disassembly of existent systems of content control. Specifically, two tiers of content control mechanisms are examined: a legal tier, as exemplified by Intellectual Property Rights in the form of copyright and copyleft licenses, and a technical tier in the form of audio, video and text-based watermarking technologies. A series of demonstrative case studies are conducted to further highlight various means of content distribution restriction. A close reading of a copyright notice is performed in order to examine its internal contradictions. Examples of watermarking employed by academic e-book and journal publishers and film distributors are also examined and counter-forensic techniques for removing such watermarks are developed. The project finds that both legal and technical mechanisms for restricting the flow of content can be countervailed, which in turn leads to the development of different control mechanisms and in turn engenders another wave of evasion procedures. The undertaken methodological approach thus leads to the discovery of on-going mutation and adaptation of in-between states of resistance. Finally, an analysis of various existent filesharing applications is performed, and a new Tor-based BitTorrent tracker is set up to strengthen the anonymization of established filesharing methods. It is found that there exist potential de-anonymization attacks against all analyzed file-sharing tools, with potentially more secure filesharing options also seeing less user adoption

Robust digital image watermarking

This research presents a novel rank based image watermarking method and improved moment based and histogram based image watermarking methods. A high-frequency component modification step is also proposed to compensate the side effect of commonly used Gaussian pre-filtering. The proposed methods outperform the latest image watermarking methods

The management of digital rights in Pay TV

Successful roll-out of Digital Rights Management (DRM) solutions has the potential to transform the economics of pay television. This paper explains how a technology that is being developed as a potential solution to the challenge posed by the widespread theft of intellectual property (piracy) may ultimately support the development of new business models. These new business models could trigger a radical change in the sources of market power in the supply chain, increasing the bargaining power of content companies relative to vertically integrated platform operators. The paper examines some of the regulatory challenges that the new business models and the new technology rais

Intrinsically Embedded Signatures for Multimedia Forensics

This dissertation examines the use of signatures that are intrinsically embedded in media recordings for studies and applications in multimedia forensics. These near-invisible signatures are fingerprints that are captured unintentionally in a recording due to influences from the environment in which it was made and the recording device that was used to make it. We focus on two types of such signatures: the Electric Network Frequency (ENF) signal and the flicker signal. The ENF is the frequency of power distribution networks and has a nominal value of 50Hz or 60Hz. The ENF fluctuates around its nominal value due to load changes in the grid. It is particularly relevant to multimedia forensics because ENF variations captured intrinsically in a media recording reflect the time and location related properties of the respective area in which it was made. This has led to a number of applications in information forensics and security, such as time-of-recording authentication/estimation and ENF-based detection of tampering in a recording. The first part of this dissertation considers the extraction and detection of the ENF signal. We discuss our proposed spectrum combining approach for ENF estimation that exploits the presence of ENF traces at several harmonics within the same recording to produce more accurate and robust ENF signal estimates. We also explore possible factors that can promote or hinder the capture of ENF traces in recordings, which is important for a better understanding of the real-world applicability of ENF signals. Next, we discuss novel real-world ENF-based applications proposed through this dissertation research. We discuss using the embedded ENF signal to identify the region-of-recording of a media signal through a pattern analysis and learning framework that distinguishes between ENF signals coming from different power grids. We also discuss the use of the ENF traces embedded in a video to characterize the video camera that had originally produced the video, an application that was inspired by our work on flicker forensics. The last part of the dissertation considers the flicker signal and its use in forensics. We address problems in the entertainment industry pertaining to movie piracy related investigations, where a pirated movie is formed by camcording media content shown on an LCD screen. The flicker signature can be inherently created in such a scenario due to the interplay between the back-light of an LCD screen and the recording mechanism of the video camera. We build an analytic model of the flicker, relating it to inner parameters of the video camera and the screen producing the video. We then demonstrate that solely analyzing such a pirated video can lead to the identification of the video camera and the screen that produced the video, which can be used as corroborating evidence in piracy investigations

Revenue Losses: Exploring Strategies Required by Managers to Inhibit Movie Piracy

The piracy of movie products resulted in 72,000 lost jobs and $4.5 billion in lost wages to the United States economy in 2012. The purpose of this multiple case study was to explore what strategies movie corporation managers use to inhibit piracy of movie products to achieve profitability. The sample consisted of 6 movie industry managers who managed movie corporations for not less than 5 years in New York City. The conceptual framework for this study was based on the general systems theory. Data were collected through face-to-face semistructured interviews. Transcript review and member checking were used to ensure credibility and trustworthiness of the interpretation of participants\u27 responses. The 3 major themes that emerged in the study include the perceived effects of movie industry managers\u27 marketing management strategies, legal management strategies, and customer management strategies for inhibiting product piracy. Findings from this study contribute to social change by indicating strategies that other movie industry managers may use to prevent piracy of product, sustain business, and reduce the negative effects of job loss. The results of this study thus may contribute to the prosperity of movie industry leaders, employees, their families, communities, and the local economy