Rethinking Recurrent Latent Variable Model for Music Composition

We present a model for capturing musical features and creating novel sequences of music, called the Convolutional Variational Recurrent Neural Network. To generate sequential data, the model uses an encoder-decoder architecture with latent probabilistic connections to capture the hidden structure of music. Using the sequence-to-sequence model, our generative model can exploit samples from a prior distribution and generate a longer sequence of music. We compare the performance of our proposed model with other types of Neural Networks using the criteria of Information Rate that is implemented by Variable Markov Oracle, a method that allows statistical characterization of musical information dynamics and detection of motifs in a song. Our results suggest that the proposed model has a better statistical resemblance to the musical structure of the training data, which improves the creation of new sequences of music in the style of the originals.Comment: Published as a conference paper at IEEE MMSP 201

MIDI-VAE: Modeling Dynamics and Instrumentation of Music with Applications to Style Transfer

We introduce MIDI-VAE, a neural network model based on Variational Autoencoders that is capable of handling polyphonic music with multiple instrument tracks, as well as modeling the dynamics of music by incorporating note durations and velocities. We show that MIDI-VAE can perform style transfer on symbolic music by automatically changing pitches, dynamics and instruments of a music piece from, e.g., a Classical to a Jazz style. We evaluate the efficacy of the style transfer by training separate style validation classifiers. Our model can also interpolate between short pieces of music, produce medleys and create mixtures of entire songs. The interpolations smoothly change pitches, dynamics and instrumentation to create a harmonic bridge between two music pieces. To the best of our knowledge, this work represents the first successful attempt at applying neural style transfer to complete musical compositions.Comment: Paper accepted at the 19th International Society for Music Information Retrieval Conference, ISMIR 2018, Paris, Franc

Learning and Evaluation Methodologies for Polyphonic Music Sequence Prediction with LSTMs

Music language models (MLMs) play an important role for various music signal and symbolic music processing tasks, such as music generation, symbolic music classification, or automatic music transcription (AMT). In this paper, we investigate Long Short-Term Memory (LSTM) networks for polyphonic music prediction, in the form of binary piano rolls. A preliminary experiment, assessing the influence of the timestep of piano rolls on system performance, highlights the need for more musical evaluation metrics. We introduce a range of metrics, focusing on temporal and harmonic aspects. We propose to combine them into a parametrisable loss to train our network. We then conduct a range of experiments with this new loss, both for polyphonic music prediction (intrinsic evaluation) and using our predictive model as a language model for AMT (extrinsic evaluation). Intrinsic evaluation shows that tuning the behaviour of a model is possible by adjusting loss parameters, with consistent results across timesteps. Extrinsic evaluation shows consistent behaviour across timesteps in terms of precision and recall with respect to the loss parameters, leading to an improvement in AMT performance without changing the complexity of the model. In particular, we show that intrinsic performance (in terms of cross entropy) is not related to extrinsic performance, highlighting the importance of using custom training losses for each specific application. Our model also compares favourably with previously proposed MLMs

Deep Learning Techniques for Music Generation -- A Survey

This paper is a survey and an analysis of different ways of using deep learning (deep artificial neural networks) to generate musical content. We propose a methodology based on five dimensions for our analysis: Objective - What musical content is to be generated? Examples are: melody, polyphony, accompaniment or counterpoint. - For what destination and for what use? To be performed by a human(s) (in the case of a musical score), or by a machine (in the case of an audio file). Representation - What are the concepts to be manipulated? Examples are: waveform, spectrogram, note, chord, meter and beat. - What format is to be used? Examples are: MIDI, piano roll or text. - How will the representation be encoded? Examples are: scalar, one-hot or many-hot. Architecture - What type(s) of deep neural network is (are) to be used? Examples are: feedforward network, recurrent network, autoencoder or generative adversarial networks. Challenge - What are the limitations and open challenges? Examples are: variability, interactivity and creativity. Strategy - How do we model and control the process of generation? Examples are: single-step feedforward, iterative feedforward, sampling or input manipulation. For each dimension, we conduct a comparative analysis of various models and techniques and we propose some tentative multidimensional typology. This typology is bottom-up, based on the analysis of many existing deep-learning based systems for music generation selected from the relevant literature. These systems are described and are used to exemplify the various choices of objective, representation, architecture, challenge and strategy. The last section includes some discussion and some prospects.Comment: 209 pages. This paper is a simplified version of the book: J.-P. Briot, G. Hadjeres and F.-D. Pachet, Deep Learning Techniques for Music Generation, Computational Synthesis and Creative Systems, Springer, 201