Wind, Wave, and Generative Metaphor in Greek

A diachronic analysis of the so-called \u27Ship of State\u27 metaphor, with the premise that the more sophisticated trope of Archaic lyric poetry is an elaboration of a larger cognitive metaphor that appears in the earliest Greek texts

Annotated Bibliography

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Valency over Time

The papers collected in this book are devoted to verbal valency, and share a diachronic perspective, by either discussing changes in the behavior of verbs or discussing verbal valency at different historical stages of specific languages. They provide new data for research on valency patterns and on changes in valency orientation, verbal voice, and related constructions

Off-record politeness in Sophocles: The patterned dialogues of female characters

This paper tests the applicability of Brown and Levinson’s concept of off-record politeness on a specific sub-set of patterned dialogues in Sophocles’ extant tragedies, i.e., those involving the participation of female speakers. Brown and Levinson’s framework still provides the most suitable model for empirical analysis, but with refinements concerning the interrelation between emic and etic politeness, the notion of face, the extension of analysis to longer stretches of conversation, and the absolute ranking of the super-strategies. The survey suggests that a strict connection between the use of off record and the mitigation of FTAs can be established quite straightforwardly and that the hearer’s reactions to off record can help to identify the valid instances of the phenomenon. Moreover, it is argued that (a) female speakers frequently resort to off record, most notably in cross-sex interactions with men invested with high power; (b) few restricted categories of male speakers, i.e., strangers and lower-status characters, do use off-record politeness towards women; (c) off record in same-sex interactions among female characters is limited to when the imposition is of extraordinary seriousness

Valency over Time

The papers collected in this book are devoted to verbal valency, and share a diachronic perspective, by either discussing changes in the behavior of verbs or discussing verbal valency at different historical stages of specific languages. They provide new data for research on valency patterns and on changes in valency orientation, verbal voice, and related constructions

Oral-Formulaic Research in Old English Studies: I

The present study consists of nine sections, of which the first four appear in this issue. Section I, "Oral and Written," considers the questions of whether Old English poetry was composed orally or in writing and whether it was presented to a listening audience or to an audience of readers. It also examines questions of lay literacy during the Old English period and of the nature of the reaction of a listening audience to traditional poetry. Section II, "The Oral-Formulaic Theory," reviews the origin and development of the study of oral composition in Old English, including nineteenth-century Higher Criticism, the study of formulaic structure in Homeric and Serbo-Croatian epic, and the application of the oral-formulaic theory to Old English literature beginning with the work of Albert B. Lord and Francis P. Magoun, Jr. Section III, "The Formula," reviews definitions that have been proposed for the basic units of oral composition, the formula and the formulaic system, and treats metrics and the study of particular formulas and formulaic systems. Section IV, "Themes and Type-Scenes," studies the level of oral composition above the formula, discussing the definitions that have been proposed for the terms "theme" and "type-scene" and reviewing the literature that has identified and described various Old English themes and type-scenes.--Page 549.A medievalist and comparatist, Alexandra Hennessey Olsen (University of Denver) has been especially interested in the blend of Christian Latin learning and Germanic oral tradition that underlies Old English poetry. Her books on Guthlac of Croyland (1981) and Cynewulf (Speech, Song, and Poetic Craft, 1984) typify her approach

The survival of the optative in New Testament Greek

This article offers new insights on the status of the optative in New Testament Greek, mapping it against the diachronic encoding of modality in Ancient Greek in light of typology and pragmatics. Virtually all available scholarship on the subject focusses on the ‘decline’ of the optative; in this article, we choose to focus on its survival in fixed expressions and specific types of speech acts. Through a comprehensive reanalysis of the New Testament data, we argue that the optative is ‘pushed out’ of the strict domain of modality and syntax and into that of illocution and pragmatics. Evidence from ancient grammatical thought, sociolinguistics, and language contact corroborates this view

Introduction: Creating new worlds out of old texts

Despite initial expectations that globalization would eradicate the need for geographical space and distance, "maps matter" today in ways that were unimaginable a mere two decades ago. Technological advances have brought to the fore an entirely new set of methods for representing and interacting with spatial formations, while the ever-increasing mobility of ideas, capital, and people has created a world in which urban and regional inequalities are being heightened at an accelerating pace. As a result, the ability of any given place to reap the benefits of global socio-technical flows mainly hinges on the forging of connections that can transcend the limits of its material location. In contrast to the traditional "topographic" perspective, the territorial extent of economic and political realms is being increasingly conceived through a "topological" lens: as a set of overlapping reticulations in which the nature and frequency of links among different sites matter more than the physical distances between them. At the same time, a parallel stream of innovation has revolutionized the understanding of space in disciplines such as history, archaeology, classics, and linguistics. Much of this work has been concentrated in the burgeoning field of the "digital humanities", which has been persistently breaking new ground in the conceptualization of past and present places. When seen in the context of globalization-induced dynamics, such developments emphasize the need for developing cartographic approaches that can bring out the inherently networked structure of social space via a lens that is both theoretically integrative and heuristically sharp. We have decided to respond to these analytical and methodological challenges by focusing on ancient Greek literature: a corpus of work that has often been characterized as being free of the constraints imposed by post-Enlightenment cartography, despite setting the foundations of many contemporary map-making methods. In the 12 chapters that follow, we highlight the rich array of representational devices employed by authors from this era, whose narrative depictions of spatial relations defy the logic of images and surfaces that dominates contemporary cartographic thought. There is a particular focus on Herodotus' Histories - a text that is increasingly taken up by classicists as the example of how ancient perceptions of space may have been rather different to the cartographic view that we tend to assume. But this volume also considers the spatial imaginary through the lens of other authors (e.g. Aristotle), genres (e.g. hymns), cultural contexts (e.g. Babylon), and disciplines (e.g. archaeology), with a view to stimulating a broad-based discussion among readers and critics of Herodotus and ancient Greek literature and culture more generally. In fact, many of the disciplinary and conceptual perspectives explored here are at their inception, and have a more general relevance for the wider community of humanities and social science researchers interested in novel mapping techniques. The resulting juxtaposition of more "traditional", philological discussions of space with chapters dedicated to the exploration of new technologies may jar or appear uneven, especially since we have not set out to privilege one method over another. But it is through viewing these different approaches in the round and reading them alongside each other that, we maintain, we can best disrupt customary ways of thinking (and writing) about space and catch a glimpse of new possibilities