Wild Ryde

In 2007 I completed a meandering two-year pilgrimage on foot across Sydney, from my home in urban Rozelle to suburban Dundas, where I grew up. In 2011 I swam home. Discombobulated and increasingly remote from the local at a time of ever-faster global connectivity, I had felt the need to re-acquaint myself with my ‘country’, the seemingly bland ‘relaxed and comfortable’ mortgage-belt municipalities of the Parramatta River corridor. Walking west from the city via Victoria Road I immersed myself in a suburbia laced with three generations of my family, seeking out strands of lost and lesser-known cultural fabric. Whilst acknowledging the flâneur and the work of more recent walking artists, my path echoed increasingly with antipodean walking traditions: those of aboriginal people, early settlers, artists and swagmen. At the core of my journey lay a quest for memories I felt that I should, but did not, possess. This latency, which also has infused my photo-based studio work, is pursued, teased out and examined in the chapters which follow. In the midst of a golden age of plenitude here in the South (when most of us lack only time) I have demonstrated, to myself at least, that by slowing to a walking pace and immersing oneself physically in local place, by following one’s nose hither and thither, it is possible to re-enchant one’s locale, one’s ‘country’. Wild Ryde is a municipal embroidery, an idiosyncratic local emotional history. Born of six years’ practice-based creative research and experimentation, the dissertation is my means of making home, and an artwork in its own right

Ways of walking: understanding walking's implications for the design of handheld technology via a humanistic ethnographic approach

It seems logical to argue that mobile computing technologies are intended for use “on-the-go.” However, on closer inspection, the use of mobile technologies pose a number of challenges for users who are mobile, particularly moving around on foot. In engaging with such mobile technologies and their envisaged development, we argue that interaction designers must increasingly consider a multitude of perspectives that relate to walking in order to frame design problems appropriately. In this paper, we consider a number of perspectives on walking, and we discuss how these may inspire the design of mobile technologies. Drawing on insights from non-representational theory, we develop a partial vocabulary with which to engage with qualities of pedestrian mobility, and we outline how taking more mindful approaches to walking may enrich and inform the design space of handheld technologies

Historic Downtown Streetscape Plan Price City, Utah

The idea of a small-town Main Street has profound meaning within the American culture that has prevailed for the past two centuries. Historically, Main Street serves as the beating heart of a community, a place where economic, social, cultural, and civic activities are centered (Francaviglia, 1996; Main Street America, n.d.). Since the beginning of the 19th century, many factors have led to the decline of Main Streets, and despite a variety of efforts from different stakeholders, that decline has only intensified in recent decades (Isenberg, 2008; Orvell, 2014 Howard, 2015). In 1980, after a three-year project conducted by the National Trust for Historic Preservation, the National Main Street Center (NMSC) was created. Since then, the program has helped thousands of communities revitalize their Main Streets through its Main Street Approach. Using its principles as a reference, thousands of main streets are seeing successful results. There is an urgent need for urban and rural communities to engage in the revitalization of historic Main Streets and downtowns. These efforts can strengthen community identity and support economic vitality (U.S. Department of Agriculture, n.d.). Price City, a small city 120 miles southeast of Salt Lake City, has pledged to improve its physical environment and the quality of life of its citizens by identifying a variety of areas for improvement in the city, including downtown revitalization (Price City Utah, 2016). The Historic Downtown Streetscape Plan is focused on the redesign of Historic Main Street and Carbon Avenue. The goal of this Plan is to create a lively place where the entire community can come together to feel a sense of shared identity and community pride. To accomplish this goal, a Case Study Methodology and supportive literature review have identified key principles and elements for a successful streetscape plan for Price. The Plan also includes a façade study to help tie key building locations and architectural character to the streetscape design. The Historic Downtown Streetscape Plan documents the best practices of comparable downtowns and provides a comprehensive strategy for the streetscape design of Historic Downtown Price

The Beltline Emerald Necklace: Atlanta's New Public Realm

Proposes a corridor of transit, parks, and trails that will add more than 1,400 acres of green space to the city of Atlanta; connect 46 historic neighborhoods; provide a trail for running and bicycling; and include links to the existing transit network

Door to door: Future of the vehicle future of the city

International audienceLes véhicules écologiques et la communication numérique embarquée, à l’ère des flux intelligents et de l’Internet des objets, transforment l’architecture et la ville contemporaines. Door to door, Futur du véhicule, futur urbain, repense les situations urbaines, théorise et imagine les modèles futurs de développement, les nouveaux programmes architecturaux qui en découlent. Il propose et présente les « espaces de l’accès », l’extension-multiplication de l’accessibilité « porte-à-porte » sur six métropoles européennes, et la fonction réparatrice de ces nouveaux outils de « l’auto-mobilité » communicante, résolvant par leur usage les dysfonctionnements urbains.Le parking devient un programme d’avenir pour l’architecture, tandis que le Véhicule Ecologique Communicant (VEC), un outil bientôt automate, ni bruyant, ni sale, côtoie humains, nature et animaux dans les bâtiments – le partage des présences et des activités dans un « grand espace commun ». Le VEC est l’exemple le plus puissant de l’interaction entre la pratique des territoires urbanisés et les TIC. Il est le marqueur le plus incisif du retour du modèle des flux pour penser l’urbain, sous une forme cohérente avec la demande ou les injonctions de la société des échanges et du partage qui s’est mise en marche : la mobilité-accessibilité est redevenue le programme premier, la structure du futur. Que devient l’urbain lorsque l’accès en est le trait le plus dominant ? Les « pôles d’accessibilité et d’échange » sont des dispositifs de transformation de la vie urbaine, qu’ils reconfigurent pour plus de confort et d’efficacité.L’arrivée des nouveaux véhicules accélère ainsi l’interférence entre l’urbanisme des usages et des services et l’urbanisme spatial. A ce niveau, les véhicules sont équivalents à des bâtiments

Creating an iPED Tour of Nantucket

To enhance visitor learning and enjoyment, museums are transitioning from the traditional delivery of information via maps and guidebooks to the use of handheld interpretive and wayfinding devices. The Nantucket Historical Association desired a handheld device to disseminate information about its historic sites. To address this desire, we evaluated handheld technologies, tested their acceptability among NHA patrons, developed our own prototype tour, and then tested it. Our project resulted in an expandable prototype tour and recommendations for the NHA

Information and Empire

"From the mid-sixteenth to the mid-nineteenth century Russia was transformed from a moderate-sized, land-locked principality into the largest empire on earth. How did systems of information and communication shape and reflect this extraordinary change? Information and Mechanisms of Communication in Russia, 1600-1850 brings together a range of contributions to shed some light on this complex question. Communication networks such as the postal service and the gathering and circulation of news are examined alongside the growth of a bureaucratic apparatus that informed the government about its country and its people. The inscription of space is considered from the point of view of mapping and the changing public ‘graphosphere’ of signs and monuments. More than a series of institutional histories, this book is concerned with the way Russia discovered itself, envisioned itself and represented itself to its people. Innovative and scholarly, this collection breaks new ground in its approach to communication and information as a field of study in Russia. More broadly, it is an accessible contribution to pre-modern information studies, taking as its basis a country whose history often serves to challenge habitual Western models of development. It is important reading not only for specialists in Russian Studies, but also for students and non-Russianists who are interested in the history of information and communications.

Information and Empire: Mechanisms of Communication in Russia, 1600-1854

From the mid-sixteenth to the mid-nineteenth century Russia was transformed from a moderate-sized, land-locked principality into the largest empire on earth. How did systems of information and communication shape and reflect this extraordinary change? Information and Mechanisms of Communication in Russia, 1600-1850 brings together a range of contributions to shed some light on this complex question. Communication networks such as the postal service and the gathering and circulation of news are examined alongside the growth of a bureaucratic apparatus that informed the government about its country and its people. The inscription of space is considered from the point of view of mapping and the changing public ‘graphosphere’ of signs and monuments. More than a series of institutional histories, this book is concerned with the way Russia discovered itself, envisioned itself and represented itself to its people. Innovative and scholarly, this collection breaks new ground in its approach to communication and information as a field of study in Russia. More broadly, it is an accessible contribution to pre-modern information studies, taking as its basis a country whose history often serves to challenge habitual Western models of development. It is important reading not only for specialists in Russian Studies, but also for students and non-Russianists who are interested in the history of information and communications

GIS-based landscape design research:

Landscape design research is important for cultivating spatial intelligence in landscape architecture. This study explores GIS (geographic information systems) as a tool for landscape design research - investigating landscape designs to understand them as architectonic compositions (architectonic plan analysis). The concept ‘composition’ refers to a conceivable arrangement, an architectural expression of a mental construct that is legible and open to interpretation. Landscape architectonic compositions and their representations embody a great wealth of design knowledge as objects of our material culture and reflect the possible treatment of the ground, space, image and program as a characteristic coherence. By exploring landscape architectonic compositions with GIS, design researchers can acquire design knowledge that can be used in the creation and refinement of a design.  The research aims to identify and illustrate the potential role of GIS as a tool in landscape design research, so as to provide insight into the possibilities and limitations of using GIS in this capacity. The critical, information-oriented case of Stourhead landscape garden (Wiltshire, UK), an example of a designed landscape that covers the scope and remit of landscape architecture design, forms the heart of the study. The exploration of Stourhead by means of GIS can be understood as a plausibility probe. Here the case study is considered a form of ‘quasi-experiment’, testing the hypothesis and generating a learning process that constitutes a prerequisite for advanced understanding, while using an adjusted version of the framework for landscape design analysis by Steenbergen and Reh (2003). This is a theoretically informed analytical method based on the formal interpretation of the landscape architectonic composition addressing four landscape architectonic categories: the basic, the spatial, the symbolic and the programmatic form. This study includes new aspects to be analysed, such as the visible form and the shape of the walk, and serves as the basis for the landscape architectonic analysis in which GIS is used as the primary analytical tool.  GIS-based design research has the possibility to cultivate spatial intelligence in landscape architecture through three fields of operation: GIS-based modelling: description of existing and future landscape architectonic compositions in digital form; GIS-based analysis: exploration, analysis and synthesis of landscape architectonic compositions in order to reveal latent architectonic relationships and principles, while utilizing the processing capacities and possibilities of computers for ex-ante and ex-post simulation and evaluation; GIS-based visual representation: representation of (virtual) landscape architectonic compositions in space and time, in order to retrieve and communicate information and knowledge of the landscape design.  Though there are limitations, this study exemplifies that GIS is a powerful instrument to acquire knowledge from landscape architectonic compositions. The study points out that the application of GIS in landscape design research can be seen as an extension of the fundamental cycle of observation, visual representation, analysis and interpretation in the process of knowledge acquisition, with alternative visualisations and digital landscape models as important means for this process. Using the calculating power of computers, combined with inventive modelling, analysis and visualisation concepts in an interactive process, opened up possibilities to reveal new information and knowledge about the basic, spatial, symbolic and programmatic form of Stourhead. GIS extended the design researchers’ perception via measurement, simulation and experimentation, and at the same time offered alternative ways of understanding the landscape architectonic composition. This gave rise to the possibility of exploring new elements in the framework of landscape design research, such as the visible form and kinaesthetic aspects, analysing the composition from eyelevel perspective. Moreover, the case study showcases that GIS has the potential to measure phenomena that are often subject to intuitive and experimental design, combining general scientific knowledge of, for instance, visual perception and way-finding, with the examination of site-specific design applications. GIS also enabled one to understand the landscape architectonic composition of Stourhead as a product of time, via the analysis of its development through reconstruction and evaluation of several crucial time-slice snapshots. The study illustrates that GIS can be regarded an external cognitive tool that facilitates and mediates in design knowledge acquisition. GIS facilitates in the sense that it can address the ‘same types of design-knowledge’ regarding the basic, spatial, symbolic and programmatic form, but in a more precise, systematic, transparent, and quantified manner. GIS mediates in the sense that it influences what and how aspects of the composition can be understood and therefore enables design researchers to generate ‘new types of design-knowledge’ by advanced spatial analysis and the possibility of linking or integrating other information layers, fields of science and data sources. The research contributes to the development and distribution of knowledge of GIS-applications in landscape architecture in two ways: (1) by ‘following’ the discipline and developing aspects of it, and (2) by setting in motion fundamental developments in the field, providing alternative readings of landscape architecture designs

GIS-based landscape design research

Landscape design research is important for cultivating spatial intelligence in landscape architecture. This study explores GIS (geographic information systems) as a tool for landscape design research - investigating landscape designs to understand them as architectonic compositions (architectonic plan analysis). The concept ‘composition’ refers to a conceivable arrangement, an architectural expression of a mental construct that is legible and open to interpretation. Landscape architectonic compositions and their representations embody a great wealth of design knowledge as objects of our material culture and reflect the possible treatment of the ground, space, image and program as a characteristic coherence. By exploring landscape architectonic compositions with GIS, design researchers can acquire design knowledge that can be used in the creation and refinement of a design.  The research aims to identify and illustrate the potential role of GIS as a tool in landscape design research, so as to provide insight into the possibilities and limitations of using GIS in this capacity. The critical, information-oriented case of Stourhead landscape garden (Wiltshire, UK), an example of a designed landscape that covers the scope and remit of landscape architecture design, forms the heart of the study. The exploration of Stourhead by means of GIS can be understood as a plausibility probe. Here the case study is considered a form of ‘quasi-experiment’, testing the hypothesis and generating a learning process that constitutes a prerequisite for advanced understanding, while using an adjusted version of the framework for landscape design analysis by Steenbergen and Reh (2003). This is a theoretically informed analytical method based on the formal interpretation of the landscape architectonic composition addressing four landscape architectonic categories: the basic, the spatial, the symbolic and the programmatic form. This study includes new aspects to be analysed, such as the visible form and the shape of the walk, and serves as the basis for the landscape architectonic analysis in which GIS is used as the primary analytical tool.  GIS-based design research has the possibility to cultivate spatial intelligence in landscape architecture through three fields of operation: GIS-based modelling: description of existing and future landscape architectonic compositions in digital form; GIS-based analysis: exploration, analysis and synthesis of landscape architectonic compositions in order to reveal latent architectonic relationships and principles, while utilizing the processing capacities and possibilities of computers for ex-ante and ex-post simulation and evaluation; GIS-based visual representation: representation of (virtual) landscape architectonic compositions in space and time, in order to retrieve and communicate information and knowledge of the landscape design.  Though there are limitations, this study exemplifies that GIS is a powerful instrument to acquire knowledge from landscape architectonic compositions. The study points out that the application of GIS in landscape design research can be seen as an extension of the fundamental cycle of observation, visual representation, analysis and interpretation in the process of knowledge acquisition, with alternative visualisations and digital landscape models as important means for this process. Using the calculating power of computers, combined with inventive modelling, analysis and visualisation concepts in an interactive process, opened up possibilities to reveal new information and knowledge about the basic, spatial, symbolic and programmatic form of Stourhead. GIS extended the design researchers’ perception via measurement, simulation and experimentation, and at the same time offered alternative ways of understanding the landscape architectonic composition. This gave rise to the possibility of exploring new elements in the framework of landscape design research, such as the visible form and kinaesthetic aspects, analysing the composition from eyelevel perspective. Moreover, the case study showcases that GIS has the potential to measure phenomena that are often subject to intuitive and experimental design, combining general scientific knowledge of, for instance, visual perception and way-finding, with the examination of site-specific design applications. GIS also enabled one to understand the landscape architectonic composition of Stourhead as a product of time, via the analysis of its development through reconstruction and evaluation of several crucial time-slice snapshots. The study illustrates that GIS can be regarded an external cognitive tool that facilitates and mediates in design knowledge acquisition. GIS facilitates in the sense that it can address the ‘same types of design-knowledge’ regarding the basic, spatial, symbolic and programmatic form, but in a more precise, systematic, transparent, and quantified manner. GIS mediates in the sense that it influences what and how aspects of the composition can be understood and therefore enables design researchers to generate ‘new types of design-knowledge’ by advanced spatial analysis and the possibility of linking or integrating other information layers, fields of science and data sources. The research contributes to the development and distribution of knowledge of GIS-applications in landscape architecture in two ways: (1) by ‘following’ the discipline and developing aspects of it, and (2) by setting in motion fundamental developments in the field, providing alternative readings of landscape architecture designs