Methods and ideas for the creation of 'transparent' music in the classroom

This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University.Methods and ideas for the creation of ‘transparent’ music in the classroom The aims of this port-folio are as follows; - To provide a coherent sequence of pieces and methods which can be used to create music in an educational context and also encourage students and teachers to develop their own creativity. - To provide pieces which develop student’s confidence in their own ability to create music in a variety of ways including composition, improvisation and creative leadership. - To provide exercises and pieces which help to develop the listening and appreciation skills essential for ensemble musicmaking. - To provide methods that enable the creation of ‘transparent music’. This is music in which the some, or all, of the decision making involved in the creation of a piece is accessible and apparent to an audience during its performance. This submission consists of a teaching book containing thirteen pieces/exercises, instructions giving guidance on their possible use in a teaching context and recorded examples. Also included are separate instructions where appropriate for the use of pieces in a concert or other non-educational setting and two essays giving context and background information on the ideas behind the pieces

Young Children and the Arts: Making Creative Connections -- A Report of the Task Force on Children's Learning and the Arts: Birth to Age Eight

Provides guiding principles and recommendations to organizations to support the development of arts-based early childhood programs and resources

Good Schools Require the Arts

Discusses the purpose and accomplishments of the Arts Education Partnership and its more than 100 national arts, education, business and philanthropic organizations. Provides guidance on how to join the Partnership

Sustainability Children\u27s Book

As human driven climate change continues to alter our planet, persuading the general public to adopt sustainable living practices has become increasingly important. Storytelling has long been a part of human culture, and recent studies have emphasized the power of storytelling to influence the audience as a means of changing behavior. This project attempted to teach sustainable principles to primary school children through the creation of a scientific children’s book. The book communicated the maxim of “reduce, reuse, recycle” by tracing a fictitious story of a town where children frequently buy new toys and throw the old toys away. The book explores the supply chain of toys and the market forces of supply and demand, focusing on the consumer’s responsibility to not over-consume, i.e “reduce”. It also presents the concept of “reusing” and “recycling” as alternatives to disposal of old toys. The book was evaluated for age appropriate language and concepts for K-5 students and adjusted to meet educational standards. It was then tested by reading it to a classroom of 2nd grade students. A discussion with the students following the reading showed that they understood the theme of the book and how they could apply it to their own lives. The project also included a life cycle analysis (LCA) of a stuffed animal, a representative toy from the story. The LCA showed that the largest contributors to the stuffed animal’s impacts were the production of cotton used for its outer layer and the electricity used in its assembly. It also showed the impacts most damaging to human health were chiefly a result of the fossil fuels used to provide process energy

Identifying the educational and social needs of children with specific speech and language difficulties on entry to secondary school

Movement from KS2 to KS3 creates a number of challenges for pupils. For children with additional learning needs the change of academic pace, social contacts and, typically, school may pose additional problems. This change may be particularly problematic for children with specific speech and language difficulties (SSLD). This study examines the ways in which parents, pupils and teachers appraise this transition prior to secondary transfer (Year 6) and during the first year of secondary school (Yr7) for a cohort of children with a history of specific language impairment. The use of comparison groups provides the opportunity to discriminate between factors related to a) change of school b) special educational needs generally and c) language difficulties specifically. Children with SSLD were initially identified in Year 3 (N=69), with the majority of pupils in mainstream settings. In Year 6 (mean age 10; 3) children were assessed on a range of language literacy and cognitive measures and the views of their parents’ and teachers’ about needs, curriculum differentiation and support established. Teachers were also asked to consider the difficulties that the children might experience on entry to secondary school. During Year 7 data were collected from form tutors, SENCOs and secondary subject specialists. Perceptions of need are compared with level of need as evidenced by standardised assessments. A critical analysis of the ways in which these children’s needs are addressed in the secondary school system is provided and the paper outlines current strengths and gaps in provision

Every Child, Every School: Lessons from Chicago's Partnership for Instructional Leadership

Too many students in Chicago Public Schools are performing below -- often far below -- grade level. Ideally, all students should be increasing their subject matter knowledge and critical thinking skills over time. In September 2008 a three-year initiative, the Partnership for Instructional Leadership, was created to help a group of neighborhood elementary schools in Chicago Public Schools Area 4, on the city's Northwest Side, build the internal capacity to improve school achievement for all students at all grade levels, including Pre-K and English Language Learners.**Over the course of three years, the Partnership was implemented in 11 elementary schools -- six for the full three years with five more schools joining in the third year. This report summarized significant outcomes and learnings from the Partnership experience

Lessons from the Workshop: A Guide to Best Practices in Performing Arts Education

Developed by the Workshop's Associate Artistic Director, Anne-E Wood, the Best Practices Guide is a hands-on tool for school administrators, teachers, artists, parents or arts organizations facilitating an artist residency program. The guide explains arts education within the framework of educational policy and practice in California, but the model can be adapted for many communities. In this guide, you will learn about the residency model, the history of Performing Arts Workshop's residency model and what 40 years of experience has shown to be the best practices for artists and teachers

Early Childhood Systems Building from a Community Perspective

Even when children and their families have access to support services from a variety of programs and organizations -- such as early learning centers, nutrition programs, and pediatric, nursing, dental and mental health care providers -- there are challenges in connecting families to these services. The result is that families often have a difficult time learning about, applying for and taking advantage of the services that could benefit their children. This Issue Brief, prepared for The Colorado Trust by Julia Coffman of the Center for Evaluation Innovation and Susan Parker of Clear Thinking Communications, explains systems building as an intentional, organized way to create or improve a system of early care and education services for children

'Not enough music': a critique of music education in schools in England

This paper presents a critical overview of music education in schools in England, both generally and historically up to the end of 2019. It was decided early on that justice could not be done to all the nations of the UK - Scotland, Northern Ireland and Wales - with their respective rich and important music cultures; neither could there be an international comparative analysis: while these two perspectives are important, it would have required a book rather than a monograph to fully explore these dimensions. This monograph was researched and written by me from late 2016 to late 2019. It started as a short article, maybe 3000 to 5000 words, for a journal, but as I read more, visited places and researched more deeply and widely, I realized that a short journal article would not do justice to the subject. I was also persuaded that the finished work should be written in accessible English and should reach a much wider readership than a narrowly academic journal article would allow. So it is now a research monograph, 29,000 words long and with over 100 references. I consider the current state of teaching and learning in music education by drawing on national and local research projects including online web research, observations, and visits to institutions, as well as on my own insights and experience. The visits included a variety of schools and colleges, interviews, and attendance at key conferences, along with phone conversations and personal discussions with people in music and music education, and extensive reading of major texts and reports. The monograph includes historical perspectives as well as considering the social, political and economic aspects of music education, including issues related to the substantial inequality in access to instrument learning and the variable quality of the reach and provision of music education in schools. It attempts to offer a balanced view, exploring the negative aspects but also featuring positive coverage of the many successful initiatives at local and national level, often promoted by schools, government policy, concert halls, universities and music colleges, music professional bodies, charities and other third sector organizations. It also seeks to explore and celebrate the many important manifestations of music in the public domain in England, as a background to questioning, along with music reports and professional organizations attached to the cultural and creative industries, why music education in schools has increasingly suffered underfunding, decreased provision and lowered status in the school curriculum, when England has such a world-renowned, diverse and rich music culture. Relevant developments and research on music and arts education at De Montfort University are also discussed and Dr Austin Griffiths, my colleague and member of the Education Studies staff, was invited to write a special analysis of elite music education based on his ongoing research