A survey on passive digital video forgery detection techniques

Digital media devices such as smartphones, cameras, and notebooks are becoming increasingly popular. Through digital platforms such as Facebook, WhatsApp, Twitter, and others, people share digital images, videos, and audio in large quantities. Especially in a crime scene investigation, digital evidence plays a crucial role in a courtroom. Manipulating video content with high-quality software tools is easier, which helps fabricate video content more efficiently. It is therefore necessary to develop an authenticating method for detecting and verifying manipulated videos. The objective of this paper is to provide a comprehensive review of the passive methods for detecting video forgeries. This survey has the primary goal of studying and analyzing the existing passive techniques for detecting video forgeries. First, an overview of the basic information needed to understand video forgery detection is presented. Later, it provides an in-depth understanding of the techniques used in the spatial, temporal, and spatio-temporal domain analysis of videos, datasets used, and their limitations are reviewed. In the following sections, standard benchmark video forgery datasets and the generalized architecture for passive video forgery detection techniques are discussed in more depth. Finally, identifying loopholes in existing surveys so detecting forged videos much more effectively in the future are discussed

Video Inter-frame Forgery Detection Approach for Surveillance and Mobile Recorded Videos

We are living in an age where use of multimedia technologies like digital recorders and mobile phones is increasing rapidly. On the other hand, digital content manipulating softwares are also increasing making it easy for an individual to doctor the recorded content with trivial consumption of time and wealth. Digital multimedia forensics is gaining utmost importance to restrict unethical use of such easily available tampering techniques. These days, it is common for people to record videos using their smart phones. We have also witnessed a sudden growth in the use of surveillance cameras, which we see inhabiting almost every public location. Videos recorded using these devices usually contains crucial evidence of some event occurence and thereby most susceptible to inter-frame forgery which can be easily performed by insertion/removal/replication of frame(s). The proposed forensic technique enabled detection of inter-frame forgery in H.264 and MPEG-2 encoded videos especially mobile recorded and surveillance videos. This novel method introduced objectivity for automatic detection and localization of tampering by utilizing prediction residual gradient and optical flow gradient. Experimental results showed that this technique can detect tampering with 90% true positive rate, regardless of the video codec and recording device utilized and number of frames tampered

Super-resolution assessment and detection

Super Resolution (SR) techniques are powerful digital manipulation tools that have significantly impacted various industries due to their ability to enhance the resolution of lower quality images and videos. Yet, the real-world adaptation of SR models poses numerous challenges, which blind SR models aim to overcome by emulating complex real-world degradations. In this thesis, we investigate these SR techniques, with a particular focus on comparing the performance of blind models to their non-blind counterparts under various conditions. Despite recent progress, the proliferation of SR techniques raises concerns about their potential misuse. These methods can easily manipulate real digital content and create misrepresentations, which highlights the need for robust SR detection mechanisms. In our study, we analyze the limitations of current SR detection techniques and propose a new detection system that exhibits higher performance in discerning real and upscaled videos. Moreover, we conduct several experiments to gain insights into the strengths and weaknesses of the detection models, providing a better understanding of their behavior and limitations. Particularly, we target 4K videos, which are rapidly becoming the standard resolution in various fields such as streaming services, gaming, and content creation. As part of our research, we have created and utilized a unique dataset in 4K resolution, specifically designed to facilitate the investigation of SR techniques and their detection

Learning Representations for Controllable Image Restoration

Deep Convolutional Neural Networks have sparked a renaissance in all the sub-fields of computer vision. Tremendous progress has been made in the area of image restoration. The research community has pushed the boundaries of image deblurring, super-resolution, and denoising. However, given a distorted image, most existing methods typically produce a single restored output. The tasks mentioned above are inherently ill-posed, leading to an infinite number of plausible solutions. This thesis focuses on designing image restoration techniques capable of producing multiple restored results and granting users more control over the restoration process. Towards this goal, we demonstrate how one could leverage the power of unsupervised representation learning. Image restoration is vital when applied to distorted images of human faces due to their social significance. Generative Adversarial Networks enable an unprecedented level of generated facial details combined with smooth latent space. We leverage the power of GANs towards the goal of learning controllable neural face representations. We demonstrate how to learn an inverse mapping from image space to these latent representations, tuning these representations towards a specific task, and finally manipulating latent codes in these spaces. For example, we show how GANs and their inverse mappings enable the restoration and editing of faces in the context of extreme face super-resolution and the generation of novel view sharp videos from a single motion-blurred image of a face. This thesis also addresses more general blind super-resolution, denoising, and scratch removal problems, where blur kernels and noise levels are unknown. We resort to contrastive representation learning and first learn the latent space of degradations. We demonstrate that the learned representation allows inference of ground-truth degradation parameters and can guide the restoration process. Moreover, it enables control over the amount of deblurring and denoising in the restoration via manipulation of latent degradation features

Detección de Copia-Pega Intra-Fotograma en Vídeos basada en el Patrón del Ruido del Sensor

Actualmente, vivimos en una sociedad donde casi cualquier persona utiliza en su día a día un dispositivo móvil capaz de capturar fotos y vídeos. Como consecuencia, este tipo de material informático es aportado como evidencia en numerosos procesos judiciales. Con los avances de la tecnología, esto ha dado lugar a un nuevo problema ya que no sólo han aumentado las facilidades para obtener este tipo de pruebas, sino también las técnicas para falsificarlas o manipularlas para cualquier fin poco ético. Por este motivo, en los últimos años el análisis forense de imágenes y vídeos digitales se ha convertido en una de las principales aplicaciones de la informática. Existen numerosos tipos de manipulaciones que se pueden realizar sobre este tipo de material. En este trabajo, se realiza una propuesta de un algoritmo capaz de detectar manipulaciones de tipo Copia-Pega intra-fotograma, una técnica por la cual una región de un fotograma se copia sobre otra posición de este, ya sea con el fin de duplicar u ocultar un elemento de la escena. A la vista de los resultados obtenidos con los experimentos realizados, se puede concluir que el método propuesto consigue detectar de manera eficaz las manipulaciones Copia-Pega intrafotograma con fondo estático, como las que podrían aplicar sobre imágenes de cámaras de seguridad o de tráfico

Image and Video Forensics

Nowadays, images and videos have become the main modalities of information being exchanged in everyday life, and their pervasiveness has led the image forensics community to question their reliability, integrity, confidentiality, and security. Multimedia contents are generated in many different ways through the use of consumer electronics and high-quality digital imaging devices, such as smartphones, digital cameras, tablets, and wearable and IoT devices. The ever-increasing convenience of image acquisition has facilitated instant distribution and sharing of digital images on digital social platforms, determining a great amount of exchange data. Moreover, the pervasiveness of powerful image editing tools has allowed the manipulation of digital images for malicious or criminal ends, up to the creation of synthesized images and videos with the use of deep learning techniques. In response to these threats, the multimedia forensics community has produced major research efforts regarding the identification of the source and the detection of manipulation. In all cases (e.g., forensic investigations, fake news debunking, information warfare, and cyberattacks) where images and videos serve as critical evidence, forensic technologies that help to determine the origin, authenticity, and integrity of multimedia content can become essential tools. This book aims to collect a diverse and complementary set of articles that demonstrate new developments and applications in image and video forensics to tackle new and serious challenges to ensure media authenticity

Inspection and evaluation of artifacts in digital video sources

Streaming digital video content providers such as YouTube, Amazon, Hulu, and Netflix collaborate with production teams to obtain new and old video content. These collaborations lead to an accumulation of video sources, some of which might contain unacceptable visual artifacts. Artifacts may inadvertently enter the video master at any point in the production pipeline, due to any of a number of equipment and user failures. Unfortunately, these artifacts are difficult to detect since no pristine reference exists for comparison. As of now, few automated tools exist that can effectively capture the most common forms of these artifacts. This work studies no-reference video source inspection for generalized artifact detection and subjective quality prediction, which will ultimate inform decisions related to acquisition of new content. Automatically identifying the locations and severities of video artifacts is a difficult problem. We have developed a general method for detecting local artifacts by learning differences in the statistics between distorted and pristine video frames. Our model, which we call the Video Impairment Mapper (VID-MAP), produces a full resolution map of artifact detection probabilities based on comparisons of excitatory and inhibatory convolutional responses. Validation on a large database shows that our method outperforms the previous state-of-the-art of even distortion-specific detectors. A variety of powerful picture quality predictors are available that rely on neuro-statistical models of distortion perception. We extend these principles to video source inspection, by coupling spatial divisive normalization with a series of filterbanks tuned for artifact detection, implemented using a common convolutional framework. We developed the Video Impairment Detection by SParse Error CapTure (VIDSPECT) model, which leverages discriminative sparse dictionaries that are tuned to detect specific artifacts. VIDSPECT is simple, highly generalizable, and yields better accuracy than competing methods. To evaluate the perceived quality of video sources containing artifacts, we built a new digital video database, called the LIVE Video Masters Database, which contains 384 videos affected by the types of artifacts encountered in otherwise pristine digital video sources. We find that VIDSPECT delivers top performance on this database for most artifacts tested, and competitive performance otherwise, using the same basic architecture in all cases.Electrical and Computer Engineerin