Brave New Worlds: Transcending the Humanities/STEM Divide through Creative Writing

Creative writing offers a critical and innovative form of inquiry promoting integrative learning that transcends disciplinary barriers. Authors first provide an overview of the scholarship on creative writing pedagogy, its unique capacity to engage a range of knowledge domains, and its significance for honors education. They then offer primary examples of incorporating creative writing projects into two honors classes that bridge STEM fields and the humanities. Analyses of student reflections (n = 35) in relation to learning outcomes strongly suggest that creative writing helps students explore course concepts through several ways of knowing—critical, situational, and affective—while fostering new perspectives on these concepts, their interconnections, and their implications. The value of creative writing as a platform for self-directed and interdisciplinary learning within the transdisciplinary context of honors is discussed

Mortality as Framed by Ongoingness in Digital Design

This article presents a number of perspectives on mortality in light of both Victorian mourning and memento mori jewelry and bereavement therapy and grieving. Both help to reveal valuable qualities for digital design. The article then illustrates how these qualities influenced the design of four digital lockets, examining how both Victorian and modern practices relate to mortality, mourning, grief, and death, and exploring possibilities for digital design. Finally, ongoingness—by reference to the work of artist Moira Ricci—is explained as both a theoretical construct and a resource for design practice. Central in the proposal is the notion that, rather than being distanced or detached from the deceased (as has been the predominant grieving therapy approach of modernity), the bereaved can continue to have an active and growing relationship with them

Ctrl+Alt+Delete : the changing landscape of the uncanny valley and the fear of second loss

We are living in a digital era where ubiquitous social media are becoming part of the everyday lives of many. These social media platforms were designed for the living; however an estimated 8000 Facebook members die daily. It is therefore no surprise that the phenomena of how social media platforms are adopted to discuss death dying and grieving have become a growing area of research across numerous disciplines. Using qualitative methods, this article adds to and moves beyond existing research by focusing on the creation and inheritance of Facebook pages, thanablogs, posthumous chatbots, posthumous messages and posthumous avatars, to explore whether digital afterlives enabled by the Internet affect how people grieve. In order to examine how these messages and memories are experienced this study used in-depth qualitative interviews with participants from 3 distinct areas: Digital Creators (DC), Digital Inheritors (DI) and Service Providers (SP) the findings presented here explore three emerging themes (1) the link between comfort and control (2) the changing landscape of the uncanny valley and (3) the fear of ‘second loss’

Digital Alchemy: Matter and Metamorphosis in Contemporary Digital Animation and Interface Design

The recent proliferation of special effects in Hollywood film has ushered in an era of digital transformation. Among scholars, digital technology is hailed as a revolutionary moment in the history of communication and representation. Nevertheless, media scholars and cultural historians have difficulty finding a language adequate to theorizing digital artifacts because they are not just texts to be deciphered. Rather, digital media artifacts also invite critiques about the status of reality because they resurrect ancient problems of embodiment and transcendence.In contrast to scholarly approaches to digital technology, computer engineers, interface designers, and special effects producers have invented a robust set of terms and phrases to describe the practice of digital animation. In order to address this disconnect between producers of new media and scholars of new media, I argue that the process of digital animation borrows extensively from a set of preexisting terms describing materiality that were prominent for centuries prior to the scientific revolution. Specifically, digital animators and interface designers make use of the ancient science, art, and technological craft of alchemy. Both alchemy and digital animation share several fundamental elements: both boast the power of being able to transform one material, substance, or thing into a different material, substance, or thing. Both seek to transcend the body and materiality but in the process, find that this elusive goal (realism and gold) is forever receding onto the horizon.The introduction begins with a literature review of the field of digital media studies. It identifies a gap in the field concerning disparate arguments about new media technology. On the one hand, scholars argue that new technologies like cyberspace and digital technology enable radical new forms of engagement with media on individual, social, and economic levels. At the same time that media scholars assert that our current epoch is marked by a historical rupture, many other researchers claim that new media are increasingly characterized by ancient metaphysical problems like embodiment and transcendence. In subsequent chapters I investigate this disparity

Health beyond the carbon barrier

Silicon Valley donors have been investing heavily in a range of transhumanist longevity and immortality ventures. Theirs is a particular, culturally embedded endeavor, shaped by specific histories, ideologies, and futures that present new posthuman views of life, death, and survival. These projects aim for a future world in which the fundamental ontological categories of mind, life, and nonlife will have finally collapsed into one another thanks to the intercession of silicon-based digital or informatic technologies. The key term that denotes such a project is ‘convergence’ – used as much by transhumanists as by mainstream scientists and policymakers. Here I critically explore the ‘project of convergence’, tracing its history in the United States, and examining some of the projects and activities that have coalesced around it. These specifically include artificial intelligence, in which human persons are to be transferred from carbon-based to silicon-based substrates, and nanotechnology, in which work at the nano resolution aims at the reconstitution of the carbon-based or biochemical body. Although the concept of convergence emerges out of a transhumanist imaginary, the ideas and plans behind it have gained increasing traction in mainstream technoscientific projects. In contrast to some other health concepts that have been recently expanded to incorporate the organic nonhuman environment, these projects expand notions of health via robotic and computational formations in ways that, I argue, are moving health beyond the carbon barrier, pushing us toward an era in which intelligent existence deserving of care will not be understood as exclusive to carbon-based life forms

Learning, technologies, and time in the age of global neoliberal capitalism

Though diverse in nature, the articles in this collection discuss both socio-cultural and temporal transformations linked to technology and learning and can be classified into three broad themes. The first theme is interested in temporal experiences within time and learning; the second theme is about practical implementations of these concerns, and the third theme inquires into relationships between our understanding of time and human nature. In many articles, the boundaries between these themes are blurred and fluid. Yet, this general classification does indicate the present state of the art in studies of time, technology and education

The futures of social practices of interaction between humans and Virtual Deceased Individuals : A Causal Layered Analysis of four ideal types

Research on digital immortality has identified thanatechnologies which facilitate the endurance of the presence of the deceased in the world of the living. One of these, the Virtual Deceased Individual (VDI), is the focus of the thesis. Due to the current limitations of digital technologies in generating a software that convincingly simulates being a deceased person, adopting a Futures Studies approach to the examination of the VDI and human interaction with it is helpful in understanding how future digital technologies might transform how human beings relate to mortality and mourn the deaths of others. Thirteen long interviews with participants of diverse ages and cultural backgrounds were conducted, and Causal Layered Analysis was used to construct four different images of the future (Ambivalence, Restoration, Concealment and Autonomy) which contrasted processes of relating to death and going through mourning according to the characteristics of the social practices focused on Human-VDI interaction. The images of the future reveal that the meanings assigned to the VDI and the role it plays in death acceptance and mourning processes are shaped by discourses on mortality and immortality, as well as by underlying metaphors of personhood. This suggests that for death acceptance and successful mourning to occur, social practices of Human-VDI interaction should encourage acknowledgement of loss

Politics and Products: An Arendtian Analysis of Modern Humans\u27 Concern for Immortality

In her book The Human Condition, philosopher Hannah Arendt analyzes how political theory and activity in Western, industrialized societies have changed significantly since the time of the ancient Greeks and Romans. One interesting claim that Arendt makes is that humans in the modern age have lost an “authentic concern for immortality.” The purpose of this essay is to articulate what an authentic, Arendtian concern for immortality is, and to defend her claim that humans in the modern age lack such a concern. By utilizing Jean Baudrillard’s analysis of modern consumerism and social psychology, I defend Arendt’s claim that modern humans do in fact lack such an authentic concern. Finally, I conclude the essay by responding to what I take to be three possible objections to my argument and show that they ultimately fail

Micro-Futures

One of humankinds oldest quests has been to find the ‘elixir of life’, a mythical potion that, would grant the drinker immortality (and preferably, eternal youth!). One of the most famous tales of a search for this fabled tonic was that of the first emperor of a unified China, Qin Shi Huang (246 BC. to 210 BC), who, in the latter part of his life, is said to have become preoccupied with finding this illusive concoction. This article is presented at a workshop that is taking place in the heartland of what was Qin Shi Huang's empire (China), and touches on a modern day search for an elixir of life, this time a high-tech approach based on computers and artificial intelligence technology, that goes by the name of ‘The Technological Singularity’. However, as fascinating as a search for an elixir of life may be, the real motivation of this paper is to introduce micro-fiction as a methodology for capturing and communicating visions for scientific, business and societal innovations. To those end, The Technological Singularity is described and used as a means to illustrate the workings of micro SciFi-Prototyping (micro-SFPs)