Oriental Love Dreams

[Verse 1]When the stars are gleamingO’ver an opal sea I am ever dreaming Dreams of ArabyThere a dessert love flow’r gave to me her heartSadly came the last hour when we had to part years cannot dim memoryThough all I have left to me Are [Verse 2]I’m forever yearning For that wonderland Dreaming I’m returning O’er the desert sand In my heart forever lives the memory Of our love together far Araby and through years we’re apartI’ll cherish deep in my heartMy [Chorus]Love dreams oriental Love dreams That take me back to ArabyWhere two eyes luring as the blue skies Are calling tearfully to me Oh, stars brightCan’t you be my lovelight And each night tell her tenderly That Love dreams oriental Love dreams brings dear ever near to m

Irregular migration in senegal faith, dreams and human smuggling through the desert and sea

The paper provides a bottom up view on human smuggling facilitation and the rationale behind extremely high-risk and complex irregular migration journeys from the Kolda region of Senegal across the Sahara and through the Atlantic sea. Interviews with aspiring, returned and deported migrants as well as smugglers and their associates provide insights into the organization of migration facilitation and how this is sustained in the current policy context. The research highlights the role of religious beliefs in preparing for and interpreting the experiences of harrowing journeys with a high risk of harm and death. The study also sheds light on hitherto under-recognised gendered aspects of the infrastructure of migration facilitation in Kolda: while migration is male dominated, women play a critical role in enabling migration by mobilising religious and financial support. The paper also discusses the differences in the social constructions of male and female migration and the differences in their social relations with smugglers and other actors involved in facilitating irregular migration. In conclusion the authors suggest that there is a need to revisit migration policies that are based on dissuading migrants through risk-awareness campaigns and heightened controls towards policies that address global structural inequalities that drive migration; develop a more accurate understanding of personal and family aspirations for change; create more opportunities for legal migration; initiate discourses on culturally sensitive topics such as female migration and failed migration, and the role of Islamic spiritual leaders (Marabouts)

Demand for Macro Projects and the Israeli-Palestinian Conflict

The importance of projects in economic development in Palestine is indicated by Palestinians and Israelis as being necessary to the success of the planned Israeli withdrawal from Gaza

Dreams in Evagrius Ponticus' Life and teaching

There are few late antiquity authors who pay more attention than Evagrius todreams. For him, visions and dreams are not a way to prophesy the future or tokeep in contact with the dead. They are basically a way to know oneself and thestate of ones own spiritual life. After contextualizing the theories on dreams in themost significant authors of that period, I discuss the place that visions and dreamsoccupied in the Evagrian corpus, describing their mechanisms as a complex operationbetween passions, memory and the influence of demons.Fil: Peretó Rivas, Rubén Angel. Universidad Nacional de Cuyo. Facultad de Filosofía y Letras. Instituto de Filosofía. Centro de Estudios Filosóficos Medievales; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Mendoza; Argentin

Glowing Like Phosphorus: Dorothea Tanning and the Sedona Western

abstract: In the mid-1940s, Dorothea Tanning and Max Ernst left the urbane, avant-garde circles of Manhattan to build a house and studio in the then remote Southwestern outpost of Sedona, Arizona. Many have written of Ernst’s fascination with indigenous artefacts but there was another pop cultural format that emerged concurrently with their time in Sedona: the genre of the Hollywood Western. Indeed, films like John Wayne’s Angel and the Badman (1947) and Johnny Guitar (1954) starring Joan Crawford were filmed in the immediate vicinity, amidst the iconic red rock landscape. Tanning’s topographical mapping of the desert, as found in paintings such as Self-Portrait (1944), Evening in Sedona (1976), and novella Chasm: A Weekend (2004), feature some of those same scenic locations used as the backdrops in the Sedona Western. Comparisons between the self-presentation of Tanning and the actor Gail Russell are striking especially when one considers Tanning’s own performance in Hans Richter’s film 8 x 8 (1957). Moreover, the feminine, “phosphorus” glow, which Tanning recurrently uses in her painting and writing to describe the appearance of her female characters, matches the typical costuming of the lead women in Westerns, for example Russell’s Penny and Crawford’s Vienna. This article explores the complex role the Sedona Western played in the surrealist art and literature made during Ernst and Tanning’s Sedona period and beyond, particularly in terms of gender politics. In order to rethink this moment of “Western surrealism,” I offer a Tanning-centric perspective through methodological use of Mieke Bal’s feminist “autotopography.

Boston University Wind Ensemble, December 6, 2007

This is the concert program of the Boston University Wind Ensemble performance on Thursday, December 6, 2007 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Commando March by Samuel Barber, Divertimento by Vincent Persichetti, From A Dark Millennium by Joseph Schwantner, and A Child's Garden of Dreams by David Maslanka. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Paul and Jane Bowles: Two Stars in the Desert, Octoer 30, 2010

This is the concert program of the Paul and Jane Bowles: Two Stars in the Desert performance on Saturday, October 30, 2010 at 8:00 p.m., at the Boston University Theater, 264 Huntington Avenue, Boston, Massachusetts. Works performed were Four Miniatures for Piano, The Wind Remains, Clarinet and Oboe Sonata, Songs with lyrics by Jane Bowles, Music for a Farce, and Concerto for Two Pianos, Winds and Percussion. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Spain and Portugal: Films and Videorecordings at the University of Pittsburgh

This list of the University of Pittsburgh Collection of Spain: films and videorecordings contains materials housed in the following locations: 1) Hillman Library (HILL) - Center for Instructional Development & Distance Education, G-20 2) MUSIC LIBRARY - Music Building at the corner of Fifth Avenue and Tennyson Ave. 3) Greensburg Campus – (GREEN) - Millstein Library 4) Johnstown Campus Library (JOHN) - Owen Library 5) Bradford Campus (BRAD) - Hanley Librar

UNLV Basketball Alumni Association 2nd Annual Roundball Classic

Team roster for both schools. UNLV Schedule Governor\u27s Message Mayor\u27s Message Player photos Behind the Scenes UNLV\u27s 1978-80 Outloo

Qatar and the 2022 FIFA World Cup: Kick-starting a Global Economy

Overview: December 2, 2010 was my father’s fifty-fifth birthday. He and I were expecting the greatest present that would be given to the United States in a long time. The 2018 and 2022 World Cup bidding was that day, and we were giddy waiting for it to be awarded to the United States. We were planning on going together in twelve years, to the games because we love soccer and the United States men’s national team. We have watched every televised game that they have played for years now and were still excited from the previous World Cup. And now, we thought the United States was about to host another World Cup and we could actually be there. Needless to say, we were disappointed when on December 2, 2010 in Zurich, Switzerland FIFA President Sepp Blatter announced that the 2018 FIFA World Cup would be awarded to Russia and that the 2022 FIFA World Cup was awarded to Qatar (Trecker 1-4). According to an article from FIFA’s official webpage, in the voting process one nation was eliminated each round until only one host remained. In the final round of the 2022 voting, Qatar defeated the United States in a vote of 14-8 by obtaining an absolute majority (8). Qatar’s hopes and dreams of bringing one of the world’s greatest sporting events to the Middle East came true. My first reaction was anger because my father might never live to see a World Cup come to the United States again. We are both extremely pro-American and thought that it was ridiculous that a small oil-rich nation could host such a magnanimous sporting event. I knew nothing about Qatar originally except of its oil wealth, and upon starting research for this paper I was planning on writing why it was an awful idea for Qatar to host a World Cup. But upon researching, watching the Qatari bid, and the American bid, I realized that Qatar 2022 will be something very special. I am still disappointed that the United States lost, but I will look forward with wide eyes to see what Qatar does to make their World Cup as amazing as they say it will be