Disocclusion Hole-Filling in DIBR-Synthesized Images using Multi-Scale Template Matching

Transmitting texture and depth images of captured camera view(s) of a 3D scene enables a receiver to synthesize novel virtual viewpoint images via Depth-Image-Based Rendering (DIBR). However, a DIBR-synthesized image often contains disocclusion holes, which are spatial regions in the virtual view image that were occluded by foreground objects in the captured camera view(s). In this paper, we propose to complete these disocclusion holes by exploiting the self-similarity characteristic of natural images via nonlocal template-matching (TM). Specifically, we first define self-similarity as nonlocal recurrences of pixel patches within the same image across different scales--one characterization of self-similarity in a given image is the scale range in which these patch recurrences take place. Then, at encoder we segment an image into multiple depth layers using available per-pixel depth values, and characterize self-similarity in each layer with a scale range; scale ranges for all layers are transmitted as side information to the decoder. At decoder, disocclusion holes are completed via TM on a per-layer basis by searching for similar patches within the designated scale range. Experimental results show that our method improves the quality of rendered images over previous disocclusion hole-filling algorithms by up to 3.9dB in PSNR

New visual coding exploration in MPEG: Super-MultiView and free navigation in free viewpoint TV

ISO/IEC MPEG and ITU-T VCEG have recently jointly issued a new multiview video compression standard, called 3D-HEVC, which reaches unpreceded compression performances for linear,dense camera arrangements. In view of supporting future highquality,auto-stereoscopic 3D displays and Free Navigation virtual/augmented reality applications with sparse, arbitrarily arranged camera setups, innovative depth estimation and virtual view synthesis techniques with global optimizations over all camera views should be developed. Preliminary studies in response to the MPEG-FTV (Free viewpoint TV) Call for Evidence suggest these targets are within reach, with at least 6% bitrate gains over 3DHEVC technology

Text2Room: Extracting Textured 3D Meshes from 2D Text-to-Image Models

We present Text2Room, a method for generating room-scale textured 3D meshes from a given text prompt as input. To this end, we leverage pre-trained 2D text-to-image models to synthesize a sequence of images from different poses. In order to lift these outputs into a consistent 3D scene representation, we combine monocular depth estimation with a text-conditioned inpainting model. The core idea of our approach is a tailored viewpoint selection such that the content of each image can be fused into a seamless, textured 3D mesh. More specifically, we propose a continuous alignment strategy that iteratively fuses scene frames with the existing geometry to create a seamless mesh. Unlike existing works that focus on generating single objects or zoom-out trajectories from text, our method generates complete 3D scenes with multiple objects and explicit 3D geometry. We evaluate our approach using qualitative and quantitative metrics, demonstrating it as the first method to generate room-scale 3D geometry with compelling textures from only text as input.Comment: Accepted to ICCV 2023 (Oral) video: https://youtu.be/fjRnFL91EZc project page: https://lukashoel.github.io/text-to-room/ code: https://github.com/lukasHoel/text2roo

SPA: Sparse Photorealistic Animation using a single RGB-D camera

Photorealistic animation is a desirable technique for computer games and movie production. We propose a new method to synthesize plausible videos of human actors with new motions using a single cheap RGB-D camera. A small database is captured in a usual office environment, which happens only once for synthesizing different motions. We propose a markerless performance capture method using sparse deformation to obtain the geometry and pose of the actor for each time instance in the database. Then, we synthesize an animation video of the actor performing the new motion that is defined by the user. An adaptive model-guided texture synthesis method based on weighted low-rank matrix completion is proposed to be less sensitive to noise and outliers, which enables us to easily create photorealistic animation videos with new motions that are different from the motions in the database. Experimental results on the public dataset and our captured dataset have verified the effectiveness of the proposed method