Definition of masks related to psychovisual features for video quality assessment

Video Quality Assessment needs to correspond to human perception. Pixel-based metrics (PSNR or MSE) fail in many circumstances for not taking into account the spatio-temporal property of human's visual perception. In this paper we propose a new pixel-weighted method to improve video quality metrics for artifacts evaluation. The method applies a psychovisual model based on motion, level of detail, pixel location and the appearance of human faces, which approximate the quality to the human eye's response. Subjective tests were developed to adjust the psychovisual model for demonstrating the noticeable improvement of an algorithm when weighting the pixels according to the factors analyzed instead of treating them equally. The analysis developed demonstrates the necessity of models adapted to the specific visualization of contents and the model presents an advance in quality to be applied over sequences when a determined artifact is analyzed

Insertion of impairments in test video sequences for quality assessment based on psychovisual characteristics

Assessing video quality is a complex task. While most pixel-based metrics do not present enough correlation between objective and subjective results, algorithms need to correspond to human perception when analyzing quality in a video sequence. For analyzing the perceived quality derived from concrete video artifacts in determined region of interest we present a novel methodology for generating test sequences which allow the analysis of impact of each individual distortion. Through results obtained after subjective assessment it is possible to create psychovisual models based on weighting pixels belonging to different regions of interest distributed by color, position, motion or content. Interesting results are obtained in subjective assessment which demonstrates the necessity of new metrics adapted to human visual system

A robust image watermarking technique based on quantization noise visibility thresholds

International audienceA tremendous amount of digital multimedia data is broadcasted daily over the internet. Since digital data can be very quickly and easily duplicated, intellectual property right protection techniques have become important and first appeared about fifty years ago (see [I.J. Cox, M.L. Miller, The First 50 Years of Electronic Watermarking, EURASIP J. Appl. Signal Process. 2 (2002) 126-132. [52]] for an extended review). Digital watermarking was born. Since its inception, many watermarking techniques have appeared, in all possible transformed spaces. However, an important lack in watermarking literature concerns the human visual system models. Several human visual system (HVS) model based watermarking techniques were designed in the late 1990's. Due to the weak robustness results, especially concerning geometrical distortions, the interest in such studies has reduced. In this paper, we intend to take advantage of recent advances in HVS models and watermarking techniques to revisit this issue. We will demonstrate that it is possible to resist too many attacks, including geometrical distortions, in HVS based watermarking algorithms. The perceptual model used here takes into account advanced features of the HVS identified from psychophysics experiments conducted in our laboratory. This model has been successfully applied in quality assessment and image coding schemes M. Carnec, P. Le Callet, D. Barba, An image quality assessment method based on perception of structural information, IEEE Internat. Conf. Image Process. 3 (2003) 185-188, N. Bekkat, A. Saadane, D. Barba, Masking effects in the quality assessment of coded images, in: SPIE Human Vision and Electronic Imaging V, 3959 (2000) 211-219. In this paper the human visual system model is used to create a perceptual mask in order to optimize the watermark strength. The optimal watermark obtained satisfies both invisibility and robustness requirements. Contrary to most watermarking schemes using advanced perceptual masks, in order to best thwart the de-synchronization problem induced by geometrical distortions, we propose here a Fourier domain embedding and detection technique optimizing the amplitude of the watermark. Finally, the robustness of the scheme obtained is assessed against all attacks provided by the Stirmark benchmark. This work proposes a new digital rights management technique using an advanced human visual system model that is able to resist various kind of attacks including many geometrical distortions

Beyond the pixels: learning and utilising video compression features for localisation of digital tampering.

Video compression is pervasive in digital society. With rising usage of deep convolutional neural networks (CNNs) in the fields of computer vision, video analysis and video tampering detection, it is important to investigate how patterns invisible to human eyes may be influencing modern computer vision techniques and how they can be used advantageously. This work thoroughly explores how video compression influences accuracy of CNNs and shows how optimal performance is achieved when compression levels in the training set closely match those of the test set. A novel method is then developed, using CNNs, to derive compression features directly from the pixels of video frames. It is then shown that these features can be readily used to detect inauthentic video content with good accuracy across multiple different video tampering techniques. Moreover, the ability to explain these features allows predictions to be made about their effectiveness against future tampering methods. The problem is motivated with a novel investigation into recent video manipulation methods, which shows that there is a consistent drive to produce convincing, photorealistic, manipulated or synthetic video. Humans, blind to the presence of video tampering, are also blind to the type of tampering. New detection techniques are required and, in order to compensate for human limitations, they should be broadly applicable to multiple tampering types. This thesis details the steps necessary to develop and evaluate such techniques

Digital encoding of black and white facsimile signals

As the costs of digital signal processing and memory hardware are decreasing each year compared to those of transmission, it is increasingly economical to apply sophisticated source encoding techniques to reduce the transmission time for facsimile documents. With this intent, information lossy encoding schemes have been investigated in which the encoder is divided into two stages. Firstly, preprocessing, which removes redundant information from the original documents, and secondly, actual encoding of the preprocessed documents. [Continues.

Adaptive Image Restoration: Perception Based Neural Nework Models and Algorithms.

Abstract This thesis describes research into the field of image restoration. Restoration is a process by which an image suffering some form of distortion or degradation can be recovered to its original form. Two primary concepts within this field have been investigated. The first concept is the use of a Hopfield neural network to implement the constrained least square error method of image restoration. In this thesis, the author reviews previous neural network restoration algorithms in the literature and builds on these algorithms to develop a new faster version of the Hopfield neural network algorithm for image restoration. The versatility of the neural network approach is then extended by the author to deal with the cases of spatially variant distortion and adaptive regularisation. It is found that using the Hopfield-based neural network approach, an image suffering spatially variant degradation can be accurately restored without a substantial penalty in restoration time. In addition, the adaptive regularisation restoration technique presented in this thesis is shown to produce superior results when compared to non-adaptive techniques and is particularly effective when applied to the difficult, yet important, problem of semi-blind deconvolution. The second concept investigated in this thesis, is the difficult problem of incorporating concepts involved in human visual perception into image restoration techniques. In this thesis, the author develops a novel image error measure which compares two images based on the differences between local regional statistics rather than pixel level differences. This measure more closely corresponds to the way humans perceive the differences between two images. Two restoration algorithms are developed by the author based on versions of the novel image error measure. It is shown that the algorithms which utilise this error measure have improved performance and produce visually more pleasing images in the cases of colour and grayscale images under high noise conditions. Most importantly, the perception based algorithms are shown to be extremely tolerant of faults in the restoration algorithm and hence are very robust. A number of experiments have been performed to demonstrate the performance of the various algorithms presented