SIRA: Relightable Avatars from a Single Image

Recovering the geometry of a human head from a single image, while factorizing the materials and illumination is a severely ill-posed problem that requires prior information to be solved. Methods based on 3D Morphable Models (3DMM), and their combination with differentiable renderers, have shown promising results. However, the expressiveness of 3DMMs is limited, and they typically yield over-smoothed and identity-agnostic 3D shapes limited to the face region. Highly accurate full head reconstructions have recently been obtained with neural fields that parameterize the geometry using multilayer perceptrons. The versatility of these representations has also proved effective for disentangling geometry, materials and lighting. However, these methods require several tens of input images. In this paper, we introduce SIRA, a method which, from a single image, reconstructs human head avatars with high fidelity geometry and factorized lights and surface materials. Our key ingredients are two data-driven statistical models based on neural fields that resolve the ambiguities of single-view 3D surface reconstruction and appearance factorization. Experiments show that SIRA obtains state of the art results in 3D head reconstruction while at the same time it successfully disentangles the global illumination, and the diffuse and specular albedos. Furthermore, our reconstructions are amenable to physically-based appearance editing and head model relighting

EgoFace: Egocentric Face Performance Capture and Videorealistic Reenactment

Face performance capture and reenactment techniques use multiple cameras and sensors, positioned at a distance from the face or mounted on heavy wearable devices. This limits their applications in mobile and outdoor environments. We present EgoFace, a radically new lightweight setup for face performance capture and front-view videorealistic reenactment using a single egocentric RGB camera. Our lightweight setup allows operations in uncontrolled environments, and lends itself to telepresence applications such as video-conferencing from dynamic environments. The input image is projected into a low dimensional latent space of the facial expression parameters. Through careful adversarial training of the parameter-space synthetic rendering, a videorealistic animation is produced. Our problem is challenging as the human visual system is sensitive to the smallest face irregularities that could occur in the final results. This sensitivity is even stronger for video results. Our solution is trained in a pre-processing stage, through a supervised manner without manual annotations. EgoFace captures a wide variety of facial expressions, including mouth movements and asymmetrical expressions. It works under varying illuminations, background, movements, handles people from different ethnicities and can operate in real time

HeadOn: Real-time Reenactment of Human Portrait Videos

We propose HeadOn, the first real-time source-to-target reenactment approach for complete human portrait videos that enables transfer of torso and head motion, face expression, and eye gaze. Given a short RGB-D video of the target actor, we automatically construct a personalized geometry proxy that embeds a parametric head, eye, and kinematic torso model. A novel real-time reenactment algorithm employs this proxy to photo-realistically map the captured motion from the source actor to the target actor. On top of the coarse geometric proxy, we propose a video-based rendering technique that composites the modified target portrait video via view- and pose-dependent texturing, and creates photo-realistic imagery of the target actor under novel torso and head poses, facial expressions, and gaze directions. To this end, we propose a robust tracking of the face and torso of the source actor. We extensively evaluate our approach and show significant improvements in enabling much greater flexibility in creating realistic reenacted output videos.Comment: Video: https://www.youtube.com/watch?v=7Dg49wv2c_g Presented at Siggraph'1

Text-based Editing of Talking-head Video

Editing talking-head video to change the speech content or to remove filler words is challenging. We propose a novel method to edit talking-head video based on its transcript to produce a realistic output video in which the dialogue of the speaker has been modified, while maintaining a seamless audio-visual flow (i.e. no jump cuts). Our method automatically annotates an input talking-head video with phonemes, visemes, 3D face pose and geometry, reflectance, expression and scene illumination per frame. To edit a video, the user has to only edit the transcript, and an optimization strategy then chooses segments of the input corpus as base material. The annotated parameters corresponding to the selected segments are seamlessly stitched together and used to produce an intermediate video representation in which the lower half of the face is rendered with a parametric face model. Finally, a recurrent video generation network transforms this representation to a photorealistic video that matches the edited transcript. We demonstrate a large variety of edits, such as the addition, removal, and alteration of words, as well as convincing language translation and full sentence synthesis

Vision-based 3D Pose Retrieval and Reconstruction

The people analysis and the understandings of their motions are the key components in many applications like sports sciences, biomechanics, medical rehabilitation, animated movie productions and the game industry. In this context, retrieval and reconstruction of the articulated 3D human poses are considered as the significant sub-elements. In this dissertation, we address the problem of retrieval and reconstruction of the 3D poses from a monocular video or even from a single RGB image. We propose a few data-driven pipelines to retrieve and reconstruct the 3D poses by exploiting the motion capture data as a prior. The main focus of our proposed approaches is to bridge the gap between the separate media of the 3D marker-based recording and the capturing of motions or photographs using a simple RGB camera. In principal, we leverage both media together efficiently for 3D pose estimation. We have shown that our proposed methodologies need not any synchronized 3D-2D pose-image pairs to retrieve and reconstruct the final 3D poses, and are flexible enough to capture motion in any studio-like indoor environment or outdoor natural environment. In first part of the dissertation, we propose model based approaches for full body human motion reconstruction from the video input by employing just 2D joint positions of the four end effectors and the head. We resolve the 3D-2D pose-image cross model correspondence by developing an intermediate container the knowledge base through the motion capture data which contains information about how people move. It includes the 3D normalized pose space and the corresponding synchronized 2D normalized pose space created by utilizing a number of virtual cameras. We first detect and track the features of these five joints from the input motion sequences using SURF, MSER and colorMSER feature detectors, which vote for the possible 2D locations for these joints in the video. The extraction of suitable feature sets from both, the input control signals and the motion capture data, enables us to retrieve the closest instances from the motion capture dataset through employing the fast searching and retrieval techniques. We develop a graphical structure online lazy neighbourhood graph in order to make the similarity search more accurate and robust by deploying the temporal coherence of the input control signals. The retrieved prior poses are exploited further in order to stabilize the feature detection and tracking process. Finally, the 3D motion sequences are reconstructed by a non-linear optimizer that takes into account multiple energy terms. We evaluate our approaches with a series of experiment scenarios designed in terms of performing actors, camera viewpoints and the noisy inputs. Only a little preprocessing is needed by our methods and the reconstruction processes run close to real time. The second part of the dissertation is dedicated to 3D human pose estimation from a monocular single image. First, we propose an efficient 3D pose retrieval strategy which leads towards a novel data driven approach to reconstruct a 3D human pose from a monocular still image. We design and devise multiple feature sets for global similarity search. At runtime, we search for the similar poses from a motion capture dataset in a definite feature space made up of specific joints. We introduce two-fold method for camera estimation, where we exploit the view directions at which we perform sampling of the MoCap dataset as well as the MoCap priors to minimize the projection error. We also benefit from the MoCap priors and the joints' weights in order to learn a low-dimensional local 3D pose model which is constrained further by multiple energies to infer the final 3D human pose. We thoroughly evaluate our approach on synthetically generated examples, the real internet images and the hand-drawn sketches. We achieve state-of-the-arts results when the test and MoCap data are from the same dataset and obtain competitive results when the motion capture data is taken from a different dataset. Second, we propose a dual source approach for 3D pose estimation from a single RGB image. One major challenge for 3D pose estimation from a single RGB image is the acquisition of sufficient training data. In particular, collecting large amounts of training data that contain unconstrained images and are annotated with accurate 3D poses is infeasible. We therefore propose to use two independent training sources. The first source consists of images with annotated 2D poses and the second source consists of accurate 3D motion capture data. To integrate both sources, we propose a dual-source approach that combines 2D pose estimation with efficient and robust 3D pose retrieval. In our experiments, we show that our approach achieves state-of-the-art results and is even competitive when the skeleton structures of the two sources differ substantially. In the last part of the dissertation, we focus on how the different techniques, developed for the human motion capturing, retrieval and reconstruction can be adapted to handle the quadruped motion capture data and which new applications may appear. We discuss some particularities which must be considered during capturing the large animal motions. For retrieval, we derive the suitable feature sets in order to perform fast searches into the MoCap dataset for similar motion segments. At the end, we present a data-driven approach to reconstruct the quadruped motions from the video input data