Mixture of beamformers for speech separation and extraction

In many audio applications, the signal of interest is corrupted by acoustic background noise, interference, and reverberation. The presence of these contaminations can significantly degrade the quality and intelligibility of the audio signal. This makes it important to develop signal processing methods that can separate the competing sources and extract a source of interest. The estimated signals may then be either directly listened to, transmitted, or further processed, giving rise to a wide range of applications such as hearing aids, noise-cancelling headphones, human-computer interaction, surveillance, and hands-free telephony. Many of the existing approaches to speech separation/extraction relied on beamforming techniques. These techniques approach the problem from a spatial point of view; a microphone array is used to form a spatial filter which can extract a signal from a specific direction and reduce the contamination of signals from other directions. However, when there are fewer microphones than sources (the underdetermined case), perfect attenuation of all interferers becomes impossible and only partial interference attenuation is possible. In this thesis, we present a framework which extends the use of beamforming techniques to underdetermined speech mixtures. We describe frequency domain non-linear mixture of beamformers that can extract a speech source from a known direction. Our approach models the data in each frequency bin via Gaussian mixture distributions, which can be learned using the expectation maximization algorithm. The model learning is performed using the observed mixture signals only, and no prior training is required. The signal estimator comprises of a set of minimum mean square error (MMSE), minimum variance distortionless response (MVDR), or minimum power distortionless response (MPDR) beamformers. In order to estimate the signal, all beamformers are concurrently applied to the observed signal, and the weighted sum of the beamformers’ outputs is used as the signal estimator, where the weights are the estimated posterior probabilities of the Gaussian mixture states. These weights are specific to each timefrequency point. The resulting non-linear beamformers do not need to know or estimate the number of sources, and can be applied to microphone arrays with two or more microphones with arbitrary array configuration. We test and evaluate the described methods on underdetermined speech mixtures. Experimental results for the non-linear beamformers in underdetermined mixtures with room reverberation confirm their capability to successfully extract speech sources

The Use of Optimal Cue Mapping to Improve the Intelligibility and Quality of Speech in Complex Binaural Sound Mixtures.

A person with normal hearing has the ability to follow a particular conversation of interest in a noisy and reverberant environment, whilst simultaneously ignoring the interfering sounds. This task often becomes more challenging for individuals with a hearing impairment. Attending selectively to a sound source is difficult to replicate in machines, including devices such as hearing aids. A correctly set up hearing aid will work well in quiet conditions, but its performance may deteriorate seriously in the presence of competing sounds. To be of help in these more challenging situations the hearing aid should be able to segregate the desired sound source from any other, unwanted sounds. This thesis explores a novel approach to speech segregation based on optimal cue mapping (OCM). OCM is a signal processing method for segregating a sound source based on spatial and other cues extracted from the binaural mixture of sounds arriving at a listener's ears. The spectral energy fraction of the target speech source in the mixture is estimated frame-by-frame using artificial neural networks (ANNs). The resulting target speech magnitude estimates for the left and right channels are combined with the corresponding original phase spectra to produce the final binaural output signal. The performance improvements delivered by the OCM algorithm are evaluated using the STOI and PESQ metrics for speech intelligibility and quality, respectively. A variety of increasingly challenging binaural mixtures are synthesised involving up to five spatially separate sound sources in both anechoic and reverberant environments. The segregated speech consistently exhibits gains in intelligibility and quality and compares favourably with a leading, somewhat more complex approach. The OCM method allows the selection and integration of multiple cues to be optimised and provides scalable performance benefits to suit the available computational resources. The ability to determine the varying relative importance of each cue in different acoustic conditions is expected to facilitate computationally efficient solutions suitable for use in a hearing aid, allowing the aid to operate effectively in a range of typical acoustic environments. Further developments are proposed to achieve this overall goal

Spatial hearing rendering in wireless microphone systems for binaural hearing aids

In 2015, 360 million people, including 32 million children, were suffering from hearing impairment all over the world. This makes hearing disability a major worldwide issue. In the US, the prevalence of hearing loss increased by 160% over the past generations. However, 72% of the 34 million impaired American persons (11% of the population) still have an untreated hearing loss. Among the various current solutions alleviating hearing disability, hearing aid is the only non-invasive and the most widespread medical apparatus. Combined with hearing aids, assisting listening devices are a powerful answer to address the degraded speech understanding observed in hearing-impaired subjects, especially in noisy and reverberant environments. Unfortunately, the conventional devices do not accurately render the spatial hearing property of the human auditory system, weakening their benefits. Spatial hearing is an attribute of the auditory system relying on binaural hearing. With 2 ears, human beings are able to localize sounds in space, to get information about the acoustic surroundings, to feel immersed in environments... Furthermore, it strongly contributes to speech intelligibility. It is hypothesized that recreating an artificial spatial perception through the hearing aids of impaired people might allow for recovering a part of these subjects' hearing performance. This thesis investigates and supports the aforementioned hypothesis with both technological and clinical approaches. It reveals how certain well-established signal processing methods can be integrated in some assisting listening devices. These techniques are related to sound localization and spatialization. Taking into consideration the technical constraints of current hearing aids, as well as the characteristics of the impaired auditory system, the thesis proposes a novel solution to restore a spatial perception for users of certain types of assisting listening devices. The achieved results demonstrate the feasibility and the possible implementation of such a functionality on conventional systems. Additionally, this thesis examines the relevance and the efficiency of the proposed spatialization feature towards the enhancement of speech perception. Via a clinical trial involving a large number of patients, the artificial spatial hearing shows to be well appreciated by disabled persons, while improving or preserving their current hearing abilities. This can be considered as a prominent contribution to the current scientific and technological knowledge in the domain of hearing impairment

Informed algorithms for sound source separation in enclosed reverberant environments

While humans can separate a sound of interest amidst a cacophony of contending sounds in an echoic environment, machine-based methods lag behind in solving this task. This thesis thus aims at improving performance of audio separation algorithms when they are informed i.e. have access to source location information. These locations are assumed to be known a priori in this work, for example by video processing. Initially, a multi-microphone array based method combined with binary time-frequency masking is proposed. A robust least squares frequency invariant data independent beamformer designed with the location information is utilized to estimate the sources. To further enhance the estimated sources, binary time-frequency masking based post-processing is used but cepstral domain smoothing is required to mitigate musical noise. To tackle the under-determined case and further improve separation performance at higher reverberation times, a two-microphone based method which is inspired by human auditory processing and generates soft time-frequency masks is described. In this approach interaural level difference, interaural phase difference and mixing vectors are probabilistically modeled in the time-frequency domain and the model parameters are learned through the expectation-maximization (EM) algorithm. A direction vector is estimated for each source, using the location information, which is used as the mean parameter of the mixing vector model. Soft time-frequency masks are used to reconstruct the sources. A spatial covariance model is then integrated into the probabilistic model framework that encodes the spatial characteristics of the enclosure and further improves the separation performance in challenging scenarios i.e. when sources are in close proximity and when the level of reverberation is high. Finally, new dereverberation based pre-processing is proposed based on the cascade of three dereverberation stages where each enhances the twomicrophone reverberant mixture. The dereverberation stages are based on amplitude spectral subtraction, where the late reverberation is estimated and suppressed. The combination of such dereverberation based pre-processing and use of soft mask separation yields the best separation performance. All methods are evaluated with real and synthetic mixtures formed for example from speech signals from the TIMIT database and measured room impulse responses

Proceedings of the EAA Spatial Audio Signal Processing symposium: SASP 2019

International audienc

Trennung und Schätzung der Anzahl von Audiosignalquellen mit Zeit- und Frequenzüberlappung

Everyday audio recordings involve mixture signals: music contains a mixture of instruments; in a meeting or conference, there is a mixture of human voices. For these mixtures, automatically separating or estimating the number of sources is a challenging task. A common assumption when processing mixtures in the time-frequency domain is that sources are not fully overlapped. However, in this work we consider some cases where the overlap is severe — for instance, when instruments play the same note (unison) or when many people speak concurrently ("cocktail party") — highlighting the need for new representations and more powerful models. To address the problems of source separation and count estimation, we use conventional signal processing techniques as well as deep neural networks (DNN). We first address the source separation problem for unison instrument mixtures, studying the distinct spectro-temporal modulations caused by vibrato. To exploit these modulations, we developed a method based on time warping, informed by an estimate of the fundamental frequency. For cases where such estimates are not available, we present an unsupervised model, inspired by the way humans group time-varying sources (common fate). This contribution comes with a novel representation that improves separation for overlapped and modulated sources on unison mixtures but also improves vocal and accompaniment separation when used as an input for a DNN model. Then, we focus on estimating the number of sources in a mixture, which is important for real-world scenarios. Our work on count estimation was motivated by a study on how humans can address this task, which lead us to conduct listening experiments, confirming that humans are only able to estimate the number of up to four sources correctly. To answer the question of whether machines can perform similarly, we present a DNN architecture, trained to estimate the number of concurrent speakers. Our results show improvements compared to other methods, and the model even outperformed humans on the same task. In both the source separation and source count estimation tasks, the key contribution of this thesis is the concept of “modulation”, which is important to computationally mimic human performance. Our proposed Common Fate Transform is an adequate representation to disentangle overlapping signals for separation, and an inspection of our DNN count estimation model revealed that it proceeds to find modulation-like intermediate features.Im Alltag sind wir von gemischten Signalen umgeben: Musik besteht aus einer Mischung von Instrumenten; in einem Meeting oder auf einer Konferenz sind wir einer Mischung menschlicher Stimmen ausgesetzt. Für diese Mischungen ist die automatische Quellentrennung oder die Bestimmung der Anzahl an Quellen eine anspruchsvolle Aufgabe. Eine häufige Annahme bei der Verarbeitung von gemischten Signalen im Zeit-Frequenzbereich ist, dass die Quellen sich nicht vollständig überlappen. In dieser Arbeit betrachten wir jedoch einige Fälle, in denen die Überlappung immens ist zum Beispiel, wenn Instrumente den gleichen Ton spielen (unisono) oder wenn viele Menschen gleichzeitig sprechen (Cocktailparty) —, so dass neue Signal-Repräsentationen und leistungsfähigere Modelle notwendig sind. Um die zwei genannten Probleme zu bewältigen, verwenden wir sowohl konventionelle Signalverbeitungsmethoden als auch tiefgehende neuronale Netze (DNN). Wir gehen zunächst auf das Problem der Quellentrennung für Unisono-Instrumentenmischungen ein und untersuchen die speziellen, durch Vibrato ausgelösten, zeitlich-spektralen Modulationen. Um diese Modulationen auszunutzen entwickelten wir eine Methode, die auf Zeitverzerrung basiert und eine Schätzung der Grundfrequenz als zusätzliche Information nutzt. Für Fälle, in denen diese Schätzungen nicht verfügbar sind, stellen wir ein unüberwachtes Modell vor, das inspiriert ist von der Art und Weise, wie Menschen zeitveränderliche Quellen gruppieren (Common Fate). Dieser Beitrag enthält eine neuartige Repräsentation, die die Separierbarkeit für überlappte und modulierte Quellen in Unisono-Mischungen erhöht, aber auch die Trennung in Gesang und Begleitung verbessert, wenn sie in einem DNN-Modell verwendet wird. Im Weiteren beschäftigen wir uns mit der Schätzung der Anzahl von Quellen in einer Mischung, was für reale Szenarien wichtig ist. Unsere Arbeit an der Schätzung der Anzahl war motiviert durch eine Studie, die zeigt, wie wir Menschen diese Aufgabe angehen. Dies hat uns dazu veranlasst, eigene Hörexperimente durchzuführen, die bestätigten, dass Menschen nur in der Lage sind, die Anzahl von bis zu vier Quellen korrekt abzuschätzen. Um nun die Frage zu beantworten, ob Maschinen dies ähnlich gut können, stellen wir eine DNN-Architektur vor, die erlernt hat, die Anzahl der gleichzeitig sprechenden Sprecher zu ermitteln. Die Ergebnisse zeigen Verbesserungen im Vergleich zu anderen Methoden, aber vor allem auch im Vergleich zu menschlichen Hörern. Sowohl bei der Quellentrennung als auch bei der Schätzung der Anzahl an Quellen ist ein Kernbeitrag dieser Arbeit das Konzept der “Modulation”, welches wichtig ist, um die Strategien von Menschen mittels Computern nachzuahmen. Unsere vorgeschlagene Common Fate Transformation ist eine adäquate Darstellung, um die Überlappung von Signalen für die Trennung zugänglich zu machen und eine Inspektion unseres DNN-Zählmodells ergab schließlich, dass sich auch hier modulationsähnliche Merkmale finden lassen