DIMA - Annotation Guidelines for German Intonation

Kügler F, Smolibocki B, Arnold D, et al. DIMA - Annotation Guidelines for German Intonation. In: Proceedings of the 18th International Congress of Phonetic Sciences. Glasgow, Scotland; 2015: 317.This paper presents newly developed guidelines for prosodic annotation of German as a consensus system agreed upon by German intonologists. The DIMA system is rooted in the framework of autosegmental-metrical phonology. One important goal of the consensus is to make exchanging data between groups easier since German intonation is currently annotated according to different models. To this end, we aim to provide guidelines that are easy to learn. The guidelines were evaluated running an inter-annotator reliability study on three different speech styles (read speech, monologue and dialogue). The overall high κ between 0.76 and 0.89 (depending on the speech style) shows that the DIMA conventions can be applied successfully

DIMA - Annotation Guidelines for German Intonation

Kügler F, Smolibocki B, Arnold D, et al. DIMA - Annotation Guidelines for German Intonation. In: Proceedings of the 18th International Congress of Phonetic Sciences. Glasgow, Scotland; 2015: 317.This paper presents newly developed guidelines for prosodic annotation of German as a consensus system agreed upon by German intonologists. The DIMA system is rooted in the framework of autosegmental-metrical phonology. One important goal of the consensus is to make exchanging data between groups easier since German intonation is currently annotated according to different models. To this end, we aim to provide guidelines that are easy to learn. The guidelines were evaluated running an inter-annotator reliability study on three different speech styles (read speech, monologue and dialogue). The overall high κ between 0.76 and 0.89 (depending on the speech style) shows that the DIMA conventions can be applied successfully

Acoustic Cues to Perceived Prominence Levels:Evidence from German Spontaneous Speech

The iambic-trochaic law (ITL) states that a louder sound signals the beginning of a group, while a longer sound signals its end. Although the ITL has been empirically supported in experiments with a variety of stimuli, it is not clear whether it is due to universal cognitive mechanisms or the outcome of language-specific prosodic properties. We tested the law with speakers of English, Greek and Korean who heard sequences of tones varied in duration and/or intensity. The results revealed neither significant differences among languages nor a strong bias shared by speakers of all languages. Significantly, listeners� grouping preferences were influenced by the duration of the inter-stimulus interval (ISI), with longer ISI resulting in stronger trochaic preferences, indicating that specific experimental conditions may be responsible for differences in listener responses across experiments testing the ITL

Right Dislocation and Afterthought in German - Investigations on Multiple Levels

When investigating the right sentence periphery in German, two constructions are encountered that appear to be rather similar at first glance: right dislocation and afterthought. Irrespective of this superficial similarity, right dislocation and afterthought can be distinguished at multiple levels of linguistic description. This thesis aims at providing a more nuanced understanding of right dislocation and afterthought by providing empirical investigations, both qualitative and quantitative in nature, employing analyses of experimentally acquired data as well as corpus analyses. It is shown that right dislocation and afterthought are best defined on the basis of the functions they take in discourse rather than on the basis of their prosodic realisations, and that their functional differences are reflected in a number of linguistic parameters, such as their morpho-syntactic con¬straints as well as their degree of syntactic integratedness, their prosodic features, and even their punctuation in written texts

PromDrum - Exploiting the prosody-gesture link for intuitive, fast and fine-grained prominence annotation

Samlowski B, Wagner P. PromDrum - Exploiting the prosody-gesture link for intuitive, fast and fine-grained prominence annotation. In: Proceedings of Speech Prosody 2016. Boston; 2016

What makes business speakers sound charismatic? A contrastive acoustic-melodic analysis of Steve Jobs and Mark Zuckerberg

Phonetic research on the prosodic sources of perceived charisma has taken a big step towards making a speaker’s tone-of-voice a tangible, quantifiable, and trainable matter. However, the tone-of-voice includes a complex bundle of acoustic features, and a lot of parameters have not even been looked at so far. Moreover, all previous studies focused on political or religious leaders and left aside the large field of managers and CEOs in the world of business. These are the two research gaps addressed in the present study. An acoustic analysis of about 1,350 prosodic phrases from keynotes given by a more charismatic CEO (Steve Jobs) and a less charismatic CEO (Mark Zuckerberg) suggests that the same tone-of-voice settings that make political or religious leaders sound more charismatic also work for business speakers. In addition, results point to further charisma-relevant acoustic parameters related to rhythm, emphasis, pausing, and voice quality - as well as to audience type as a significant context factor. The findings are discussed with respect to implications for future perception-oriented studies and perspectives for a computer-based measurement, assessment, and training of a charismatic tone of voice.La investigación sobre las características prosódicas de la percepción del carisma ha mostrado que el tono de voz de un orador es una característica tangible, cuantificable y entrenable. Sin embargo, el tono de voz incluye un conjunto complejo de rasgos acústicos y muchos parámetros no han sido estudiados hasta ahora. Además, los estudios previos se han centrado en el análisis del carisma de líderes políticos o religiosos y han dejado de lado el análisis de un gran número de mánagers y directores ejecutivos en el mundo de los negocios. En este estudio presentamos un análisis acústico de cerca de 1,350 frases prosódicas procedentes de discursos realizados por uno de los directores ejecutivos más carismáticos (Steve Jobs) y por uno menos carismático (Marc Zuckerberg). Los resultados sugieren que los ajustes del mismo tono de voz que hace que los líderes políticos y religiosos suenen más carismáticos también funcionen para oradores del mundo de los negocios. Además, los resultados muestran la relevancia de más parámetros acústicos, aparte del tono, para la percepción del carisma como son el ritmo, el énfasis, las pausas y la calidad de la voz - así como también el tipo de público como un factor significativo de contexto