5 research outputs found
Meaning in the narrrative of Charles Dickens
Even within Dickens's own lifetime, the response of
his readers moved from the enthusiastic reception of all
things Pickwickian, to complaints that the looseness of the
Pickwick format impaired any possible pleasure in it, for the
discontinuity and repetition of such narrative seemed to
exclude any meaningful sort of progression. Dickens was no
philosopher, but the question of how meaning is evoked by
his narrative has been generally overlooked. "The rhetoric
of fiction" is by now a commonplace phrase but it is still
valuable for reminding us of the fact that all works of the
imagination seek in some way to "persuade." The presence of
fantasy, however minimally, will always imply that life could
be arranged differently, and that a deductive or syllogistic
reasoning may not be the only rationale of human existence. In my research I have related an examination of Dickens's
memoranda notebook and journalism to his novels, in an attempt
to understand how he has organised various narrative strategies
—particularly, the use of sheer length and an almost antinarrative
multiplication of story and allusion—to convey
his intentions. The notebook and journalism may share many
topical sources with the fiction, but while turning up many
noteworthy similarities, comparisons more often make apparent
the possible choices of treatment available to an author, and
how differences in presentation will produce significant
contrasts in the expectations aroused and the resolutions
achieved in discussion of the same idea. The experience of
picking out various memoranda which one recogiizes as
eventually, and possibly surprisingly, coming together in
one novel, make the critic sense that it is not just unique entities or pellets of belief which go to make up a novel's
"meaning" i it is present in the very decision to speak
through story and in the nature of the narrative approach.
Dickens perhaps demonstrates more radically than any of his
contemporaries that a twenty-part novel is, in fact, infinitely
divisible in a variety of ways» why did he not repeat the
successful early patterns? How did the sequentiality of
Pickwick Papers gradually lead into the balance of Bleak House?
As well, it should be noted that Dickens undertook the
establishment of a journal on five occasions during his
career as a novelist. The origins of Pickwick Papers, Nicholas
Nickleby, Oliver Twist, and The Old Curiosity Shoo show
Dickens's early oscillations between journalism and fictionwriting.
The thesis considers why this work seemed permanently
attractive to him, and noting also that these ventures
repeatedly ended in the writing of novelistic prose—how
Dickens's novels can be seen in some sense to be his more
successful forms of "miscellany.
Bowdoin Orient v.97, no.1-26 (1967-1968)
https://digitalcommons.bowdoin.edu/bowdoinorient-1960s/1008/thumbnail.jp
Portland Daily Press: July 31,1886
https://digitalmaine.com/pdp_1886/1178/thumbnail.jp
Bowdoin Orient v.117, no.1-24 (1987-1988)
https://digitalcommons.bowdoin.edu/bowdoinorient-1980s/1008/thumbnail.jp