Faculty Concert, Terry Everson, Thursday, November 9, 2000

This is the concert program of the Faculty Concert of Terry Everson on Thursday, November 9, 2000 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Four Variations on a Theme of Scarlatti by Marcel Bitsch, Sonata by Kent Wheeler Kennan, Trio for Trumpet, Violin, and Piano by Eric Ewazen, and Incatation, Threne et Danse by Alfred Desenclos. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Campus Art Museums in the 21st Century: A Conversation

In the summer of 2012, the authors of this study brought together a group of campus art museum directors and outside experts to 'think out loud' about the changes already occurring at campus museums and where new opportunities and roles may be emerging. We hope the resulting paper will further the field's larger, continuing exploration of its roles and potentials through dialogue, research, and experimentation -- an exploration that contributes to the continued healthy evolution of campus art museum practice

The Muir String Quartet, Wednesday, February 28, 2001

This is the concert program of the Muir String Quartet performance on Wednesday, February 28, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were String Quartet in B-flat Major, K. 589 by Wolfgang Amadeus Mozart, String Quartet No. 6 Sz 114 by Bela Bartok, and String Quartet in A Minor, Op. 42 No. 1 by Robert Schumann. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Choral Ensembles, February 23, 2002

This is the concert program of the Boston University Choral Ensembles performance on Saturday, February 23, 2002 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue. Works performed were "In monte Oliveti," "Tritis est anima mea," and "Ecce vidimus eum" from the "Tenebrae Responsoria" of 1611 by Carlo Gesualdo di Venosa, "Hor che 'l ciel e la terra e 'l vento tace," "Dolcissimo uscignolo," and "Chi vuol haver felice e lieto il core" from "Madrigali Guerrieri et Amorosi" Book VIII by Claudio Monteverdi, Mass by Igor Stravinsky, "El Grillo" by Josquin des Prez, "Isbruck, ich muss dass lassen" by Henricus Isaac, "Un jour je m'en allai" by Giaches de Wert, "Ojos claros y serenos" by Francisco Guerro, "Fair Phyllis I saw sitting all alone" by John Farmer, "Mon coer se recommende a vous" by Orlande de Lassus, "O magnum mysterium" by Tomas Luis de Victoria, "Die Primel," Op. 48 No. 2 by Felix Mendelssohn, "Fruhlingsfeir," Op. 48 No. 3 by F. Mendelssohn, and "Six Chansons" by Paul Hindemith. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Chamber Orchestra and Repertory Chorus, March 5, 2003

This is the concert program of the Boston University Chamber Orchestra and Repertory Chorus performance on Wednesday, March 5, 2003 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Overture to "Don Giovanni" by Wolfgang Amadeus Mozart, "Flos Campi" by Ralph Vaughan Williams, and Symphony No. 101, "The Clock" by Franz Joseph Haydn. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Boston University Symphony Orchestra, February 4, 2002

This is the concert program of the Boston University Symphony Orchestra performance on Monday, February 4, 2002 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were "Elegy" for String Orchestra by Elliott Carter, Symphony No. 87 in A Major by Franz Joseph Haydn, and Symphony No. 1 in B-flat, Op. 38, "Spring" by Robert Schumann. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

They Were Meant for Each Other: Professor Edward Cooper and the Rules Enabling Act

This introduction to the essays in this Symposium illuminates Professor Ed Cooper\u27s years as Reporter to the Civil Rules Committee by first briefly describing those who preceded him in the position and his own background. We then describe some of Ed Cooper\u27s many contributions to the Civil Rules Committee, the Federal Rules, rulemaking, and civil procedure by examining the present state of the Rules Committees\u27 work under the Rules Enabling Act. We conclude that after almost eighty years of experience under that Act, it is working well in large part because of the sound leadership provided by Ed Cooper over his twenty years as Reporter. It was during these years that the Committee developed an approach to rulemaking that was at once transparent and empirical, with multiple opportunities for participation by members of the public, the bench, the academy, and the bar; with many informal opportunities for consultation with members of Congress and the Executive Branch; and with an understanding by the Committee of its role in relation to the courts, Congress, and the Executive. Two episodes of recent rulemaking and related activity are described as examples of how well the Rules Enabling Act is working, in large part because of the very flexibility and discretion the Act has provided since 1934. One of those episodes occurred when Judge Anthony Scirica chaired the Standing Committee and then- Judge David Levi chaired the Civil Rules Committee. The other occurred when Judge Lee Rosenthal and Judge Mark Kravitz were the chairs of the Standing and Civil Rules Committees, respectively. Both episodes provide a basis for optimism about the future. And they make clear Ed Cooper\u27s continued steady role in supporting and cultivating the robust good health of the rulemaking process and the institutional values it protects

Boston University Chamber Orchestra

This is the concert program of the Boston University Chamber Orchestra performance on Monday, October 4, 1999 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Holberg Suite, Op. 40 by Edvard Grieg, trumpet Concerto in D major by Georg Philipp Telemann, The Hollow Men by Vincent Persichetti, and Symphony No. 44 in E minor, "Trauersinfonie" by Franz Joseph Haydn. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund