Seeing the City Digitally

This book explores what's happening to ways of seeing urban spaces in the contemporary moment, when so many of the technologies through which cities are visualised are digital. Cities have always been pictured, in many media and for many different purposes. This edited collection explores how that picturing is changing in an era of digital visual culture. Analogue visual technologies like film cameras were understood as creating some sort of a trace of the real city. Digital visual technologies, in contrast, harvest and process digital data to create images that are constantly refreshed, modified and circulated. Each of the chapters in this volume examines a different example of this processual visuality is reconfiguring the spatial and temporal organisation of urban life

Seeing the City Digitally

This book explores what's happening to ways of seeing urban spaces in the contemporary moment, when so many of the technologies through which cities are visualised are digital. Cities have always been pictured, in many media and for many different purposes. This edited collection explores how that picturing is changing in an era of digital visual culture. Analogue visual technologies like film cameras were understood as creating some sort of a trace of the real city. Digital visual technologies, in contrast, harvest and process digital data to create images that are constantly refreshed, modified and circulated. Each of the chapters in this volume examines a different example of this processual visuality is reconfiguring the spatial and temporal organisation of urban life

The People Inside

Our collection begins with an example of computer vision that cuts through time and bureaucratic opacity to help us meet real people from the past. Buried in thousands of files in the National Archives of Australia is evidence of the exclusionary “White Australia” policies of the nineteenth and twentieth centuries, which were intended to limit and discourage immigration by non-Europeans. Tim Sherratt and Kate Bagnall decided to see what would happen if they used a form of face-detection software made ubiquitous by modern surveillance systems and applied it to a security system of a century ago. What we get is a new way to see the government documents, not as a source of statistics but, Sherratt and Bagnall argue, as powerful evidence of the people affected by racism

Semantic discovery and reuse of business process patterns

Patterns currently play an important role in modern information systems (IS) development and their use has mainly been restricted to the design and implementation phases of the development lifecycle. Given the increasing significance of business modelling in IS development, patterns have the potential of providing a viable solution for promoting reusability of recurrent generalized models in the very early stages of development. As a statement of research-in-progress this paper focuses on business process patterns and proposes an initial methodological framework for the discovery and reuse of business process patterns within the IS development lifecycle. The framework borrows ideas from the domain engineering literature and proposes the use of semantics to drive both the discovery of patterns as well as their reuse

Understanding Lists: Umberto Eco\u27s Rhetoric of Communication and Signification

This project, Understanding Lists: Umberto Eco’s Rhetoric of Communication and Signification, begins and ends with an observation and warning suggested throughout Eco’s work: lists are the origin of culture and the Internet as the Mother of All Lists threatens to end culture. To understand this warning, I turn to Eco’s work on lists, contextualized within a 2009 exhibition at the Musée du Louvre and in an illustrated collection, The Infinity of Lists. This project offers an analysis of Eco’s understanding of lists concurrent to his commentary on the social and cultural implications of the algorithmic-obsessed Internet age. To understand his argument, this project collects hints of insight through his corpus. In Eco’s cultural aesthetics, he celebrates the notion of openness that invites and encourages audience participation in the interpretation of texts with multiple possibilities. With his interpretive semiotics, Eco offers a theory of culture grounded in signification and communication. Signification consists of the codes of culture that make meaning and interpretive response possible. Communication is the labor of sign production and interpretation. Throughout his literary praxis, Eco implements these theoretical notions into story-form, and with his fifth novel, The Mysterious Flame of Queen Loana, affirms the mutual necessity of communication and signification. Ultimately, Eco urges us to list as a response to the threats of algorithmic processing of big data that displaces and replaces the human interpreter. For Eco, listing a form of communication that requires the labor to wade through information, activate codes of signification, and interpret cultural meaning

Mobile bodies : train travel and practices of movement

This thesis investigates experiences of railway travel from a passenger perspective by looking at how passengers move through and dwell within spaces of the railway journey. It responds to a lack of attention to diverse processual enactments and theorisations of processes and practices that constitute these flows. Challenging both the theory that this particular 'space of flows' constitutes a non-place that is characterised by placelessness, and theories that rely on aggregate models of movement that serve to pacify the body, this thesis speaks to the neglected transient experience that acknowledges how the railway journey is continually brought into being by passengers through practice rather than given a-priori. It is based on in-depth empirical research that focuses on long-distance, intercity journeys as a particular space of flows. It develops a descriptive, multi-method approach to investigate what a travelling body is and how a body becomes a travelling body; how and to what extent travel-time is planned, organised, used and valued; and how the experience of time and space transform over the duration of a journey. For many, and contrary to economically-productivist studies, the railway journey is not a wasted time, but is valued and put to use in a variety of different ways that fold through and are integrally-linked to the commitments, motivations and obligations of other time-spaces. The resulting heterogeneity of practices within the confined space of the railway carriage also has significant implications for the sociality and forms of responsibility that develop. However, certain parts of the journey are more valuable than others and within this space of flows are many durations of immobility and passivity. Nevertheless, and contrary to other practice-based studies that privilege the body-in-action, passivity does not necessarily constitute a weak form of inhabiting the world. This research demonstrates how multiple configurations of passivity come into play at different points during the railway journey to assist in making the process of travel easier. In sum, this thesis mobilises new ways of looking at transient spaces which attempt to move beyond a sedentary metaphysics of space