Spatial Displays and Spatial Instruments

The conference proceedings topics are divided into two main areas: (1) issues of spatial and picture perception raised by graphical electronic displays of spatial information; and (2) design questions raised by the practical experience of designers actually defining new spatial instruments for use in new aircraft and spacecraft. Each topic is considered from both a theoretical and an applied direction. Emphasis is placed on discussion of phenomena and determination of design principles

Active meshes for motion tracking

This thesis presents an integrated approach to modelling, extraction and tracking of deformable contour meshes through image sequences, with the aim of extracting motion information about the viewed scene. The thesis begins by reviewing the area of motion estimation in computer vision, leading to a review on the formulation and initialisation of active contour models. From this review the thesis develops and provides as its major contribution an active mesh structure that may be used for motion estimation. This active mesh structure approach is combined with feature matching to provide a stable, deformable motion tracking system for real-world scenes. This system is tested on various real-world scenes and varying conditions to provide extensive and rigorous experimental proof of the validity of the formulation. Further extensions to the system are implemented, including the use of multiple and region based active meshes. Future directions of research are also suggested

Lateralised repetition priming for face recognition: priming occurs in the right hemisphere only

No description supplie

Drawing Futures

Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture. Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act demands a platform for reflection and innovation. Drawing Futures will present a compendium of projects, writings and interviews that critically reassess the act of drawing and where its future may lie. Drawing Futures focuses on the discussion of how the field of drawing may expand synchronously alongside technological and computational developments. The book coincides with an international conference of the same name, taking place at The Bartlett School of Architecture, UCL, in November 2016. Bringing together practitioners from many creative fields, the book discusses how drawing is changing in relation to new technologies for the production and dissemination of ideas