Audio Signal Processing Using Time-Frequency Approaches: Coding, Classification, Fingerprinting, and Watermarking

Audio signals are information rich nonstationary signals that play an important role in our day-to-day communication, perception of environment, and entertainment. Due to its non-stationary nature, time- or frequency-only approaches are inadequate in analyzing these signals. A joint time-frequency (TF) approach would be a better choice to efficiently process these signals. In this digital era, compression, intelligent indexing for content-based retrieval, classification, and protection of digital audio content are few of the areas that encapsulate a majority of the audio signal processing applications. In this paper, we present a comprehensive array of TF methodologies that successfully address applications in all of the above mentioned areas. A TF-based audio coding scheme with novel psychoacoustics model, music classification, audio classification of environmental sounds, audio fingerprinting, and audio watermarking will be presented to demonstrate the advantages of using time-frequency approaches in analyzing and extracting information from audio signals.</p

On the data hiding theory and multimedia content security applications

This dissertation is a comprehensive study of digital steganography for multimedia content protection. With the increasing development of Internet technology, protection and enforcement of multimedia property rights has become a great concern to multimedia authors and distributors. Watermarking technologies provide a possible solution for this problem. The dissertation first briefly introduces the current watermarking schemes, including their applications in video,, image and audio. Most available embedding schemes are based on direct Spread Sequence (SS) modulation. A small value pseudo random signature sequence is embedded into the host signal and the information is extracted via correlation. The correlation detection problem is discussed at the beginning. It is concluded that the correlator is not optimum in oblivious detection. The Maximum Likelihood detector is derived and some feasible suboptimal detectors are also analyzed. Through the calculation of extraction Bit Error Rate (BER), it is revealed that the SS scheme is not very efficient due to its poor host noise suppression. The watermark domain selection problem is addressed subsequently. Some implications on hiding capacity and reliability are also studied. The last topic in SS modulation scheme is the sequence selection. The relationship between sequence bandwidth and synchronization requirement is detailed in the work. It is demonstrated that the white sequence commonly used in watermarking may not really boost watermark security. To address the host noise suppression problem, the hidden communication is modeled as a general hypothesis testing problem and a set partitioning scheme is proposed. Simulation studies and mathematical analysis confirm that it outperforms the SS schemes in host noise suppression. The proposed scheme demonstrates improvement over the existing embedding schemes. Data hiding in audio signals are explored next. The audio data hiding is believed a more challenging task due to the human sensitivity to audio artifacts and advanced feature of current compression techniques. The human psychoacoustic model and human music understanding are also covered in the work. Then as a typical audio perceptual compression scheme, the popular MP3 compression is visited in some length. Several schemes, amplitude modulation, phase modulation and noise substitution are presented together with some experimental results. As a case study, a music bitstream encryption scheme is proposed. In all these applications, human psychoacoustic model plays a very important role. A more advanced audio analysis model is introduced to reveal implications on music understanding. In the last part, conclusions and future research are presented

New Digital Audio Watermarking Algorithms for Copyright Protection

This thesis investigates the development of digital audio watermarking in addressing issues such as copyright protection. Over the past two decades, many digital watermarking algorithms have been developed, each with its own advantages and disadvantages. The main aim of this thesis was to develop a new watermarking algorithm within an existing Fast Fourier Transform framework. This resulted in the development of a Complex Spectrum Phase Evolution based watermarking algorithm. In this new implementation, the embedding positions were generated dynamically thereby rendering it more difficult for an attacker to remove, and watermark information was embedded by manipulation of the spectral components in the time domain thereby reducing any audible distortion. Further improvements were attained when the embedding criteria was based on bin location comparison instead of magnitude, thereby rendering it more robust against those attacks that interfere with the spectral magnitudes. However, it was discovered that this new audio watermarking algorithm has some disadvantages such as a relatively low capacity and a non-consistent robustness for different audio files. Therefore, a further aim of this thesis was to improve the algorithm from a different perspective. Improvements were investigated using an Singular Value Decomposition framework wherein a novel observation was discovered. Furthermore, a psychoacoustic model was incorporated to suppress any audible distortion. This resulted in a watermarking algorithm which achieved a higher capacity and a more consistent robustness. The overall result was that two new digital audio watermarking algorithms were developed which were complementary in their performance thereby opening more opportunities for further research

Spread spectrum-based video watermarking algorithms for copyright protection

Merged with duplicate record 10026.1/2263 on 14.03.2017 by CS (TIS)Digital technologies know an unprecedented expansion in the last years. The consumer can now benefit from hardware and software which was considered state-of-the-art several years ago. The advantages offered by the digital technologies are major but the same digital technology opens the door for unlimited piracy. Copying an analogue VCR tape was certainly possible and relatively easy, in spite of various forms of protection, but due to the analogue environment, the subsequent copies had an inherent loss in quality. This was a natural way of limiting the multiple copying of a video material. With digital technology, this barrier disappears, being possible to make as many copies as desired, without any loss in quality whatsoever. Digital watermarking is one of the best available tools for fighting this threat. The aim of the present work was to develop a digital watermarking system compliant with the recommendations drawn by the EBU, for video broadcast monitoring. Since the watermark can be inserted in either spatial domain or transform domain, this aspect was investigated and led to the conclusion that wavelet transform is one of the best solutions available. Since watermarking is not an easy task, especially considering the robustness under various attacks several techniques were employed in order to increase the capacity/robustness of the system: spread-spectrum and modulation techniques to cast the watermark, powerful error correction to protect the mark, human visual models to insert a robust mark and to ensure its invisibility. The combination of these methods led to a major improvement, but yet the system wasn't robust to several important geometrical attacks. In order to achieve this last milestone, the system uses two distinct watermarks: a spatial domain reference watermark and the main watermark embedded in the wavelet domain. By using this reference watermark and techniques specific to image registration, the system is able to determine the parameters of the attack and revert it. Once the attack was reverted, the main watermark is recovered. The final result is a high capacity, blind DWr-based video watermarking system, robust to a wide range of attacks.BBC Research & Developmen

Blind audio watermarking technique based on two dimensional cellular automata

In this paper we propose a new method of digital audio watermarking based on two dimensional cellular automata; the method increases the dimension of the audio and uses cellular automata in generating the key of watermark embedding. The watermarking method is blind, and does not require the original host audio or any of its features to extract the watermark; the watermark can be easily extracted using the right key. The experimental results show that the watermarks are imperceptible; and show a high similarity between the original and the watermarked audio. Cosine similarity and peak signal-to-noise ratio were used to measure the similarity between the original audio and the watermarked audio