3 research outputs found

    Constraint Programming Approach to the Problem of Generating Milton Babbitt's All-partition Arrays

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    International audienceMilton Babbitt (1916–2011) was a composer of twelve-tone serial music noted for creating the all-partition array. One part of the problem in generating an all-partition array requires finding a covering of a pitch-class matrix by a collection of sets, each forming a region containing 12 distinct elements and corresponding to a distinct integer partition of 12. Constraint programming (CP) is a tool for solving such combinatorial and constraint satisfaction problems. In this paper, we use CP for the first time to formalize this problem in generating an all-partition array. Solving the whole of this problem is difficult and few known solutions exist. Therefore, we propose solving two sub-problems and joining these to form a complete solution. We conclude by presenting a solution found using this method. Our solution is the first we are aware of to be discovered automatically using a computer and differs from those found by composers

    The Music Sound

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    A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music
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