Reflexive transnational law : the privatisation of civil law and the civilisation of private law

The author examines the emergence of a transnational private law in alternative dispute resolution bodies and private norm formulating agencies from a reflexive law perspective. After introducing the concept of reflexive law he applies the idea of law as a communicative system to the ongoing debate on the existence of a New Law Merchant or lex mercatoria. He then discusses some features of international commercial arbitration (e.g. the lack of transparency) which hinder self-reference (autopoiesis) and thus the production of legal certainty in lex mercatoria as an autonomous legal system. He then contrasts these findings with the Domain Name Dispute Resolution System, which as opposed to Lex Mercatoria was rationally planned and highly formally organised by WIPO and ICANN, and which is allowing for self-reference and thus is designed as an autopoietic legal system, albeit with a very limited scope, i.e. the interference of abusive domain name registrations with trademarks (cybersquatting). From the comparison of both examples the author derives some preliminary ideas regarding a theory of reflexive transnational law, suggesting that the established general trend of privatisation of civil law need to be accompanied by a civilisation of private law, i.e. the constitutionalization of transnational private regimes by embedding them into a procedural constitution of freedom

The signature of the whole. Radical interconnectedness and its implications for global and environmental education

The author presents a holistic concept of Global Learning, concerning different scientific disciplines, spiritual suggestions and practical consequences. He interprets the global environmental crisis especially as a crisis of worldview, stamped by mechanistic belief. (DIPF/Orig.)Der Autor präsentiert ein holistisches Konzept Globalen Lernens in Auseinandersetzung mit verschiedenen Wissenschaftsdisziplinen, spirituellen Anregungen und praktischen Konsequenzen. Die globale Umweltkrise interpretiert er dabei v. a. als eine Krise der Betrachtung von Welt, die von mechanistischem Denken geprägt sei. (DIPF/Orig.

The EU-Directive on the Legal Protection of Databases and the Incentives to Update: An Economic Analysis

The database directive, initiated by the European Commission in 1992 and due to be finalised in the near future, establishes a two-tiered system of protection, amending copyright with a sui generis rule that grants protection against unfair extraction. The terms of protection are extended if the producter makes "substantial changes" to update the database. This paper analyses the incentive to update created by the database directive. In contrast to the usual findings of the literature on the incentive effects of intellectual property rights, we find that, although in most cases the incentives to update a database are insufficient from society's point of view, the possibility of extending the term of protection by making 'substantial changes' in the database may create an incentive for excessive updating. This leads to conclusions about what should be considered a substantial change -- Die in Datenbank-Direktive, deren endgültige Fassung in Kürze vorliegen wird, garantiert Datanbankproduzenten einen zweistufigen Schutz: Neben dem Urheberrecht existier ein sui generis Recht das vor unlauteren Auszügen schützt und dessen Schutzdauer sich verlängert, wenn der Produzent die Datenbank durch substantielle Änderungen aktualisiert. Dieses Papier befaßt sich mit den Anreizen zur Aktualisierung. Im Gegensatz zu den üblichen Anreizwirkungen von Rechten zum Schutz geistigen Eigentums ergibt sich hier ein Anreiz zu exzessiven Investitionen in die Aktualisierung von Datenbanken. Produzenten nehmen Aktualisierungen auch dann vor, wenn dies gesamtgesellschaftlich nicht wünschenswert ist. Aus dieser Erkenntnis ergeben sich Folgerungen für die Festlegung dessen, was als substantielle Änderung gelten sollte.Copyright,databases,updating

The electronic exchange of information and respect for private life, banking secrecy and the free internal market

The purpose of this essay is to assess the automatic exchange of information as described in EU Directive 2003/48 of 3 June 2003 on taxation of savings income in the form of interest payments with regard to the fundamental right of the individual to a private life, to banking secrecy and the freedoms on which the European internal market is based. The assessment reveals the conflicts of interests and values involved in the holding by banks (particularly those offering private banking services) of increasingly extensive, detailed and intimate information about their clients and in the automatic processing of that information by ever more powerful and sophisticated systems. Banking secrecy plays an essential role in protecting clients against the dangers which the disclosure of such information without their permission might produce. Banking secrecy exists not only in Luxembourg but also in many other European countries, and in Germany and France in particular it is not very different from the system applying in Luxembourg. While the French and German tax authorities do have some investigative powers not enjoyed by their Luxembourg counterparts, those powers are strictly circumscribed and cannot rely on the electronic exchange of information set out in EU Directive 2003/48/EC. While banking secrecy is totally incompatible with the electronic exchange of information, the core question is whether the latter can be reconciled with the respect for private life. In a Europe that sets itself up as the cradle of human rights, the general and en-masse exchange of private information cannot provide adequate and sufficient guarantees that the information exchanged will not be misused. The amount of interference in private life is clearly out of proportion to the public interest involved and is contrary to sub-section 2, article 8 of the European Convention for the Protection of Human Rights and Fundamental Freedoms and to articles 7 and 8 of the Charter of Fundamental Rights of the European Union. Since the automatic exchange of information at least potentially risks restricting the free flow of capital among Member States and discouraging the use of transborder banking services, its compliance with the fundamental principles of the internal market also needs to be closely examined. The restrictions imposed by such exchange very probably go beyond the limits within which the free movement of capital and services is possible. The European Court of Justice has found that there is no proportionality if the measures supposedly undertaken in the general interest are actually based on a general presumption of tax evasion or tax fraud. However, it would be true to say that the ECJ does not always examine the tax restrictions placed on the free movement of capital particularly thoroughly to ensure that they are necessary or proportionate. The economic effectiveness of the automatic exchange of information is far from being proved and involves significant cost to the banks providing the information and to the tax authorities using it. To date the system does not appear to have produced any significant new tax revenue nor does it prevent the continuing outflow of capital from Europe. Yet withholding at source, which respects individual and economic freedoms, does generate tax revenue that is cost-free to the State. Exchange of information on request in justified cases using the OECD Tax Convention on Income and Capital model does also fight tax fraud while at the same time providing citizens with the guarantees required to ensure their private lives are respected. A combination of these two systems - withholding at source and exchange of information on request in justified cases - would create the proper balance between the public and private interest that the automatic exchange of information cannot provide

25 Jahre empirische Sozialforschung in Deutschland: ausgewählte Aspekte der Umfrageforschung

Die vorliegende Ausgabe versammelt ausgewählte Literatur- und Forschungsnachweise ab dem Jahre 1987 zu den wissenschaftlichen Methoden der empirischen Sozialforschung in insgesamt sechs Kapiteln. Im ersten Kapitel sind Nachweise zu den Erhebungstechniken: Computer Assisted Telephone Interview (CATI), Computer Assisted Personal Interview (CAPI) und Computer-Assisted Self Interview (CASI) zusammengestellt. Das zweite Kapitel umfasst Arbeiten zu den internetgestützten Befragungen. Im Kapitel drei sind Nachweise aufgeführt, die sich mit der Stichprobenziehung beschäftigen, die sich aufgrund der wachsenden Zunahme an Cati-Festnetz und Cati-Mobil Umfragen sowie der internetgestützen Befragungen ergeben. Kapitel vier gibt einen Überblick über die Entwicklung von Längsschnittuntersuchungen, unter besonderer Berücksichtigung von (Online) Access Panels. Im fünften Kapitel sind schließlich Arbeiten aufgeführt, deren Inhalt Fragen zur Qualitätssicherung und den Qualitätsstandards behandeln. Schließlich werden in Kapitel sechs Arbeiten aufgeführt, die sich mit dem Datenschutz bzw. dem Recht auf informationelle Selbstbestimmung beschäftigen

Media masters and grassroot art 2.0 on Youtube

Communication in the Web 2.0 context mainly works through images. The online video platform YouTube uses this form of visual communication and makes art forms of Western societies visible through their online videos. YouTube, as cultural reservoir and visual archive of moving images, accommodates the whole range of visualising creative processes – from artistic finger exercises to fine arts. A general characteristic of YouTube is the publishing of small everyday gestures of the ‘big ones’ (politicians, stars), like small incidents and their clumsiness in everyday actions, e.g. Beyonce´s fall from the stage or Tom Cruise’s demonic pro-scientology interview. Through their viral distribution on different platforms, these incidents will never be covered up or disappear from the public view. At the same time big gestures and star images are replicated and sometimes reinterpreted by the ‘small people’ who present themselves in the poses and attitudes of the stars. Generally, a coexistence of different perspectives is possible. YouTube allows polysemic and polyvalent views on the everyday and media phenomena. This article relies on YouTube research 2 that started in 2006 at the New Media Department of the Goethe University of Frankfurt. The results of the research have already presented representative forms and basic patterns, that is to say, categories for the clips appearing here. These kinds of clips, recurring in the observation period, have an impact on the basic representation of art or artistic expression within moving images on this platform. Methodologically the focus leads to the investigation (which has to be adequate to the specifics of the medium, or ‘media adequate’) of new visual structures and forms which can create – consciously or unconsciously – an art form. After focusing on the media structures, it will be discussed whether any and, if so, which ‘authentic’ new forms were developed solely on YouTube and whether these forms are innovative and can be characterised as avant-garde. This article first takes a small step in evaluating how to get from a general communication through means of visuality in web 2.0, an often endless chatty cheesy visual noise 3 – to the special quality of a consciously created aesthetic. From where do innovative aesthetic forms emerge, related to their media structures? 4 Are they the products of ‘media amateurs’ 5 or do we have to find new specifications and descriptions for the producers? The definition of a ‘media amateur’ describes technically interested private individuals who acquire and develop technology before commercial use of the technology is even recognisable. Just as artists are developing their own techniques, according to Dieter Daniels, media amateurs are autodidacts who invent techniques, rather than just acquire knowledge about them (see for example the demo scene, the machinima, brickfilm producers as well as many areas of computer gaming in general 6). The media amateur directly intervenes in the production processes of the medium and does not just simply use the medium. What is fascinating is the media amateur’s process of self education – not the result – and the direct impact on the internal structure and the control of the medium. 7 Media amateurs open a previously culturally unformed space of experience. This only partially applies to most of the YouTube clips in the realms of the visual arts; it is here most important to look at the visual content. This article discusses all these concepts and introduces new descriptions for the different forms of production: the technically oriented media master, the do-it-yourselfer, the tinkerer, the amateur handicraftsman and the inventor. It outlines a basic research project on ‘visual media culture’ (a triangulation of research on media structure and iconography) of the presented online video platform. It is a product of the analysis of clips focusing on the media structure, analyzing the creative handling of images and the deviations and differences of pre-set media formats and stereotypes