The Invention of Traditional Knowledge

Sunder argues that the failure of intellectual property to recognize the contributions of traditional and natural sources cannot be rectified by mere payment and she posits a non-monetizable, non-utilitarian benefit in terms of worth or dignity in having one\u27s contribution as the subject labelled of an intellectual property right. Foregrounding the important role of raw materials in the process of innovation, cultural environmentalism helped provide a theoretical and political basis for recognition and recompense for the purveyors of those raw materials-often indigenous peoples who have cultivated the earth\u27s biodiversity and who hold traditional knowledge about that biodiversity. Moreover, focus on the effects on the poor of the cultural environmentalism metaphor through its reification of the division between raw and cooked knowledge, a conceptual separation long fundamental to intellecual property law

Green jobs from a small scale perspective : case studies from Malta

Sustainable energy policy and its potential to create green jobs in Malta, as seen from the point of view of Maltese civil society, provides the basis for a critical analysis of the development of environmental policies in Malta. The discussion is based on data emanating from a qualitative type of survey conducted among the key persons involved in the main organisations representing the Maltese civil society. What emerged from this data is that there is a high level of awareness among members of Maltese civil society about the need to create more green jobs and the formulation of an effective policy of sustainable development. Respondents stressed the challenges inherent in a small island sovereign state suffering from peripherality and insularity. However while acknowledging these constraints, respondents expressed a high degree of optimism about the implementation of an effective green policy. They maintain that part of the solution lies in devising innovative practices by means of which Maltese policy makers would exploit Malta’s geographical position and harness all possible material and human resources. However to achieve such a goal the process has be consultative and participative.European Parliamentpeer-reviewe

Sustainability in design: now! Challenges and opportunities for design research, education and practice in the XXI century

Copyright @ 2010 Greenleaf PublicationsLeNS project funded by the Asia Link Programme, EuropeAid, European Commission

Appropriation of Artisans' Intellectual Property in Fashion Design Accessories: Piracy Disguised as Giving Back?

Creative industries are industries focused on the creation and exploitation of intellectual property, including art, fashion design, and related creative services, such as advertisement and sales. During a trip to Burkina Faso in West Africa, Keri Fosse was taught by an African woman how to wrap newborns with fabric in a manner that creates a strong bond and frees the mother’s hands for other tasks. Burkina Faso has a craft culture and is known for its woven cotton and the textile art of Bogolan. Bogolan is a technique original to and involves the tradition of dyeing threads with bright colors, washing it skillfully, using coated and shiny Bazin, and using indigo from Benin. After this trip, Fosse and her husband developed a shirt which copies the African lady's, Lalabu's, technique. They developed a product called Soothe Shirt; and created a business called Lalabu. Lalabu is also the name of the African woman that the Fosses met. They have been successful. The Fosses have stated that they got the idea from Lalabu, but redesigned it for production. The couple advertises that they "giving back" by giving 2% percent of each purchase to help female African entrepreneurs through microfinancing. By offering micro-loans, the Fosses claim that when the African women repay the loan, they reinvest the money into the micro loan fund. This study advocates that practices like the Fosses' are not representative of socially responsible entrepreneurial endeavors. Instead, these are instances of intellectual property piracy. The following sections are a discussion of the relevant legal foundation, theoretical foundation, and existing best practices. With respect to best practices, what is missing is shared ownership. Although the open appropriation of fashion designs may he commonplace in America, the appropriation of cultural artisan crafts created in other countries by Americans beg special attention

Moving textile artisans' communties towards a sustainable future: a theoretical framework

The current economic crisis is building momentum for designers to challenge the linear take-make-waste model and explore sustainable strategies, services and systems. With this in mind, this research explores how service design can encourage textile artisans’ communities towards a sustainable future, providing social engagement, rescuing cultural heritage, boosting economic development and enhancing environmental stewardship. Service design is here proposed as an approach to empower such communities, co-design collaborative services and sustain innovations within an enabling ecosystem. The paper focuses on the first study of this research where a theoretical framework to help textile artisans’ communities transitioning to a sustainable future was co-developed with academic experts in the field. A Nominal Group Technique and semi-structure interviews were used to collect data; results and findings are presented as barriers, enablers and a manifesto to encourage a sustainable future. To conclude, next steps and challenges posed by the envisioned future are discussed