A Secret Image Sharing Based on Logistic-Chebyshev Chaotic Map and Chinese Remainder Theorem

Visual secret sharing (VSS) was introduced in order to solve information security issues. It is a modern cryptographic technique. It involves breaking up a secret image into $n$ secured components known as shares. The secret image is recovered with utmost secrecy when all of these shares are lined up and piled together. A (3, 3)-secret image sharing scheme (SIS) is provided in this paper by fusing the Chinese Remainder Theorem (CRT) and the Logistic-Chebyshev map (LC). Sharing a confidential image created with CRT has various benefits, including lossless recovery, the lack of further encryption, and minimal recovery calculation overhead. Firstly, we build a chaotic sequence using an LC map. The secret value pixel for the secret image is permuted in order to fend off differential attackers. To encrypt the scrambled image, we apply our CRT technique to create three shares. Finally, the security analysis of our (3, 3)-SIS scheme is demonstrated and confirmed by some simulation results

Cheetah: Lean and Fast Secure Two-Party Deep Neural Network Inference

Secure two-party neural network inference (2PC-NN) can offer privacy protection for both the client and the server and is a promising technique in the machine-learning-as-a-service setting. However, the large overhead of the current 2PC-NN in- ference systems is still being a headache, especially when applied to deep neural networks such as ResNet50. In this work, we present Cheetah, a new 2PC-NN inference system that is faster and more communication-efficient than state-of-the-arts. The main contributions of Cheetah are two-fold: the first part includes carefully designed homomorphic encryption-based protocols that can evaluate the linear layers (namely convolution, batch normalization, and fully-connection) without any expensive rotation operation. The second part includes several lean and communication-efficient primitives for the non-linear functions (e.g., ReLU and truncation). Using Cheetah, we present intensive benchmarks over several large-scale deep neural networks. Take ResNet50 for an example, an end- to-end execution of Cheetah under a WAN setting costs less than 2.5 minutes and 2.3 gigabytes of communication, which outperforms CrypTFlow2 (ACM CCS 2020) by about 5.6× and 12.9×, respectively

Application and Theory of Multimedia Signal Processing Using Machine Learning or Advanced Methods

This Special Issue is a book composed by collecting documents published through peer review on the research of various advanced technologies related to applications and theories of signal processing for multimedia systems using ML or advanced methods. Multimedia signals include image, video, audio, character recognition and optimization of communication channels for networks. The specific contents included in this book are data hiding, encryption, object detection, image classification, and character recognition. Academics and colleagues who are interested in these topics will find it interesting to read

Recent Developments in Smart Healthcare

Medicine is undergoing a sector-wide transformation thanks to the advances in computing and networking technologies. Healthcare is changing from reactive and hospital-centered to preventive and personalized, from disease focused to well-being centered. In essence, the healthcare systems, as well as fundamental medicine research, are becoming smarter. We anticipate significant improvements in areas ranging from molecular genomics and proteomics to decision support for healthcare professionals through big data analytics, to support behavior changes through technology-enabled self-management, and social and motivational support. Furthermore, with smart technologies, healthcare delivery could also be made more efficient, higher quality, and lower cost. In this special issue, we received a total 45 submissions and accepted 19 outstanding papers that roughly span across several interesting topics on smart healthcare, including public health, health information technology (Health IT), and smart medicine

Law and Policy for the Quantum Age

Law and Policy for the Quantum Age is for readers interested in the political and business strategies underlying quantum sensing, computing, and communication. This work explains how these quantum technologies work, future national defense and legal landscapes for nations interested in strategic advantage, and paths to profit for companies

Digital Light

Light symbolises the highest good, it enables all visual art, and today it lies at the heart of billion-dollar industries. The control of light forms the foundation of contemporary vision. Digital Light brings together artists, curators, technologists and media archaeologists to study the historical evolution of digital light-based technologies. Digital Light provides a critical account of the capacities and limitations of contemporary digital light-based technologies and techniques by tracing their genealogies and comparing them with their predecessor media. As digital light remediates multiple historical forms (photography, print, film, video, projection, paint), the collection draws from all of these histories, connecting them to the digital present and placing them in dialogue with one another. Light is at once universal and deeply historical. The invention of mechanical media (including photography and cinematography) allied with changing print technologies (half-tone, lithography) helped structure the emerging electronic media of television and video, which in turn shaped the bitmap processing and raster display of digital visual media. Digital light is, as Stephen Jones points out in his contribution, an oxymoron: light is photons, particulate and discrete, and therefore always digital. But photons are also waveforms, subject to manipulation in myriad ways. From Fourier transforms to chip design, colour management to the translation of vector graphics into arithmetic displays, light is constantly disciplined to human purposes. In the form of fibre optics, light is now the infrastructure of all our media; in urban plazas and handheld devices, screens have become ubiquitous, and also standardised. This collection addresses how this occurred, what it means, and how artists, curators and engineers confront and challenge the constraints of increasingly normalised digital visual media. While various art pieces and other content are considered throughout the collection, the focus is specifically on what such pieces suggest about the intersection of technique and technology. Including accounts by prominent artists and professionals, the collection emphasises the centrality of use and experimentation in the shaping of technological platforms. Indeed, a recurring theme is how techniques of previous media become technologies, inscribed in both digital software and hardware. Contributions include considerations of image-oriented software and file formats; screen technologies; projection and urban screen surfaces; histories of computer graphics, 2D and 3D image editing software, photography and cinematic art; and transformations of light-based art resulting from the distributed architectures of the internet and the logic of the database. Digital Light brings together high profile figures in diverse but increasingly convergent fields, from academy award-winner and co-founder of Pixar, Alvy Ray Smith to feminist philosopher Cathryn Vasseleu

Blown to Bits: Your Life, Liberty, and Happiness After the Digital Explosion

382 p.Libro ElectrónicoEach of us has been in the computing field for more than 40 years. The book is the product of a lifetime of observing and participating in the changes it has brought. Each of us has been both a teacher and a learner in the field. This book emerged from a general education course we have taught at Harvard, but it is not a textbook. We wrote this book to share what wisdom we have with as many people as we can reach. We try to paint a big picture, with dozens of illuminating anecdotes as the brushstrokes. We aim to entertain you at the same time as we provoke your thinking.Preface Chapter 1 Digital Explosion Why Is It Happening, and What Is at Stake? The Explosion of Bits, and Everything Else The Koans of Bits Good and Ill, Promise and Peril Chapter 2 Naked in the Sunlight Privacy Lost, Privacy Abandoned 1984 Is Here, and We Like It Footprints and Fingerprints Why We Lost Our Privacy, or Gave It Away Little Brother Is Watching Big Brother, Abroad and in the U.S. Technology Change and Lifestyle Change Beyond Privacy Chapter 3 Ghosts in the Machine Secrets and Surprises of Electronic Documents What You See Is Not What the Computer Knows Representation, Reality, and Illusion Hiding Information in Images The Scary Secrets of Old Disks Chapter 4 Needles in the Haystack Google and Other Brokers in the Bits Bazaar Found After Seventy Years The Library and the Bazaar The Fall of Hierarchy It Matters How It Works Who Pays, and for What? Search Is Power You Searched for WHAT? Tracking Searches Regulating or Replacing the Brokers Chapter 5 Secret Bits How Codes Became Unbreakable Encryption in the Hands of Terrorists, and Everyone Else Historical Cryptography Lessons for the Internet Age Secrecy Changes Forever Cryptography for Everyone Cryptography Unsettled Chapter 6 Balance Toppled Who Owns the Bits? Automated Crimes—Automated Justice NET Act Makes Sharing a Crime The Peer-to-Peer Upheaval Sharing Goes Decentralized Authorized Use Only Forbidden Technology Copyright Koyaanisqatsi: Life Out of Balance The Limits of Property Chapter 7 You Can’t Say That on the Internet Guarding the Frontiers of Digital Expression Do You Know Where Your Child Is on the Web Tonight? Metaphors for Something Unlike Anything Else Publisher or Distributor? Neither Liberty nor Security The Nastiest Place on Earth The Most Participatory Form of Mass Speech Protecting Good Samaritans—and a Few Bad Ones Laws of Unintended Consequences Can the Internet Be Like a Magazine Store? Let Your Fingers Do the Stalking Like an Annoying Telephone Call? Digital Protection, Digital Censorship—and Self-Censorship Chapter 8 Bits in the Air Old Metaphors, New Technologies, and Free Speech Censoring the President How Broadcasting Became Regulated The Path to Spectrum Deregulation What Does the Future Hold for Radio? Conclusion After the Explosion Bits Lighting Up the World A Few Bits in Conclusion Appendix The Internet as System and Spirit The Internet as a Communication System The Internet Spirit Endnotes Inde

Digital light

Light symbolises the highest good, it enables all visual art, and today it lies at the heart of billion-dollar industries. The control of light forms the foundation of contemporary vision. Digital Light brings together artists, curators, technologists and media archaeologists to study the historical evolution of digital light-based technologies. Digital Light provides a critical account of the capacities and limitations of contemporary digital light-based technologies and techniques by tracing their genealogies and comparing them with their predecessor media. As digital light remediates multiple historical forms (photography, print, film, video, projection, paint), the collection draws from all of these histories, connecting them to the digital present and placing them in dialogue with one another.Light is at once universal and deeply historical. The invention of mechanical media (including photography and cinematography) allied with changing print technologies (half-tone, lithography) helped structure the emerging electronic media of television and video, which in turn shaped the bitmap processing and raster display of digital visual media. Digital light is, as Stephen Jones points out in his contribution, an oxymoron: light is photons, particulate and discrete, and therefore always digital. But photons are also waveforms, subject to manipulation in myriad ways. From Fourier transforms to chip design, colour management to the translation of vector graphics into arithmetic displays, light is constantly disciplined to human purposes. In the form of fibre optics, light is now the infrastructure of all our media; in urban plazas and handheld devices, screens have become ubiquitous, and also standardised. This collection addresses how this occurred, what it means, and how artists, curators and engineers confront and challenge the constraints of increasingly normalised digital visual media.While various art pieces and other content are considered throughout the collection, the focus is specifically on what such pieces suggest about the intersection of technique and technology. Including accounts by prominent artists and professionals, the collection emphasises the centrality of use and experimentation in the shaping of technological platforms. Indeed, a recurring theme is how techniques of previous media become technologies, inscribed in both digital software and hardware. Contributions include considerations of image-oriented software and file formats; screen technologies; projection and urban screen surfaces; histories of computer graphics, 2D and 3D image editing software, photography and cinematic art; and transformations of light-based art resulting from the distributed architectures of the internet and the logic of the database.Digital Light brings together high profile figures in diverse but increasingly convergent fields, from academy award-winner and co-founder of Pixar, Alvy Ray Smith to feminist philosopher Cathryn Vasseleu