748 research outputs found
Modern meat: the next generation of meat from cells
Modern Meat is the first textbook on cultivated meat, with contributions from over 100 experts within the cultivated meat community.
The Sections of Modern Meat comprise 5 broad categories of cultivated meat: Context, Impact, Science, Society, and World.
The 19 chapters of Modern Meat, spread across these 5 sections, provide detailed entries on cultivated meat. They extensively tour a range of topics including the impact of cultivated meat on humans and animals, the bioprocess of cultivated meat production, how cultivated meat may become a food option in Space and on Mars, and how cultivated meat may impact the economy, culture, and tradition of Asia
The European Experience: A Multi-Perspective History of Modern Europe, 1500â2000
The European Experience brings together the expertise of nearly a hundred historians from eight European universities to internationalise and diversify the study of modern European history, exploring a grand sweep of time from 1500 to 2000. Offering a valuable corrective to the Anglocentric narratives of previous English-language textbooks, scholars from all over Europe have pooled their knowledge on comparative themes such as identities, cultural encounters, power and citizenship, and economic development to reflect the complexity and heterogeneous nature of the European experience. Rather than another grand narrative, the international author teams offer a multifaceted and rich perspective on the history of the continent of the past 500 years. Each major theme is dissected through three chronological sub-chapters, revealing how major social, political and historical trends manifested themselves in different European settings during the early modern (1500â1800), modern (1800â1900) and contemporary period (1900â2000). This resource is of utmost relevance to todayâs history students in the light of ongoing internationalisation strategies for higher education curricula, as it delivers one of the first multi-perspective and truly âEuropeanâ analyses of the continentâs past. Beyond the provision of historical content, this textbook equips students with the intellectual tools to interrogate prevailing accounts of European history, and enables them to seek out additional perspectives in a bid to further enrich the discipline
Ukraine's Many Faces Land, People, and Culture Revisited
Russia's large-scale invasion on the 24th of February 2022 once again made Ukraine the focus of world media. Behind those headlines remain the complex developments in Ukraine's history, national identity, culture and society. Addressing readers from diverse backgrounds, this volume approaches the history of Ukraine and its people through primary sources, from the early modern period to the present. Each document is followed by an essay written by an expert on the period, and a conversational piece touching on the ongoing Russian aggression against Ukraine. In this ground-breaking collection, Ukraine's history is sensitively accounted for by scholars inviting the readers to revisit the country's history and culture
The Handbook to English as a Lingua Franca Practices for Inclusive Multilingual Classrooms
This handbook is an important companion for future users of the ENRICH CPD Course, including, but not limited to: (a) pre- or in-service English language teachers who may wish to engage with the CPD materials and activities at their own pace; (b) teacher educators who would like to employ the CPD materials and activities with their own trainees; (c ) researchers in the fields which ENRICH revolves around (e.g., English as a Lingua Franca, multilingualism, English language pedagogy) who may be interested in finding out whether, and how, information gathered through ENRICH could inform their research studies; and (d) members of educational policy- making organisations and institutions which may want to explore the relevance of ENRICH to their own professional endeavours. It is divided into five main chapters where the ENRICH project is firstly introduced, followed by an explanation of the needs analysis for the development of the CPD Course, a rationale for the target audience, a detailed description of each of the CPD Course sections, and a final reflection on the evaluation of the Course and lessons learnt.info:eu-repo/semantics/publishedVersio
Voicing Kinship with Machines: Diffractive Empathetic Listening to Synthetic Voices in Performance.
This thesis contributes to the field of voice studies by analyzing the design and production of synthetic voices in performance. The work explores six case studies, consisting of different performative experiences of the last decade (2010- 2020) that featured synthetic voice design. It focusses on the political and social impact of synthetic voices, starting from yet challenging the concepts of voice in the machine and voice of the machine. The synthetic voices explored are often playing the role of simulated artificial intelligences, therefore this thesis expands its questions towards technology at large. The analysis of the case studies follows new materialist and posthumanist premises, yet it tries to confute the patriarchal and neoliberal approach towards technological development through feminist and de-colonial approaches, developing a taxonomy for synthetic voices in performance. Chapter 1 introduces terms and explains the taxonomy. Chapter 2 looks at familiar representations of fictional AI. Chapter 3 introduces headphone theatre exploring immersive practices. Chapters 4 and 5 engage with chatbots. Chapter 6 goes in depth exploring Human and Artificial Intelligence interaction, whereas chapter 7 moves slightly towards music production and live art. The body of the thesis includes the work of Pipeline Theatre, Rimini Protokoll, Annie Dorsen, BeguÌm Erciyas, and Holly Herndon. The analysis is informed by posthumanism, feminism, and performance studies, starting from my own practice as sound designer and singer, looking at aesthetics of reproduction, audience engagement, and voice composition. This thesis has been designed to inspire and provoke practitioners and scholars to explore synthetic voices further, question predominant biases of binarism and acknowledge their importance in redefining technology
MY AUSCHWITZ STATE OF MIND: A study of the nature of emergence of a text in relation to Auschwitz
While this thesis is presented as divided into two parts (a creative, Knowing Auschwitz, and a critical, The Other Auschwitz), I ask the reader to read it as two movements that intersect in one hybrid-inclined text, a text that can only exist when the two parts are interpenetrated.
Both parts are equally a documentation of my research by practice and the outcome of my research by practice. They are not so much de Certeauâs crossword decoding stencil, but a puzzle filled out in response to the question that I set myself at the start.This thesis uses practice-based research to ask how I can write a textual deep map from an investigation of Auschwitz-Birkenau. As a key part of the research, I made repeated visits to the environs of Auschwitz-Birkenau, walking and cycling extensively around the area in a search for contemporary fragments in the landscape, for example buildings, routes, sites, landmarks, place names, signposts and found objects. I used my own collection of guides, documents, textual, cartographic and photographic fragments and other ephemera related to the town and the Auschwitz museum in addition to support from the Auschwitz Museum itself and external archives such as the Arolsen Archives (âInternational Center on the Nazi Era - Arolsen Archives,â n.d.) and the Weiner Holocaust Library (âHome - The Wiener Holocaust Libraryâ n.d.) in London. These all acted as points of departure as I embarked on making my deep map.
The research translates into a complex textual map of my subject combining autoethnographic stories with tales from psychogeographical drift, non-fiction examinations of place and semi-fictionalised histories. The research is presented as two conjoined texts, one a form of creative non-fiction and the other a critical reflexion, which between them constitute an examination of how a place as imbued with meaning as Auschwitz can be written about in a new way.
I refer to the writings of a variety of writers, philosophers and theorists, including Giorgio Agambenâs spatial grey area, or soglia , Walter Benjaminâs âalternative model for organising things in the field of knowledgeâ and Charlotte Delboâs entrances, exits, boundaries and markers that delineate Birkenau.
My process is deeply personal and predicated on a form of personal exposure to the landscape with few specific notions or processes of exploration. A process of constant sorting is fundamental to my production as I examine place as a series of complex, palimpsestic texts
Ukraine's Many Faces: Land, People, and Culture Revisited
Russia's large-scale invasion on the 24th of February 2022 once again made Ukraine the focus of world media. Behind those headlines remain the complex developments in Ukraine's history, national identity, culture and society. Addressing readers from diverse backgrounds, this volume approaches the history of Ukraine and its people through primary sources, from the early modern period to the present. Each document is followed by an essay written by an expert on the period, and a conversational piece touching on the ongoing Russian aggression against Ukraine. In this ground-breaking collection, Ukraine's history is sensitively accounted for by scholars inviting the readers to revisit the country's history and culture
Writing a Future State: Spatial Imaginaries of German Jewish Literature, 1885â1932
This dissertation provides a literary history of German Zionist literature in the late nineteenth and early twentieth centuries. Throughout, the analyses attend to the German Jewish context and literary specificity of each text. In so doing, they reflect on the manner in which each text constructs space and place as a means to reflect on what it means to be Jewish in the modern world. The first chapter discusses Edmund Menachem Eislerâs Ein Zukunftsbild (1885) and situates it in its German Jewish emancipatory context with special attention to its relationship to the tradition of German Jewish middlebrow literature. The second chapter reads Theodor Herzlâs Das neue Ghetto (1897) and Altneuland (1902) as reflecting the lessons and problems of the German Jewish emancipatory project, something made legible in the spatial imagination and organization at the heart of both works. The dissertation then continues with a discussion of Der Verschollene (1927), reading Kafkaâs first novel as a meditation on the desirability and pitfalls of literary utopias made real. It concludes with a reading of Arnold Zweigâs De Vriendt kehrt heim (1932), understanding the work as an expression of the authorâs disenchantment with the violent nationalism he then saw as emerging in the Yishuv. It understands Zweigâs novel as an attempt to recuperate an alternative nationalism informed by an ethical Jewish tradition. In total, these readings reconstruct a literary genealogy of German Jewish texts that functioned as an important location for dreaming about, questioning, and critiquing the modern Zionist movement in the years before 1932.Doctor of Philosoph
Understanding virus and microbial evolution in wildlife through meta-transcriptomics
Wildlife harbors a substantial and largely undocumented diversity of RNA viruses and microbial life forms. RNA viruses and microbes are also arguably the most diverse and dynamic entities on Earth. Despite their evident importance, there are major limitations in our knowledge of the diversity, ecology, and evolution of RNA viruses and microbial communities. These gaps stem from a variety of factors, including biased sampling and the difficulty in accurately identifying highly divergent sequences through sequence similarity-based analyses alone. The implementation of meta-transcriptomic sequencing has greatly contributed to narrowing this gap. In particular, the rapid increase in the number of newly described RNA viruses over the last decade provides a glimpse of the remarkable diversity within the RNA virosphere. The central goal in this thesis was to determine the diversity of RNA viruses associated with wildlife, particularly in an Australian context. To this end I exploited cutting-edge meta-transcriptomic and bioinformatic approaches to reveal the RNA virus diversity within diverse animal taxa, tissues, and environments, with a special focus on the highly divergent "dark matter" of the virome that has largely been refractory to sequence analysis. Similarly, I used these approaches to detect targeted common microbes circulating in vertebrate and invertebrate fauna. Another important goal was to assess the diversity of RNA viruses and microbes as a cornerstone within a new eco-evolutionary framework. By doing so, this thesis encompasses multiple disciplines including virus discovery, viral host-range distributions, microbial-virus and hostâparasite interactions, phylogenetic analysis, and pathogen surveillance. In sum, the research presented in this thesis expands the known RNA virosphere as well as the detection and surveillance of targeted microbes in wildlife, providing new insights into the diversity, evolution, and ecology of these agents in nature
From Bluebeard's castle to the white world of dreams : constrictions and constructions in Angela Carter's prose fiction
Angela Carter's death in 1992 heralded a surge of popularity and tributes. These latter tended to cast her as a "fairy godmother" or "white witch", labels which this thesis takes as starting points in its examination of the roles of author, narrator, hero, environment and reader; their interchangeability; and mutual affect. It focuses on the construction of the subject and her or his environment in Carter's fiction, measuring their interaction by way of generic filters, criticism, interviews and journalism.
The introduction examines Carter's strategies and agenda within this context by way of a historical exploration of the Western subject's perception of her/his surroundings, with particular regard to the postmodern and feminist viewpoints. This is followed by an account of Carter's own publishing history envisaged as a landscaped, picaresque journey which typifies her characteristic blend of idealism and pragmatics. Her juxtaposition of the fantastical with the familiar continues to resurface as part of the debate in subsequent chapters, which use a succession of literary and cultural tools to illumine her texts in the light of the main project. Thus: her short fictions, radio plays and the film The Company of Wolves are examined as fairy tales; The Magic Toyshop and Heroes and Villainsexplored using theories of the Gothic and the dystopia; Love and The Infernal Desire Machines of Doctor Hoffman assessed in light of pornography and the picaresque; The Passion of New Eve viewed in terms of constructions of gender; and Nights at the Circus and Wise Children seen alongside theories carnival and of time. Elements of film theory, urban studies and architecture are threaded throughout, and some conclusions are offered through a reading of the important tropes of dream and labyrinth in American Ghosts and Old World Wonders.
Always, subversive and unpredictable, Carter's writing can nevertheless be viewed as a succession of rewritings depicting an evolution of a subject initially vulnerable to but ultimately able to manipulate history. This is signalled most clearly by the early figure of the witch-hysteric. She is gradually transformed into the sibyl-prophetess of the later texts, while in a parallel dynamic, the environment's external threatening constructions have been dismantled in favour of a self-fashioning world full of possibility
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