13,677 research outputs found

    The relation between language and theory of mind in development and evolution

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    Considering the close relation between language and theory of mind in development and their tight connection in social behavior, it is no big leap to claim that the two capacities have been related in evolution as well. But what is the exact relation between them? This paper attempts to clear a path toward an answer. I consider several possible relations between the two faculties, bring conceptual arguments and empirical evidence to bear on them, and end up arguing for a version of co-evolution. To model this co-evolution, we must distinguish between different stages or levels of language and theory of mind, which fueled each other’s evolution in a protracted escalation process

    "Esprimere la voce humana": Connections between Vocal and Instrumental Music by Italian Composers of the Early Seventeenth Century

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    Several points of intersection exist between vocal and instrumental music by Italian composers of the early seventeenth century. First, like books of vocal monody with an overt pedagogical purpose, volumes of instrumental music may have been designed to instruct the performer in the conventions of the modern style. Specifically, many books published in the 1610s and '20s offer their users a window on the changeable, fluid idiom of the stile moderno, in which contrast of musical material and a posture of invention assumes primary importance. Second, as in recitative and other vocal styles, much of the vocal and instrumental music of the early seventeenth century is dominated by a metrical flexibility that similarly contributes to an air of immediacy, and that seems designed to highlight the emotional qualities of the music--to convey and move the affetti . And third, whereas the theatrical nature of vocal music of the period--especially music destined for the stage--may appear obvious, some instrumental music of the period may be equally theatrical, containing instructions for interaction with an audience, staging, imitation, and role-play. These points of intersection in particular suggest a relationship between the instrumental stile moderno and the vocal stile rappresentativo, prevalent in operas, ensemble madrigals, and solo songs in the early 1600s. Although no single, exclusive definition of the stile rappresentativo exists, it is nevertheless possible to trace a constellation of features associated with that term through a variety of works. Despite the divergence of the specific musical language of the vocal and instrumental repertoires, some of the vocal features are analogous to elements of instrumental music discussed in the article

    Towards a complete multiple-mechanism account of predictive language processing [Commentary on Pickering & Garrod]

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    Although we agree with Pickering & Garrod (P&G) that prediction-by-simulation and prediction-by-association are important mechanisms of anticipatory language processing, this commentary suggests that they: (1) overlook other potential mechanisms that might underlie prediction in language processing, (2) overestimate the importance of prediction-by-association in early childhood, and (3) underestimate the complexity and significance of several factors that might mediate prediction during language processing

    An integrated theory of language production and comprehension

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    Currently, production and comprehension are regarded as quite distinct in accounts of language processing. In rejecting this dichotomy, we instead assert that producing and understanding are interwoven, and that this interweaving is what enables people to predict themselves and each other. We start by noting that production and comprehension are forms of action and action perception. We then consider the evidence for interweaving in action, action perception, and joint action, and explain such evidence in terms of prediction. Specifically, we assume that actors construct forward models of their actions before they execute those actions, and that perceivers of others' actions covertly imitate those actions, then construct forward models of those actions. We use these accounts of action, action perception, and joint action to develop accounts of production, comprehension, and interactive language. Importantly, they incorporate well-defined levels of linguistic representation (such as semantics, syntax, and phonology). We show (a) how speakers and comprehenders use covert imitation and forward modeling to make predictions at these levels of representation, (b) how they interweave production and comprehension processes, and (c) how they use these predictions to monitor the upcoming utterances. We show how these accounts explain a range of behavioral and neuroscientific data on language processing and discuss some of the implications of our proposal

    Paratragedy in Plato\u27s Gorgias

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